Sanctuary is the tenth album by American rock band The J. Geils Band, released in 1978 (see 1978 in music).
A 1998 re-release on the Razor & Tie label added two bonus tracks, taken from the 1982 live album Showtime!.
This is the first J. Geils Band album labeled by EMI Records.
All songs written by Seth Justman and Peter Wolf
Additional personnel
Sanctuary, is a re-mixable science fiction film which, in 2005, became the first production to sign professional union actors to Creative Commons licensing terms. It is set in Head Bin, a fiction universe created by MOD Films for their remixable movie experiment.
The film was completed in 2009. Most production assets, including principal photography shot on 35mm film and digitised, have been cleared for free-for-non-commercial use. The project is a superhero origin story, as well as a pilot for a massively multi-player feature film and an open interactive story format, the RIG, being developed by MOD Films in London.
The sixth season of the American television medical drama Grey's Anatomy, commenced airing on the American Broadcasting Company (ABC) in the United States on September 24, 2009, and concluded on May 20, 2010. The season was produced by ABC Studios, in association with ShondaLand Production Company and The Mark Gordon Company; the showrunner being Shonda Rhimes. Actors Ellen Pompeo, Sandra Oh, Katherine Heigl, and Justin Chambers reprised their roles as surgical residents Meredith Grey, Cristina Yang, Izzie Stevens, and Alex Karev, respectively. Heigl was released from her contract in the middle of the season, while T.R. Knight did not appear as George O'Malley, because Knight was released from his contract at the conclusion of season five. Main cast members Patrick Dempsey, Chandra Wilson, James Pickens, Jr., Sara Ramirez, Eric Dane, Chyler Leigh, and Kevin McKidd also returned, while previous recurring star Jessica Capshaw was promoted to a series regular, and Kim Raver was given star billing after the commencement of the season.
The Undead of the Warhammer Fantasy Tabletop Wargame (Games Workshop ltd.), were introduced to the game in its very earliest editions. The term itself can refer either to the undivided and all-inclusive army—ranging from ghosts and vampires to skeletons and mummies—or to the separate components which make up the two: The Tomb Kings of Khemri, and the Vampire Counts. Up to and including the fifth edition of Warhammer Fantasy Battle, the Undead represented the combined forces. For the sixth edition, Games Workshop divided the Undead into two separate armies to represent the chaos which Nagash created when he cast his Spell of Awakening to begin his assault on the lands of the living.
As in-game legend goes, Nagash was a priest in the courts of the land of Nehekara, and after learning Dark Magic from prisoner Dark Elves, developed his own twisted form of Magic which he termed Necromancy. This magic gave him the power to command the dead, and ultimately he cast a powerful spell from his tower, with the intent of raising all the dead of Nehekhara, thus creating a titanic army of mindless Undead. The recent dead joined with the enslaved Tomb Kings of ancient Khemri to begin their march to Nagash's tower. They would not complete their journey, for Nagash was slain through the machinations of the Skaven and their pawn, the escaped captive King Alcadizaar. The ratmen, who had grown jealous of Nagash's hoard of Warpstone, gave to Alcadizaar a sword which could cut down the mighty sorcerer: The Fellblade. While the act did not destroy Nagash, it banished him from the material world for more than 10 centuries, collapsing most of Undead horde that his sorcery had raised, and leaving the Vampires to pursue their own ends as his unwitting progeny. With Nagash's death, the Tomb Kings retained their unlife, but had regained their individual will.
Undead is a collective name for supernatural entities that are deceased yet behave as if alive.
Undead or The Undead may also refer to:
Undead is a live album by Ten Years After, recorded at the small jazz club, Klooks Kleek, in London, May 1968, and released in August of that year. The show combined blues, boogie and jazz playing that merged more traditional rock and roll with 1950's-style jump blues. The album "amply illustrates" Alvin Lee's "eclectic" use of the pentatonic scale mixed with other modalities.