Vii

JungleTac's Sport Vii (Chinese: 威力棒; pinyin: Wēilì bàng; lit. "Power Stick") is a Shanzhai video game console similar in aspect to Nintendo's Wii. It was originally released in China in 2007. The Vii was not intended to be a seventh-generation console like the Wii, and was instead part of the dedicated console genre of inexpensive consoles with built-in games. It is based on the 16-bit Sunplus SPG CPU.

The Vii's Handybar controller is similar in size and design to the Wii Remote. It features motion detection but not the pointing capability of the Wii Remote. The Vii handybars also come in "Arctic White", "Hot Pink" and "Mint Blue".

A redesign of the console, colloquially called the Vii 2 by bloggers, features remodeled controllers and a console design reminiscent of the Nintendo Entertainment System and the PlayStation 3, as well as support for both NTSC and PAL televisions.

In 2008, the Vii was released in Japan under the name V-Sports (Sport Vii).

Games

Japanese language

Japanese (日本語, Nihongo, [nihõŋɡo] or [nihõŋŋo]) is an East Asian language spoken by about 125 million speakers, primarily in Japan, where it is the national language. It is a member of the Japonic (or Japanese-Ryukyuan) language family, whose relation to other language groups, particularly to Korean and the suggested Altaic language family, is debated.

Little is known of the language's prehistory, or when it first appeared in Japan. Chinese documents from the 3rd century recorded a few Japanese words, but substantial texts did not appear until the 8th century. During the Heian period (794–1185), Chinese had considerable influence on the vocabulary and phonology of Old Japanese. Late Middle Japanese (1185–1600) saw changes in features that brought it closer to the modern language, as well as the first appearance of European loanwords. The standard dialect moved from the Kansai region to the Edo (modern Tokyo) region in the Early Modern Japanese period (early 17th century–mid-19th century). Following the end in 1853 of Japan's self-imposed isolation, the flow of loanwords from European languages increased significantly. English loanwords in particular have become frequent, and Japanese words from English roots have proliferated.

Final Fantasy VII

Final Fantasy VII (Japanese: ファイナルファンタジーVII, Hepburn: Fainaru Fantajī Sebun) is a role-playing video game developed and published by Square (now Square Enix) for the PlayStation platform. Released in 1997, it is the seventh installment in the Final Fantasy series and the first in the series to use 3D computer graphics, featuring fully rendered characters on pre-rendered backgrounds. It was also the first game in the main series to be released in Europe. The story follows Cloud Strife, a mercenary who joins the eco-terrorist rebel organization AVALANCHE to stop the world-controlling megacorporation Shinra from draining the life of the planet to use as an energy source. Cloud and his allies become involved in a larger world-threatening conflict and face off against Sephiroth, the main antagonist.

Development of Final Fantasy VII began in 1994. It was originally developed for the Super Nintendo Entertainment System, but was moved to the Nintendo 64; since the Nintendo 64's cartridges lacked the required storage capacity for substantial prerendered movie footage, Square moved the game to the CD-ROM based PlayStation. It was directed by Yoshinori Kitase, written by Kazushige Nojima and Kitase, and produced by Hironobu Sakaguchi. The music was composed by Final Fantasy veteran Nobuo Uematsu, while the series' long-time character designer, Yoshitaka Amano, was replaced by Tetsuya Nomura.

Scene (album)

Scene is an album by the Japanese noise musician Merzbow. A limited edition version included Early Computer Works and a poster.

Track listing

All music composed by Masami Akita.

Personnel

References

Scene (subculture)

The scene subculture is a contemporary subculture which has been common in the United States, Europe, Asia, and Latin America from the late 2000s until the mid 2010s. People (most often in their teens to 20s) involved in this style are called "scene people," "scene kids," "trendies" or sometimes "scenesters" in the US, "moshers," "chavmos," or "chemos" in the UK, "coloridos" in Latin America, and "shamate" in China.

History and evolution of fashion

Origins (late 1990s to early 2000s)

The scene subculture began in United Kingdom during the late 1990s and early 2000s when some members of the chav subculture began to experiment with alternative fashion, and took fashionable characteristics of indie pop, emo, rave music, and punk fashions. The fashion originally included typical pop punk and skater clothing like tripp pants, stripes, tartan, spiky hair, Chucks, Vans, and trucker hats derived from grunge and skate punk fashion. Older punks and skaters, however, looked down on these young trendies (as they were then called) for their inauthenticity and inability to skate.

Youth subculture

A youth subculture is a youth-based subculture with distinct styles, behaviors, and interests. Youth subcultures offer participants an identity outside of that ascribed by social institutions such as family, work, home and school. Youth subcultures that show a systematic hostility to the dominant culture are sometimes described as countercultures.

Youth music genres are associated with many youth subcultures, such as punks, emos, ravers, Juggalos, metalheads and goths. The study of subcultures often consists of the study of the symbolism attached to clothing, music, other visible affections by members of the subculture, and also the ways in which these same symbols are interpreted by members of the dominant culture.

Socioeconomic class, gender, intelligence, conformity, morality, and ethnicity can be important in relation to youth subcultures. Youth subcultures can be defined as meaning systems, modes of expression or lifestyles developed by groups in subordinate structural positions in response to dominant systems — and which reflect their attempt to solve structural contradictions rising from the wider societal context.