Sankofa is a 1993 Burkinabé drama film directed by Haile Gerima centered on the Atlantic slave trade. The storyline features Oyafunmike Ogunlano, Kofi Ghanaba, Mutabaruka, Alexandra Duah and Afemo Omilami. The word Sankofa derives its meaning from the Ghanaian Akan language which means to “go back, look for, and gain wisdom, power and hope,” according to Dr. Anna Julia Cooper. The word Sankofa stresses the importance of one not drifting too far away from one’s past in order to progress in the future. In the film, Sankofa is depicted by a bird and the chants and drumming of a Divine Drummer. Gerima’s film showed the importance of not having people of African decent drift far away from their African roots. Gerima used the journey of the character Mona to show how the African perception of identity included recognizing one’s roots and “returning to one’s source” (Gerima).
The year 1993 in film involved many significant films, including the blockbuster hits Jurassic Park, The Fugitive and The Firm. (For more about films in foreign languages, check sources in those languages.)
The top ten films released in 1993 by worldwide gross are as follows:
C'est la vie, mon chéri (Chinese: 新不了情; pinyin: Xīn bùliǎo qíng) is a 1994 Hong Kong movie directed by Derek Yee Tung-Shing and starring Anita Yuen, Lau Ching-Wan and Carina Lau. It won six awards, including Best Picture, during the 13th Hong Kong Film Awards.
The movie is sometimes referred to as C'est la vie, mon chérie even though this is grammatically incorrect in French (either "mon chéri" for a man or "ma chérie" for a woman is grammatically correct). The title may be roughly translated as "That's life, my darling/love".
The original Chinese title refers to the classic 1961 Hong Kong film Love Without End (不了情) starring Lin Dai, with the word "new" (新) added in front of it. The storyline is similar, in that the female lead character is also diagnosed with a fatal illness.
An alternative English title is Endless Love.
Min (Anita Yuen), who is part of a Cantonese street opera troupe and a part-time cover artiste, meets Kit (Lau Ching-Wan), a struggling jazz musician who has just broken up with his celebrity singer girlfriend (Carina Lau). Through her bubbly personality, she affects Kit for the better. However, just as their relationship begins to stabilize and win acceptance from Min's family, which includes a strict mother and a doting, saxophone-playing uncle, Min is re-diagnosed with bone cancer, which she had once suffered as a young child.
Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: