Bones (Son Lux album)
Bones is the fourth studio album released by American musician Son Lux, and is his first album released as a full three-piece band. It was released by Glassnote Records on June 23, 2015, following the release of the single "Change Is Everything" on 25 March 2015.
Track listing
References
External Links
Bones (soundtrack)
Bones: Original Motion Picture Houndtrack is a soundtrack album for the horror film, Bones. It was released on October 9, 2001 under Doggystyle Records and Priority Records. It peaked at #39 on the Billboard 200, #14 on the Top R&B/Hip-Hop Albums chart and #4 on the Top Soundtracks chart. The soundtrack features songs mainly by Snoop Dogg, but it also features songs by Kurupt, Xzibit, Kokane, Tha Eastsidaz, D12, LaToiya Williams, Cypress Hill and more. "Dogg Named Snoop" was the only single released from the soundtrack.
Track listing
Bones Score
Charts
Weekly charts
Personnel
References
Bones (TV series)
Bones is an American crime procedural drama television series that premiered on Fox in the United States on September 13, 2005. The show is based on forensic anthropology and forensic archaeology, with each episode focusing on an FBI case file concerning the mystery behind human remains brought by FBI Special Agent Seeley Booth (David Boreanaz) to forensic anthropologist Dr. Temperance "Bones" Brennan (Emily Deschanel). The rest of the main cast includes Michaela Conlin, T. J. Thyne, Eric Millegan, Jonathan Adams, Tamara Taylor, John Francis Daley, and John Boyd.
Created by Hart Hanson, the series is very loosely based on the life and writings of novelist and forensic anthropologist Kathy Reichs, who also produces the show. Its title character, Temperance Brennan, is named after the protagonist of Reichs' crime novel series. Similarly, Dr. Brennan in the Bones universe writes successful mystery novels featuring a fictional forensic anthropologist named Kathy Reichs. Bones is a joint production by Josephson Entertainment, Far Field Productions and 20th Century Fox Television. The series is the longest-running one-hour drama series produced by 20th Century Fox Television.
Scarecrow
A scarecrow or hay-man is a decoy or mannequin in the shape of a human. It is usually dressed in old clothes and placed in open fields to discourage birds such as crows or sparrows from disturbing and feeding on recently cast seed and growing crops.
Uses
The 1881 Household Cyclopedia of General Information gives the following advice:
The most effectual method of banishing them from a field, as far as experience goes, is to combine with one or other of the scarecrows in vogue the frequent use of the musket. Nothing strikes such terror into these sagacious animals as the sight of a fowling-piece and the explosion of gun powder, which they have known so often to be fatal to their race.
Such is their dread of a fowling-piece, that if one is placed upon a dyke or other eminence, it will for a long time prevent them from alighting on the adjacent grounds. Many people now, however, believe that crows like most other birds, do more good by destroying insects and worms, etc., than harm by eating grain.
Scarecrow (comics)
Scarecrow, in comics, may refer to:
See also
Scarecrow (John Mellencamp album)
Scarecrow is the eighth album by John Mellencamp. Released in September 1985, it peaked at #2 on the U.S. chart behind Heart's comeback album, Heart. The remastered version was released May 24, 2005 on Mercury/Island/UMe and includes one bonus track.
This album contained three Top 10 hits, a record for a Mellencamp album: "R.O.C.K. in the U.S.A.," which peaked at #2 in the U.S.; "Lonely Ol' Night," which peaked at #6; and "Small Town," which also peaked at #6. "Lonely Ol' Night" also peaked at #1 on the Mainstream Rock Tracks chart, his second chart-topping single on this chart.
In 1989, Rolling Stone magazine ranked Scarecrow #95 on its list of the 100 greatest albums of the 1980s, saying: "Scarecrow consolidated the band's rugged, roots-rock thrash and the ongoing maturation of Mellencamp's lyrics."
Rolling Stone also reported that band spent a month in rehearsals, playing a hundred rock and roll songs from the Sixties before going into the studio. According to the record's producer, Don Gehman, the idea was to "learn all these devices from the past and use them in a new way with John's arrangements."
Podcasts:
