Look or The Look may refer to:
Look is a French manufacturer of high-end ski bindings, bicycle frames, equipment, and apparel.
Established in Nevers, France in 1951, Look was originally a ski equipment manufacturer. The company produces bindings under its own name and others such as Rossignol and Dynastar. The partnership with Rossignol (which later merged with Dynastar) made Look a leading binding manufacturer along with the Marker brand. Look pioneered a new binding, that set it apart from Marker in freestyle. This was branded with the pivot system (FKS for Rossignol). Following a change in ownership, it was replaced in 2008 with the PX series.
In the 1980s Look introduced a clipless pedal for cycling based on equipment for ski bindings. A spring-loaded latch on the top of the pedal held a cleat that was bolted to the sole of a shoe, a twist of the foot releasing the hold. They are called pédales automatiques (automatic pedals) in French. They were sold from 1984, and in 1985 Bernard Hinault used them to win the Tour de France. They were said to be safer and more comfortable than toe-clips. By 2000 the pedal was in widespread use on road bikes ("racing" bikes), track bikes, and mountain bikes, especially among experienced riders.
Look (Hebrew: לוק Luk) is an modeling agency founded in 1988. Since 2005, it has been owned by Amelia Hayes. Every year the winner of Miss Israel is given a contract, together with the weekly magazine La'Isha.
Scuba may refer to:
Paul Rose, usually known as Scuba (also known by his SCB alias), is a British electronic musician now based in Berlin. He has released four albums, two EP's and a handful of compilation and mix albums. His style has been described as dubstep with a later 'shift toward a brighter and more eclectic approach to production'. In 2013 he won an award for Best Live Act from DJ Magazine.
Rose founded the Hotflush Recordings label, where he released material by Mount Kimbie, Benga and Joy Orbison alongside his own music.
In 2007, Rose decided to move to Berlin. He cited the reasons for it as wanting to leave London while he 'just started to make a living from making music and the position I was in musically was one that I wasn’t particularly enjoying'. He had performed a number of shows in Berlin before and maintained that he 'wanted to get away from London and nowhere in the UK would have fitted'. Berlin became his choice of residence partly as his friend Jaime Teasdale from Vex’d had moved there.
Beast Wars II: Super Life-Form Transformers (ビーストウォーズⅡ 超生命体トランスフォーマー, Bīsuto Wōzu Sekando: Chō Seimeitai Toransufōmā) is a 1998 Japanese Transformers anime series, spawning a movie and a toyline. It was broadcast on TV Tokyo from April 1998 to January 1999, and was the first Transformers anime to be produced by Nihon Ad Systems and animated by the studio Ashi Productions. While its position in the Transformers continuity has previously been unknown, the IDW Publishing comic book mini-series Beast Wars: The Gathering and comments from Transformers writer Simon Furman have shown it is part of the Beast Wars continuity. The series was preceded by Beast Wars, and was followed by Super Life-Form Transformers: Beast Wars Neo. Voices are done by Hozumi Gōda and each episode runs for 30 minutes. This anime was succeeded by Beast Wars Neo. The series has a much lighter tone and is aimed more towards children, whereas the more accessible Beast Wars was intended for a wider age range. The series also uses conventional animation rather than CGI. With the exceptions of the faction leaders, all of the characters within the series are either re-molds or re-colors of earlier Beast Wars figures or Generation 2/Machine Wars figures.