The Swastika (also known as the gammadion cross, cross cramponnée, or wanzi) (as a character: 卐 or 卍) is an ancient religious symbol that generally takes the form of an equilateral cross, with its four legs bent at 90 degrees. It is considered to be a sacred and auspicious symbol in Hinduism, Buddhism and Jainism and dates back to before 2nd century B.C.
It has been used as a decorative element in various cultures since at least the Neolithic. It is known most widely as an important symbol long used in Indian religions, denoting "auspiciousness."
It was adopted as such in pre-World War I-Europe and later, and most notably, by the Nazi Party and Nazi Germany prior to World War II. In many Western countries, the swastika has been highly stigmatized because of its use in and association with Nazism.
It continues to be commonly used as a religious symbol in Hinduism and Buddhism.
Western literature's older term for the symbol, gammadion cross, derives mainly from its appearance, which is identical to four Greek gamma letters affixed to each other. The name swastika comes from the Sanskrit word svastika (Devanāgarī: स्वस्तिक), meaning "lucky or auspicious object".
Michael Slade (born 1947, Lethbridge, Alberta) is the pen name of Canadian novelist Jay Clarke, a lawyer who has participated in more than 100 criminal cases and who specializes in criminal insanity. Before Clarke entered law school, his undergraduate studies focused on history. Clarke’s writing stems from his experience as a practicing lawyer and historian, as well as his extensive world travel. He works closely with police officers to ensure that his novels incorporate state-of-the-art police techniques. Writing as a team with a handful of other authors, Clarke has published a series of police procedurals about the fictional Special External Section (Special X) of the Royal Canadian Mounted Police. His novels describe Special X protagonists as they track down fugitives, typically deranged murderers. Four other authors have contributed under the name Michael Slade: John Banks, Lee Clarke, Rebecca Clarke, and Richard Covell. Despite the collaborative nature of the books, Jay Clarke is the predominant voice in their writing. Currently, Jay and his daughter Rebecca write under the Slade name.
The swastika design is known from artefacts of various cultures since the Neolithic, and it recurs with some frequency on artefacts dated to the Germanic Iron Age, i.e. the Migration period to Viking Age period in Scandinavia, including the Vendel era in Sweden, attested from as early as the 3rd century in Elder Futhark inscriptions and as late as the 9th century on Viking Age image stones.
In older literature, the symbol is known variously as gammadion, fylfot, crux gothica, flanged thwarts, or angled cross. English use of the Sanskritism swastika for the symbol dates to the 1870s, at first in the context of Hindu and Buddhist traditions, but from the 1890s also in cross-cultural comparison.
Examples include a 2nd-century funerary urn of the Przeworsk culture, the 3rd century Værløse Fibula from Zealand, Denmark, the Gothic spearhead from Brest-Litovsk, Russia, the 9th century Snoldelev Stone from Ramsø, Denmark, and numerous Migration Period bracteates. The swastika is drawn either left-facing or right-facing, sometimes with "feet" attached to its four legs.
if i would let you into my heart
would you thank the lord would you tear it apart
and if words could talk the monster down
would you leave it alive or go in for the strike
and if dark were over thrown by the light
would the night turn to day
would it all turn to gray
and if time could tell you whose in charge
would you follow their lead?
gains before sorrow came
gains far less
evil brought stronger eyes
stronger eyes
my sight is terrible son
terrible son
but i could hear you from
miles away
if violence was all that you knew
would you seek the whole truth
or stand next to the troops
and if fever were to swell the whole land
would you paint yourself red
or put ice to it's head
and if jesus were to rise and to slay
would you tell him to go?
would you ask him to stay?
and if you would let me into your heart
would i thank the lord
would i tear it apart.
if flesh could crawl back to the bone
from terrors
build tiny sacred biolimbs from the marrow
(then) the pilot may stand or talk
like a fellow
but he's nothing more then pieces
over a hollow
it is the same exact team
it is a walking pathway
and once your headed down it
there ain't no turning back
our words are cautionary
because words are fun to say
you've got a lot to carry
but once your there you stay there
they arrived at my bed
holding things they'd like to show
after all
they still cling
to my eyes
and the words that they said
that still echo through my mind.
hell, they're the words i couldn't find