Script may refer to:
A screenplay or script is a written work by screenwriters for a film, video game, or television program. These screenplays can be original works or adaptations from existing pieces of writing. In them, the movement, actions, expression, and dialogues of the characters are also narrated. A play for television is also known as a teleplay.
The format is structured in a way that one page usually equates to one minute of screen time. In a "shooting script", each scene is numbered, and technical direction may be given. In a "spec" or a "draft" in various stages of development, the scenes are not numbered, and technical direction is at a minimum. The standard font for a screenplay is 12 point, 10 pitch Courier Typeface.
The major components are action and dialogue. The "action" is written in the present tense. The "dialogue" are the lines the characters speak. Unique to the screenplay (as opposed to a stage play) is the use of slug lines.
A slug line, also called a master scene heading, occurs at the start of every scene, and is usually made up of three parts. Part one states whether the scene is set inside (interior/INT.) outside (exterior/EXT.), or both. Part two states location of the scene. Part three, separated from Part two by a hyphen, refers to the time of the scene. Each slug line begins a new scene. In a shooting script, the slug lines are numbered consecutively. These scene numbers serve as mile-post markers in a script. This allows any part of the script to be referred to by scene number.
Script typefaces are based upon the varied and often fluid stroke created by handwriting. They are organized into highly regular formal types similar to cursive writing and looser, more casual scripts.
A majority of formal scripts are based upon the letterforms of seventeenth and eighteenth century writing-masters like George Bickham, George Shelley and George Snell. The letters in their original form are generated by a quill or metal nib of a pen. Both are able to create fine and thick strokes. Typefaces based upon their style of writing appear late in the eighteenth century and early nineteenth century. Contemporary revivals of formal script faces can be seen in Kuenstler Script and Matthew Carter's typeface Snell Roundhand. These typefaces are frequently used for invitations and diplomas to effect an elevated and elegant feeling.
Casual scripts show a less formal, more active hand. The strokes may vary in width but often appear to have been created by wet brush rather than a pen nib. They appear in the early twentieth century and with the advent of photocomposition in the early-1950s their number rapidly increased. They were popularly used in advertising in Europe and North America into the 1970s. Examples of casual script types include Brush Script, Kaufmann and Mistral.
I, I wish you could swim
Like the dolphins, like dolphins can swim
Though nothing
Nothing will keep us together
We can beat them, for ever and ever
Oh we can be heroes
Just for one day
I, I will be king
And you, you will be queen
Though nothing will drive them away
We can be heroes, just for one day
We can be us, just for one day
I, I can remember (I remember)
Standing, by the wall (By the wall)
And the guns shot above our heads (Over our heads)
And we kissed
This though nothing could fall (Nothing could fall)
And the shame was on the other side
Oh we can beat them, for ever and ever
Then we could be heroes
Just for one day
(3x)
We can be heroes
Just for one day
We can be heroes