Science fiction studies is the common name for the academic discipline that studies and researches the history, culture, and works of science fiction and, more broadly, speculative fiction.
The modern field of science fiction studies is closely related to popular culture studies, a subdiscipline of cultural studies, and film and literature studies. Because of the ties with futurism and utopian works, there is often overlap with these fields as well. The field also has spawned subfields, such as feminist science fiction studies.
However, the field's roots go back much further, to the earliest commentators who studied representations of the sciences in the arts and literature, and explorations of utopian and social reform impulses in fantastic and visionary works of art and literature.
Modern science fiction criticism may have started with Dorothy Scarborough, who in 1917 included a chapter on "Supernatural Science" in her doctoral dissertation, published as The Supernatural in Modern English Fiction.
Science Fiction Studies (SFS) is an academic journal founded in 1973 by R.D. Mullen. The journal is published three times per year at DePauw University. As the name implies, the journal publishes articles and book reviews on science fiction, but also occasionally on fantasy and horror when the topic also covers some aspect of science fiction as well. Known as one of the major academic publications of its type, Science Fiction Studies is considered the most "theoretical" of the academic journals that publish on science fiction.
SFS has had three different institutional homes during its lifetime. It was founded in 1973 at Indiana State University by the late English professor Dr. R.D. Mullen, where it remained for approximately five years. In 1978, it moved to McGill University and then to Concordia University in Montreal, Canada, where it was supported by a Canadian government grant until 1991. SFS was brought back to Indiana to DePauw University in 1992 where it has remained ever since. The parent company of SFS is SF-TH Inc., a not-for-profit corporation established under the laws of the State of Indiana. Dr. Arthur B. Evans (DePauw University) serves as president of SF-TH Inc. and managing editor of SFS. The other senior editors of SFS are Dr. Istvan Csicsery-Ronay, Jr. (DePauw University), Dr. Joan Gordon (Nassau Community College), Dr. Veronica Hollinger (Trent University), Dr. Rob Latham and Dr. Sherryl Vint (both at the University of California at Riverside), and Dr. Carol McGuirk (Florida Atlantic University).
Science fiction is a genre of speculative fiction dealing with imaginative concepts such as futuristic settings, futuristic science and technology, space travel, time travel, faster than light travel, parallel universes and extraterrestrial life. Science fiction often explores the potential consequences of scientific and other innovations, and has been called a "literature of ideas." It usually eschews the supernatural, and unlike the related genre of fantasy, historically science fiction stories were intended to have at least a faint grounding in science-based fact or theory at the time the story was created, but this connection has become tenuous or non-existent in much of science fiction.
Science fiction is difficult to define, as it includes a wide range of subgenres and themes. Author and editor Damon Knight summed up the difficulty, saying "science fiction is what we point to when we say it", a definition echoed by author Mark C. Glassy, who argues that the definition of science fiction is like the definition of pornography: you do not know what it is, but you know it when you see it.
Science fiction is a genre of fiction dealing with the impact of imagined innovations in science or technology.
Science Fiction may also refer to:
Recursive science fiction is a subgenre of science fiction, which itself takes the form of an exploration of science fiction within the narrative of the story.
In the book Resnick at Large, authors Mike Resnick and Robert J. Sawyer describe recursive science fiction as, "science fiction about science fiction". In the work, The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders, Gary Westfahl comments, "Recursive fantasy fiction – that is, a fantasy about writing fantasy – is scarce;" one potential example of recursive fantasy, however, would be Patrick Rothfuss' The Kingkiller Chronicle.
Mike Resnick and Robert J. Sawyer cite Typewriter in the Sky by L. Ron Hubbard as an example of recursive science fiction. Gary Westfahl writes, "Luigi Pirandello's play Six Characters in Search of an Author (1921) offered a non-genre model." Westfahl noted that Hubbard's book was "an early genre example, perhaps inspired by Pirandello".
Little green men coming out of paint cans,
Phosphate mines and Slaked Lime, 1966, he was sixteen,
it's Central Florida in the era of the dragline,
play it over the pit and dig up more of that green shit,
and trade it with the Russians, who are traditionally hated,
you can imagine that after a few years
that you'd run out of things to say,
and I'll be here every day.
Phospho~Gypsum, Radon-222,
the daughters watch over you,
on a transformer four stories high it walks like a cripple
and turns on its base,
diggin' up that Dicalcium Phosphate.
Travel the blacktop
and you won't have far to go to find an alien civilization,
a creature from a creation that's from outer space.
Sixty foot high for miles around;
one million tons of Phospho~Gypsum tailings rise to the sky.
Nearly half the world's fertilizer once lay beneath the overburden;
it got taken off this sandbar,
and now there's something that's left behind.
Hey, this place is a mess!
'what are you takin' about?
I'll clean it up later.
No, that's not the way it is at all, I'm not a miner I don't care,
man, that's pant of the system, I'm punk,
but who's gonna indict the Wall Street Journal, just me and Bob Ray,
it's just part of the system here on the surface of the planet
and the day has come when there's only work left
There's unlimited sunshine in a bottle of Tropicana,
with his friends and his 'Spooky Tooth' 8-track flipped upside down,
drivin' in his Mercury Monterey down to Lithia Springs,
saying that if we could take the tailings,
and build a building for the New York Stork Exchange,
then we could tell everyone about
how we live in a state that digs Radon by the ton
and you'll be loved by everyone,
and the government will give us a Superfund,