List of bus routes in Brooklyn

The Metropolitan Transportation Authority (MTA) operates a number of bus routes in Brooklyn, New York, United States; one minor route is privately operated under a city franchise. Many of them are the direct descendants of streetcar lines (see list of streetcar lines in Brooklyn); the ones that started out as bus routes were almost all operated by the Brooklyn Bus Corporation, a subsidiary of the Brooklyn–Manhattan Transit Corporation, until the New York City Board of Transportation took over on June 5, 1940. Of the 55 local Brooklyn routes operated by the New York City Transit Authority, roughly 35 are the direct descendants of one or more streetcar lines, and most of the others were introduced in full or in part as new bus routes by the 1930s. Only the eastern section of the B82 (then the B50), the B83, and the B84 were created by New York City Transit from scratch, in 1978, 1966, and 2013, respectively.

List of routes

This table gives details for the routes prefixed with "B" - in other words, those considered to run primarily in Brooklyn by the MTA. For details on routes with other prefixes, see the following articles:

Caro–Kann Defence

The Caro–Kann Defence is a chess opening characterised by the moves:

The Caro–Kann is a common defense against the King's Pawn Opening and is classified as a "Semi-Open Game" like the Sicilian Defence and French Defence, although it is thought to be more solid and less dynamic than either of those openings. It often leads to good endgames for Black, who has the better pawn structure.

History

The opening is named after the English player Horatio Caro and the Austrian player Marcus Kann who analysed it in 1886. Kann scored an impressive 17-move victory with the Caro–Kann Defence against German-British chess champion Jacques Mieses at the 4th German Chess Congress in Hamburg in May 1885:

Main line: 2.d4 d5

The usual continuation is

followed by 3.Nc3 (Classical and Modern variations), 3.exd5 (Exchange Variation), 3.e5 (Advance Variation), or 3.Nd2 (almost always same as 3.Nc3). The classical variation (3.Nc3) has gained much popularity.

3.Nc3 dxe4 4.Nxe4

Classical Variation: 4...Bf5

Satori

Satori (悟り) (Chinese: 悟; pinyin: wù; Korean: 오 o; Vietnamese: ngộ) is a Japanese Buddhist term for awakening, "comprehension; understanding". It is derived from the Japanese verb satoru.

In the Zen Buddhist tradition, satori refers to the experience of kenshō, "seeing into one's true nature". Ken means "seeing," shō means "nature" or "essence."

Satori and kenshō are commonly translated as enlightenment, a word that is also used to translate bodhi, prajna and buddhahood.

Definitions

Satori and kenshō

Satori is often used interchangeably with kenshō.Kenshō refers to the perception of the Buddha-Nature or emptiness. According to some authors, kenshō is a brief glimpse, while satori is considered to be a deeper spiritual experience.

Satori (folklore)

Satori (覚, "consciousness") in Japanese folklore are supernatural monsters ("yōkai") said to live within the mountains of Hida and Mino (presently Gifu Prefecture), and able to read people's minds.

People are said to meet them while walking along mountain paths or resting in the mountains. Upon reading a person's mind, the satori would say the person's thoughts aloud faster than a human could. There is also a theory that they are the child incarnations of mountain gods who have come to ruin and turned into a yōkai form.

They would appear before people at mountain huts, and are even said to try to eat and kill if they have a chance, but if something unexpectedly strikes the satori, they become stricken with fear due to fact that something unexpected occurred, and run away. There is also a theory that they do not present any danger to people and would not dare to harm those who work on the mountain, allowing people to coexist with satori.

Satori (Lee Konitz album)

Satori is a jazz album by saxophonist Lee Konitz. It was originally released in 1975 on Milestone label as MSP 9060 and remastered in 1997. The album features some classic jazz standards besides other experimental compositions such as "Satori". Three of the seven tracks are Konitz compositions.

Track listing

Personnel

References