Track or Tracks may refer to:
A song is a single (and often standalone) work of music intended to be sung by the human voice with distinct and fixed pitches and patterns using sound and silence and a variety of forms that often include the repetition of sections. Written words created specifically for music or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs in a simple style that are learned informally are often referred to as folk songs. Songs that are composed for professional singers are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers and lyricists. Art songs are composed by trained classical composers for concert performances. Songs are performed live and recorded. Songs may also appear in plays, musical theatre, stage shows of any form, and within operas.
A trail is usually a path, track or unpaved lane or road, though the term is also applied, in North America, to routes along rivers, and sometimes to highways. In the United Kingdom and the Republic of Ireland path or footpath is the preferred term for a walking trail. Some trails are single use and can only be used for walking, cycling, horse riding, snow shoeing, cross-country skiing, etc., others, as in the case of a bridleway in the UK, are multi-use, and can be used by walkers, cyclists and equestrians.
There are also unpaved trails used by dirt bikes and other off road vehicles. In some places, like the Alps, trails are used for moving cattle and other livestock (see transhumance). In the US historically, the term was used for a route into or through wild territory used by emigrants (e.g. the Oregon Trail).
In Australia, the term track can be used interchangeably with trail, and can refer to anything from a dirt road to an unpaved pedestrian path. The term trail gained popularity during World War II, when many servicemen from the United States were stationed in Australia, which probably influenced its being adopted by elements of the Australian media at the time (see Kokoda Track).
Seaside, a studio album by English jazz pianist/vocalist Liane Carroll, was released on 18 September 2015 on Linn Records and received four-starred reviews in The Guardian, The Observer and Mojo magazine. The title track was written by Joe Stilgoe.
Reviewing the album for Scottish national newspaper The Herald, Keith Bruce described it as "not only Carroll's best disc, but one of the finest non-classical releases in the Linn catalogue". Jim Burlong, writing for Jazz Views, said: "This is a wonderful album by one of our greatest jazz talents so full of quality and diversity. I doubt if there will be a better vocal based recording issued anywhere this year."Dave Gelly, who gave the album four stars in his review for The Observer, described the title track as "a haunting piece, beautifully arranged, which brings out her extraordinary ability to absorb the essence of a song and deliver it with such candour that you scarcely notice the artistry involved".John Fordham, in a four-starred review for The Guardian, described the Seaside album as "casually expressive, unblinkingly honest, and often charmingly autobiographical" and said that only "the superb British standards-and-ballads singer Liane Carroll" could make an album like this one. In a four-starred review for Mojo Fred Dellar described it as "jazz of the highest quality". Peter Quinn, for Jazzwise, said: "Liane Carroll has that rare ability to meld effortless, often transcendent vocal and piano technique, with heart stopping emotion and soul bearing power. It should be no surprise then that her latest album, Seaside, combines all this with a savvy sophistication befitting of one of Britain’s finest jazz singers". Writing also in The Arts Desk, Quinn described Carroll's album as one of 2015's "outstanding vocal jazz releases... a sublime 10-track love letter to her home town of Hastings".
Babylon is a station on the Long Island Rail Road in the village of Babylon, New York at Railroad Avenue west of Deer Park Avenue (Suffolk CR 34). It is on the Montauk Branch, and is the eastern terminus of the Babylon Branch service. To the west is the junction (Belmont Junction) with the Central Branch, which heads northwest to join the Main Line at Beth Interlocking southeast of the Bethpage station. Babylon station is elevated with two island platforms and is wheelchair accessible through elevator access. The electrified portion of the Montauk Branch ends east of the station. Babylon is 38.9 miles from Penn Station (in Manhattan, New York City), and travel time is 50 minutes to 1 hour 16 minutes, depending on the number of stops.
105.3 Seaside FM (originally known as Seaside Radio) is an Independent Community Radio station based in Withernsea, East Riding of Yorkshire, England. Seaside FM has previously had a Restricted Service Licence, which allowed short periods on-air.
105.3 Seaside FM is based within the South Holderness Resource Centre (also known as the SHoRes Centre) on Seaside Road in the south Holderness town of Withernsea. This follows a move from rented premises at 27 Seaside Road, in between AJ's Cafe and the South Holderness Resource Centre.
"Seaside Radio Ltd" was originally set up by former Holderness Gazette editor Lyz Turner in 2003, along with other volunteers such as Carl Slaughter and Luke Cullen. It was part of a community based communication and entertainment radio project.
However, Seaside FM actually dates back to Easter 2001 when a temporary broadcast was set up in Keyingham known then as Seaside Radio, the signal was also picked up in both Withernsea and the borders of Kingston upon Hull. After the broadcast, it was thought that Seaside Radio could be developed further.