Science fiction first appeared in television programming in the 1940s, during what is called the Golden Age of Science Fiction. Special effects and other production techniques allow creators to present a living visual image of an imaginary world not limited by the constraints of reality.
The need to portray imaginary settings or characters with properties and abilities beyond the reach of current reality obliges producers to make extensive use of specialized techniques of television production.
Through most of the 20th century, many of these techniques were expensive and involved a small number of dedicated craft practitioners, while the reusability of props, models, effects, or animation techniques made it easier to keep using them. The combination of high initial cost and lower maintenance cost pushed producers into building these techniques into the basic concept of a series, influencing all the artistic choices. By the late 1990s, improved technology and more training and cross-training within the industry made all of these techniques easier to use, so that directors of individual episodes could make decisions to use one or more methods, so such artistic choices no longer needed to be baked into the series concept.
"...on Television" or "...on TV", was a long-running late night television programme on ITV. The programme, which was made first by LWT and then Granada Productions, featured a number of clips from unusual or, (often unintentionally), amusing television programmes and commercials from around the world.
The show was first presented by TV critic and journalist Clive James between 1982 and 1988, then celebrity chef Keith Floyd in 1989, and finally Chris Tarrant from 1990 to 2006.
The show remained "Tarrant on TV" for 16 years.
The show first began in 1982, hosted by the Australian television critic and satirist Clive James. The series showed funny and bizarre clips from TV shows and adverts from around the world, most notably from the far eastern countries of Japan and Korea. The series popularised the Japanese show Endurance which followed numerous contestants as they underwent painful tasks around the world.
After James joined the BBC in 1988, celebrity chef Keith Floyd was brought in for a six-episode series in 1989 before Chris Tarrant took over in 1990.
1992 in television may refer to:
Science fiction is a genre of speculative fiction dealing with imaginative concepts such as futuristic settings, futuristic science and technology, space travel, time travel, faster than light travel, parallel universes and extraterrestrial life. Science fiction often explores the potential consequences of scientific and other innovations, and has been called a "literature of ideas." It usually eschews the supernatural, and unlike the related genre of fantasy, historically science fiction stories were intended to have at least a faint grounding in science-based fact or theory at the time the story was created, but this connection has become tenuous or non-existent in much of science fiction.
Science fiction is difficult to define, as it includes a wide range of subgenres and themes. Author and editor Damon Knight summed up the difficulty, saying "science fiction is what we point to when we say it", a definition echoed by author Mark C. Glassy, who argues that the definition of science fiction is like the definition of pornography: you do not know what it is, but you know it when you see it.
Science fiction is a genre of fiction dealing with the impact of imagined innovations in science or technology.
Science Fiction may also refer to:
Recursive science fiction is a subgenre of science fiction, which itself takes the form of an exploration of science fiction within the narrative of the story.
In the book Resnick at Large, authors Mike Resnick and Robert J. Sawyer describe recursive science fiction as, "science fiction about science fiction". In the work, The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders, Gary Westfahl comments, "Recursive fantasy fiction – that is, a fantasy about writing fantasy – is scarce;" one potential example of recursive fantasy, however, would be Patrick Rothfuss' The Kingkiller Chronicle.
Mike Resnick and Robert J. Sawyer cite Typewriter in the Sky by L. Ron Hubbard as an example of recursive science fiction. Gary Westfahl writes, "Luigi Pirandello's play Six Characters in Search of an Author (1921) offered a non-genre model." Westfahl noted that Hubbard's book was "an early genre example, perhaps inspired by Pirandello".
Little green men coming out of paint cans,
Phosphate mines and Slaked Lime, 1966, he was sixteen,
it's Central Florida in the era of the dragline,
play it over the pit and dig up more of that green shit,
and trade it with the Russians, who are traditionally hated,
you can imagine that after a few years
that you'd run out of things to say,
and I'll be here every day.
Phospho~Gypsum, Radon-222,
the daughters watch over you,
on a transformer four stories high it walks like a cripple
and turns on its base,
diggin' up that Dicalcium Phosphate.
Travel the blacktop
and you won't have far to go to find an alien civilization,
a creature from a creation that's from outer space.
Sixty foot high for miles around;
one million tons of Phospho~Gypsum tailings rise to the sky.
Nearly half the world's fertilizer once lay beneath the overburden;
it got taken off this sandbar,
and now there's something that's left behind.
Hey, this place is a mess!
'what are you takin' about?
I'll clean it up later.
No, that's not the way it is at all, I'm not a miner I don't care,
man, that's pant of the system, I'm punk,
but who's gonna indict the Wall Street Journal, just me and Bob Ray,
it's just part of the system here on the surface of the planet
and the day has come when there's only work left
There's unlimited sunshine in a bottle of Tropicana,
with his friends and his 'Spooky Tooth' 8-track flipped upside down,
drivin' in his Mercury Monterey down to Lithia Springs,
saying that if we could take the tailings,
and build a building for the New York Stork Exchange,
then we could tell everyone about
how we live in a state that digs Radon by the ton
and you'll be loved by everyone,
and the government will give us a Superfund,