Saul (Alfieri)

Saul is a theatrical tragedy in five acts, written by Vittorio Alfieri in 1782, in which the eponymous protagonist simultaneously embodies the tragic heroism of both tyrant and victim. This play marks the high point of Italian tragedy and pre-romantic poetry.

Saulė

Saulė (Lithuanian: Saulė, Latvian: Saule) is a solar goddess, the common Baltic solar deity in the Lithuanian and Latvian mythologies. The noun Saulė/Saule in the Lithuanian and Latvian languages is also the conventional name for the Sun and originates from the Proto-Baltic name *Sauliā > *Saulē.

Representation

Saulė is one of the most powerful deities, the goddess of life and fertility, warmth and health. She is patroness of the unfortunate, especially orphans. The Lithuanian and Latvian words for "the world" (pasaulis and pasaule) are translated as "[a place] under the Sun".

Saulė is mentioned in one of the earliest written sources on Lithuanian mythology. According to Slavic translation of the Chronicle by John Malalas (1261), a powerful smith Teliavelis made the Sun and threw it into the sky. Missionary Jeronim Jan Silvanus Prazsky (ca. 1369–1440) spent three years attempting to Christianize Lithuania and later recounted a myth about kidnapped Saulė. She was held in a tower by powerful king and rescued by the zodiac using a giant sledgehammer. Jeronim Prazsky swore that he personally witnessed the hammer, venerated by the locals.

Saul

According to the Hebrew Bible, Saul (/sɔːl/; Hebrew: שָׁאוּל, Šāʼûl ; "asked for, prayed for"; Latin: Saul; Arabic: طالوت‎, Ṭālūt or Arabic: شاؤل‎, Shā'ūl) was the first king of a united Kingdom of Israel and Judah. His reign, traditionally placed in the late 11th century BCE, would have marked a switch from a tribal society to statehood.

The oldest accounts of Saul's life and reign are found in the Hebrew Bible. He was reluctantly anointed by the prophet Samuel in response to a popular movement to establish a monarchy, and reigned from Gibeah. After initial successes he lost favor with Samuel and God because of his disobedience to God. His son-in-law, David, was chosen by God to be a king. He fell on his sword (committed suicide) to avoid capture at the battle against the Philistines at Mount Gilboa. He was succeeded by his son, Ish-bosheth, whose brief reign was successfully contested by David. A similar yet different account of Saul's life is given in the Qur'an. Neither the length of Saul's reign, nor the extent of his territory are given in the Biblical account; the former is traditionally fixed at twenty or twenty-two years, but there is no reliable evidence for these numbers.

Saul (Handel)

Saul (HWV 53) is a dramatic oratorio in three acts written by George Frideric Handel with a libretto by Charles Jennens. Taken from the First Book of Samuel, the story of Saul focuses on the first king of Israel's relationship with his eventual successor, David; one which turns from admiration to envy and hatred, ultimately leading to the downfall of the eponymous monarch. The work, which Handel composed in 1738, includes the famous "Dead March", a funeral anthem for Saul and his son Jonathan, and some of the composer's most dramatic choral pieces. Saul was first performed at the King's Theatre in London on 16 January 1739. The work was a success at its London premiere and was revived by Handel in subsequent seasons. Notable modern-day performances of Saul include that at Glyndebourne (United Kingdom) in 2015.

Background

The German-born Handel had been resident in London since 1712 and had there enjoyed great success as a composer of Italian operas. His opportunities to set English texts to music had been more limited; he had spent the years 1717 to 1719 as composer in residence to the wealthy Duke of Chandos where he had written church anthems and two stage works, Acis and Galatea and Esther; and had composed vocal music to English words for various royal occasions, including a set of Coronation anthems for George II in 1727, which had made a huge impact. In 1731, a performance of the 1718 version of Esther, a work in English based on a Biblical drama by Jean Racine, was given in London without Handel's participation and had proved popular, so Handel revised the work and planned to present it at the theatre where his Italian operas were being presented. However the Bishop of London would not permit a drama based on a Biblical story to be acted out on the stage, and therefore Handel presented Esther in concert form, thus giving birth to the English oratorio.