Santería, also known as Regla de Ochá or La Regla de Ifá, is a syncretic religion of Caribbean origin that developed in the Spanish Empire among West African descendants. Santería is influenced by and syncretized with Roman Catholicism. Its liturgical language, a dialect of Yoruba, is also known as Lucumí.
Santería is a system of beliefs that merges aspects of Yoruba mythology that were brought to the New World by Yoruba slaves, along with Christianity and Indigenous American traditions. The slaves carried with them various religious customs, including a trance and divination system for communicating with their ancestors and deities, animal sacrifice, and sacred drumming and dance. The need to preserve their traditions and belief systems in a hostile cultural environment prompted slaves in Cuba, starting from as early as 1515, to merge their customs with aspects of Roman Catholicism.
This religious tradition evolved into what we now recognize as Santería.
In order to preserve and shield (mask) their traditional beliefs, the Lucumí people syncretized their Orichás with Roman Catholic saints. (As a consequence, the terms "saint" and "orichá" are commonly used interchangeably among practitioners.) Spanish colonial planters who saw their African slaves celebrating on saints' days did not know that they were actually performing rituals related to Orichás, and assumed that they were showing more interest in Catholic saints than in the Christian God—hence the derisory origin of the term Santería.
"Santeria" is a song by American rock band Sublime on their 1996 album Sublime. The song was released as a single on January 7, 1997. Despite the fact the song was released after the death of lead singer Bradley Nowell, Santeria along with "What I Got" are often considered the band's signature songs.
The song includes the bassline and guitar riff from Sublime's earlier song "Lincoln Highway Dub" off the 1994 album Robbin' the Hood.Santería refers to the religion practiced in the Caribbean in which Yorùbá orishas are syncretized with Roman Catholic saints.
The song tells the story of a jealous ex-boyfriend who is planning to take revenge on the man who stole his girlfriend. The man then decides to find a new girlfriend, instead. However, the man then mentions using violent force as he speaks of "popping a cap in Sancho" and "putting that barrel straight down Sancho's throat" if he ever sees him again. The lead singer of Sublime, Bradley Nowell, refers to the man as "sancho" and his ex-girlfriend as "heina." In Mexico, a man who steals another man's girlfriend is often referred to as "sancho" while a man's woman or girlfriend is referred to as "heina," which is adapted from the Spanish word "reina," meaning queen in English.
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Shakaya is the first studio album by Australian girl duo Shakaya, released in Australia on 18 October 2002 (see 2002 in music) by Columbia. The album has a mix genre of pop and R&B songs — written by the duo themselves and their manager/producer Reno Nicastro.
The album debuted at number five on the Australian ARIA Charts and stayed in the top fifty for two weeks and in the chart for six weeks. It also made an appearance in the Australasian Album Chart, peaking at number two (just missing the number one spot by Barricades & Brickwalls by Kasey Chambers).
Shakaya produced one top ten and two top twenty hits on the Australian ARIA Singles chart: "Stop Calling Me", "Sublime" and "Cinderella".
Sublime was an American ska punk / reggae rock band from Long Beach, California, formed in 1988. The band's line-up, unchanged until their breakup, consisted of Bradley Nowell (vocals and guitar), Eric Wilson (bass) and Bud Gaugh (drums). Lou Dog, Nowell's dalmatian was the mascot of the band. Michael 'Miguel' Happoldt and Marshall Goodman "Ras MG" contributed to and co-wrote several Sublime songs. Nowell died of a heroin overdose in 1996. In 1997, posthumous songs such as "What I Got", "Santeria", "Wrong Way", "Doin' Time", and "April 29, 1992 (Miami)" were released to U.S. radio.
Sublime released three studio albums, one live album, five compilation albums (one of which also contains never-before released material), three EPs and one box set. Although their first two albums—40oz. to Freedom (1992) and Robbin' the Hood (1994)—were quite popular in the United States, Sublime did not experience major commercial success until 1996 with their self-titled third album, released two months after Nowell's death, which peaked at No. 13 on the Billboard 200, and spawned the single "What I Got", which remains the band's only No. 1 hit single (on the Billboard Alternative Songs chart) in their musical career. As of 2009, the band has sold over 17 million albums worldwide, including about 10 million in the U.S. alone.
I don't practice Santeria
I ain't got no crystal ball
Well I had a million dollars but I
I'd spend it all
If I could find that heina
And that Sancho that she'd found
Well I'd pop a cap in Sancho
And I'd slap her down
What I really wanna know, my baby
Oh, what I really wanna say, I can't define
Well it's love that I need, oh
My soul will have to wait till I get back
Find a heina of my own
Daddy's gonna love one an' all
I feel the break, feel the break, feel the break
And I gotta live it out, oh yeah
Well I swear that I
What I really wanna know, my baby
What I really wanna say, I can't define
Got love, make it go, oh
My soul will have to
Oh, what I really wanna say, my baby
What I really wanna say, is I've got mine
And I'll make it
Yes, I'm goin' up
Tell Sanchito that if he knows
What is good for him
He best go run an' hide
Daddy's got a new forty-five
And I won't think twice to stick that barrel
Straight down Sancho's throat
Believe me when I say that
I got something for his punk ass
What I really wanna know, my baby
Oh, what I really wanna say
Is there's just one way back?
And I'll make it, yaa