Vital or Vitals may refer to:
Vital is the sixth studio album by American alternative rock band Anberlin which was released on October 16, 2012. In interviews, vocalist Stephen Christian has stated the album has a youthful, energetic energy and features new influences for the band. Upon release, the album was met with favorable reviews from critics and fans alike. The album was re-released in 2013 as Devotion, adding the deluxe tracks from various retailers, new remixes, and a full live album.
Vital garnered generally positive reception from music critics. The review aggregator website Metacritic gives a weighted average rating to an album based upon the selected independent mainstream reviews it utilizes, and the album has a Metascore of a 77 out of 100 based on five reviews.
At Alternative Press, Evan Lucy stating that "Vital [is] the most well-rounded Anberlin album to date." Matt Collar of AllMusic saying that "Ultimately, while Vital is Anberlin's most challenging album to date, as the title implies, it is perhaps the band's most rewarding album." At AbsolutePunk, Jack Appleby writing that "Calling Vital a career-defining record isn't a stretch in the least", which it "is the best record in Anberlin’s 10 year career, bar none." SowingSeason of Sputnikmusic remarking that "Even if it isn’t the best album they’ve ever made, Vital is perhaps the smartest", that contains some "otherworldly vocals." At Melodic, Johan Wippsson commenting that "the band has kept the energy that characterizes their sound and overall it’s an album that shows that the band is in the right direction."
Vital is the first live album by English progressive rock band Van der Graaf Generator. It was recorded 16 January 1978 at the Marquee Club in London and was released in July, one month after the band's 1978 break-up. The album (on vinyl and, later, on CD) was credited under the abbreviated name Van der Graaf, like the previous year's The Quiet Zone/The Pleasure Dome, and featured the same line-up plus newcomer cellist Charles Dickie, who had officially joined the band in August 1977, and original saxophonist and flautist David Jackson, who re-joined the band for this recording.
The album is noted for its sometimes radical reworking of the older material. Although Van der Graaf Generator were seldom less than intense on stage, the 1977 and 1978 tours were remarkable for their ferocity. The absence of Hugh Banton, whose organ work was a hallmark of the group's sound before his departure in 1976, as well as frontman Peter Hammill's increased duties as a rhythm guitarist, account for much of this.
Hood are an English indie rock band from Leeds, formed in 1991. The band consists of brothers Chris and Richard Adams, and friends (including, at times, Craig Tattersall and Andrew Johnson of The Remote Viewer, and Nicola Hodgkinson of Empress).
Hood's first releases were very limited vinyl singles on various small independent record labels.
In 1994, record labels Fluff and Slumberland Records released Hood's first full length album, Cabled Linear Traction. Slumberland also released 1996's Silent '88, and the following year Happy Go Lucky Records released Structured Disasters, a compilation of tracks from singles. All featured a large number of short tracks (many of less than a minute), a mixture of indie rock, noise experiments reminiscent of Sonic Youth or Pavement, and an increasing interest in electronics.
In 1997, Domino Records signed Hood and released the single "Useless". Produced by Matt Elliott (better known as the Third Eye Foundation), it was a far more straightforward and tuneful song than any they had released so far. Elliott toured with the band, and produced the albums Rustic Houses, Forlorn Valleys and The Cycle of Days and Seasons. Like the single, these abandoned the short songs and instrumental snippets for longer pieces, with a pastoral sound similar to Bark Psychosis or Talk Talk. The band continued to release singles for other labels; "The Weight", for 555 Recordings, was a return to the older style with eight tracks on a 7" disc.
Hood is a novel written by Irish author Emma Donoghue in 1995. The book was the recipient of the 1997 Stonewall Book Award and is heavily influenced by James Joyce's Ulysses.
A convertible or cabriolet is an automobile body style that can convert between an open-air mode and an enclosed one, varying in degree and means by model. Convertibles evolved from the earlier phaeton, an open vehicle without glass side windows that may have had removable panels of fabric or other material for protection from the elements.
Historically, a retractable roof consisted of an articulated frame covered with a folding textile-based fabric similar to that on an open carriage evolved into the most common form. A lesser seen detachable hardtop provided a more weatherproof and secure alternative. As technology improved a retractable hardtop which removes and stows its own rigid roof in its trunk appeared, increasingly becoming the most popular form.
A semi-convertible also known as a cabrio coach has a retractable or removable top which retains fully framed windows on its doors and side glass. A landaulet is a semi-enclosed convertible with a fully enclosed front cabin and an open rear, typically with a folding fabric top and roll-down glass all round.
[Vital:]
Y'all niggaz wanna stop me but they can't
And ya might tyr and pop me but you ain't
You too scared, y'all ain't prepared
The kid got enough heat to build a fan base in Baghdad
I'm turfmatic, you don't wanna start no static
Have ya sayin hail mary's like that ass was catholic
Ya head on straight don't make me unmask it
Or I'll be forced to and disappear like magic
And until that day caome that I'll get, put in a casket
I'm a saty spittin rhymes, til I get rich
That's on Brookly, hear my words and hear 'em well
I got the envelope sealed noe, you got mail
Ain't no tellin what I'm finna do
I'm unpredictable
I just might flip
Cock aim and let it spit
Or I might get ripped and split your brain
Just label me a hard head, who ain't gon change
[Hook: x2]
It ain't fun out here, you gotta keep a gun out here
Cause niggaz don't make it to see twenty-one out here
It's rough out here, you'll get snuffed out here
Trunked, stuffed and even handcuffed out her
[Mac Dre:]
Who me? nah potna, your barkin up the wrong tree
I'm cutthoat, keep thump thang on me
I aim good, I throw these thangs good
And me and that nigga Vital, we from the same hood
The Country Club, where niggaz love to nub
Push Scrape thing with whistle and dubs and grub
It's so rough, so tough out here baby
We got that puff and that fluff stuff out here baby
Come out here baby, come visit the Bay
Like them boys in LA nigga we don't play
With the atmosphere is different nigga have to keep it pimpin
Nigga you ain't got no bitches, you ain't gettin your trippin
I'm yokin and dippin, totin my equipment
Gone off a fifth, floatin and I'm trippin
Me and Vital, nigga we finna put a hit out