Man (Middle-earth)

In J. R. R. Tolkien's Middle-earth books, such as The Hobbit and The Lord of the Rings, the terms Man and Men refer to humankind – in contrast to Elves, Dwarves, Orcs and other humanoid races – and does not denote gender.

The Elves call the race of Men Atani in Quenya, literally meaning "Second People" (the Elves being the First), but also Hildor (Followers), Apanónar (After-born), and Fírimar or Firyar (Mortals). Less charitably they were called Engwar (The Sickly), owing to their susceptibility to disease and old age, and their generally unlovely appearance in the Elves' eyes. The name Atani becomes Edain in Sindarin, but this term is later applied only to those tribes of Men who are friendly to the Elves. Other names appear in Sindarin as Aphadrim, Eboennin, and Firebrim or Firiath.

Origins

The race of Men is the second race of beings created by the One God, Ilúvatar. Because they awoke at the start of the Years of the Sun, while the Elves awoke at the start of the First Age during the Years of the Trees, they are called the Afterborn by the Elves.

Men (deity)

Men (Greek: Μήν, Latin: Mensis, also known at Antioch in Pisidia as Men Ascaënus) was a god worshipped in the western interior parts of Anatolia. The roots of the Men cult may go back to Mesopotamia in the fourth millennium BC. Ancient writers describe Men as a local god of the Phrygians.

Lunar symbolism dominates his iconography. The god is usually shown with a crescent like open horns on his shoulders, and he is described as the god presiding over the months. He is depicted with a Phrygian cap and a belted tunic. He may be accompanied by bulls and lions in religious artwork. The iconography of Men partly recalls that of Mithras, who also wears a Phrygian cap and is commonly depicted with a bull and symbols of the sun and moon.

The Augustan History has the Roman emperor Caracalla venerate Lunus at Carrhae; this has been taken as a Latinized name for Men. The same source records the local opinion that anyone who believes the deity of the moon to be feminine shall always be subject to women, whereas a man who believes that he is masculine will dominate his wife. David Magie, however, disputes the identification of this ‘Lunus’ with Men, and suggests that Caracalla had actually visited the temple of Sin.

32 Men

The 32 Men (Danish: Stadens 32 mænd) were the leading merchants of Copenhagen, who had the right to demand an audience before the king.

Scream (Six Flags)

Scream! is a tower ride at Six Flags Fiesta Texas in San Antonio, Texas and Six Flags New England in Agawam, Massachusetts. Designed by S&S Worldwide, Scream! shoots riders up in the air, drops them half of the way, brings them back up and drops them again. Both rides are nearly 20 stories high.

Six Flags Fiesta Texas

Scream at Six Flags Fiesta Texas in San Antonio, Texas opened on March 13, 1999, in the Rockville section of the park. It first opened with two towers, then on May 28, 1999, the third tower opened. It was the very first combo tower from S&S Power, combining the ride actions of both a Turbo Drop and Space Shot in one ride cycle. The ride was fabricated by Intermountain Lift, Inc.

Six Flags New England

Scream! at Six Flags New England in Agawam, Massachusetts opened in 1998, in the Main Street section as Hellevator, as painted red. Then in 2000 they expanded the ride to feature two more towers and painted the ride white. The two new towers can feature a Turbo Drop, Space Shot, and Double Shot modes, while the original tower can only operate the Turbo Drop mode.

Scream (Chris Cornell song)

"Scream" is a song by American singer–songwriter Chris Cornell, from his third solo studio album, Scream. "Scream" is the first official single for the US (and fourth overall) and was released on September 22, 2008. Timbaland is featured in the interlude of the song (but is not a featured artist on the song, in particular).

Music video

A video was also shot for the album's title track, with director Alan Ferguson (Fall Out Boy, Gym Class Heroes). Filmed in Orange, California, the clip reflects the feel of the album, he said.

"The idea Alan had for the video, which is pretty ingenious, is sort of capturing the two moods of the music," he said. "There's kind of two things going on. It's a record that's 111 beats per minute, which is fast. But the music and lyrics and the vocals are actually kind of slow and relaxed and flowing over this beat that's pretty uptempo and kind of chaotic and excited. The way Alan's shot the video, he's shooting both at the same time. My role in the video is performing the song in super-slow-motion, where I'm existing in this Zen-like world, singing these song lyrics and everything going on around me is super-fast, super-chaotic, and I'm just suspended in it. It's a filmic piece that has something to say about the song lyrics and the feel of the music. It's going to be very much a cinematic video.

Scream (Kelis song)

"Scream" is a song performed by American recording artist Kelis, taken from her fifth studio album, Flesh Tone. The up-tempo electro-dance, techno synthpop song was written by Kelis and Jean Baptiste, and co-written and produced by David Guetta and El Tocadisco. It was released in October 2010, as the album's third single by will.i.am music, to coincide with the European leg of the Kelis' All Hearts tour. It was mainly met with positive reception from music critics, who praised the song's genre-shifting production and the empowering message in Kelis' lyrics.

Described as a song which lends itself to live performances, "Scream" was compared to songs by Dutch disc-jockey Fedde Le Grand, although critics noted that Kelis' vocals were layered as opposed to sung. An accompanying music video was directed by Rankin, and features several different scenes based on fashion and colors. Kelis is seen in couture outfits and neon bodypaint, as well as running on a treadmill in a London estate. The video was also produced in digital 3-D. "Scream" was performed live on The Alan Titchmarsh Show and the Summer Sets concert series for Vevo. "Scream" became a minor hit in Belgium, where it reached top-twenty on the Flanders Ultratip chart.