Uppu

Uppu (Malayalam: ഉപ്പ്, English: Salt, French: Le Sel) is a 1987 Indian Malayalam film directed by V. K. Pavithran and written by K. M. A. Rahim. The film is about atavistic Muslim practice of male polygamy. Film is entirely on the side of the wronged wives, mounting a strong criticism of this aspect of the Muslim religion. It stars P. T. Kunju Muhammed, Jayalalitha, Vijayan Kottarathil and Madhavan. The film won the National Film Award for Best Feature Film in Malayalam.

Plot

Story begins when old patriarch Moosa Meleri arrives in a quiet Kerala village with his adopted son Abu and daughter-in-law Amina. He has lost all his money in litigation. Despite their hardships they are happy until their rich landlord covets Amina. Heartbroken, Amina is forced to divorce Abu and become the landlord's second wife. Twenty years later Amina is alone while her father still indulges in litigations, her son leads a dissolute life and her daughter elopes with the chauffeur.

Cast

  • P. T. Kunju Muhammed as Abu
  • Australian Fellowship of Evangelical Students

    The Australian Fellowship of Evangelical Students (AFES) is an evangelical Christian parachurch organisation that aims to encourage university students to believe in and follow Jesus Christ. It is affiliated with, and in 1947 was a founding member of the International Fellowship of Evangelical Students.

    History

    The young English evangelist, Howard Guinness, toured Australia in 1930 to encourage university students in evangelism. He helped form campus student groups starting in Sydney, then Melbourne, Brisbane and Hobart, including Sydney University Evangelical Union (SUEU) and Melbourne University Christian Union (MUCU - originally the Melbourne University Evangelical Union), which celebrated their 75th anniversaries in 2005. Guinness returned in 1933-1934 and founded groups in Perth and Adelaide.

    These groups, led by the SUEU and the MUCU, joined together to form a network in 1936 as the Australian Intervarsity Fellowship or IVF, which later changed its name to the AFES in 1973. It had over 2000 members by 1959 and today has groups in over 50 campuses across the country in every state and territory, and employs over 100 staffworkers who look after the students on their various campuses.

    Salt (Lizz Wright album)

    Salt is the first album by singer and composer Lizz Wright, released in 2003 (see 2003 in music). It reached number two on the Billboard Top Contemporary Jazz chart.

    Track listing

  • "Open Your Eyes, You Can Fly" (Corea, Potter) 5:07
  • "Salt" (Wright) 3:25
  • "Afro Blue" (Brown, Santamaria) 5:51
  • "Soon As I Get Home" (Smalls) 4:26
  • "Walk with Me, Lord" (traditional) 4:06
  • "Eternity" (Wright) 3:35
  • "Goodbye" (Jenkins) 3:57
  • "Vocalise/End of the Line" (Rachmaninov/Edmonson, Medley) 4:33
  • "Fire" (Wright) 4:15
  • "Blue Rose" (Banks, Wright) 4:06
  • "Lead the Way" (Blade) 4:23
  • "Silence" (Wright) 2:42
  • Personnel

  • Lizz Wright vocals
  • Myron Walden bass clarinet, alto saxophone
  • Chris Potter soprano saxophone
  • Derrick Gardner trumpet
  • Vincent Gardner trombone
  • Brian Blade acoustic guitar, drums
  • Adam Rogers acoustic guitar, electric guitar, bottleneck guitar
  • Kenneth Banks piano, Hammond organ, Fender Rhodes
  • Jon Cowherd piano, Fender Rhodes
  • Danílo Perez piano
  • Sam Yahel Hammond organ
  • Mining

    Mining is the extraction of valuable minerals or other geological materials from the earth from an orebody, lode, vein, seam, reef or placer deposits which forms the mineralized package of economic interest to the miner.

    Ores recovered by mining include metals, coal, oil shale, gemstones, limestone, dimension stone, rock salt, potash, gravel, and clay. Mining is required to obtain any material that cannot be grown through agricultural processes, or created artificially in a laboratory or factory. Mining in a wider sense includes extraction of any non-renewable resource such as petroleum, natural gas, or even water.

    Mining of stones and metal has been a human activity since pre-historic times. Modern mining processes involve prospecting for ore bodies, analysis of the profit potential of a proposed mine, extraction of the desired materials, and final reclamation of the land after the mine is closed.

    Mining operations usually create a negative environmental impact, both during the mining activity and after the mine has closed. Hence, most of the world's nations have passed regulations to decrease the impact. Worker safety has long been a concern as well, and modern practices have significantly improved safety in mines.

    Naval mine

    A naval mine is a self-contained explosive device placed in water to damage or destroy surface ships or submarines. Unlike depth charges, mines are deposited and left to wait until they are triggered by the approach of, or contact with, an enemy vessel. Naval mines can be used offensively—to hamper enemy shipping movements or lock vessels into a harbour; or defensively—to protect friendly vessels and create "safe" zones.

    Description

    Mines can be laid in many ways: by purpose-built minelayers, refitted ships, submarines, or aircraft—and even by dropping them into a harbour by hand. They can be inexpensive: some variants can cost as little as US$1000, though more sophisticated mines can cost millions of dollars, be equipped with several kinds of sensors, and deliver a warhead by rocket or torpedo.

    Their flexibility and cost-effectiveness make mines attractive to the less powerful belligerent in asymmetric warfare. The cost of producing and laying a mine is usually anywhere from 0.5% to 10% of the cost of removing it, and it can take up to 200 times as long to clear a minefield as to lay it. Parts of some World War II naval minefields still exist because they are too extensive and expensive to clear. It is possible for some of these 1940s-era mines to remain dangerous for many years to come.

    Mine (Beyoncé song)

    "Mine" is a song by American recording artist Beyoncé featuring Canadian rapper Drake. The song was written by Noah "40" Shebib, Drake, Beyoncé, Majid Jordan, Sidney "Omen" Brown and Key Wane, with production by Shebib, Jordan, Brown and Beyoncé for the latter's self-titled fifth studio album Beyoncé (2013). "Mine" is a futuristic R&B song, that contains Trap elements, African beats with muted modern hip-hop". Lyrically, Beyoncé reveals her everyday doubts regarding marriage and motherhood.

    "Mine" received rave reviews from music critics, who praised the song's production, Beyoncé's vocal performance and the song's breakdown. However, Drake's contributions were generally panned by critics. Following the release of the album "Mine" charted in multiple regions making appearances on the US Billboard Hot 100 and UK charts.

    Background and composition

    In September 2013, Drake revealed that he was working with Beyoncé on her new project. During an interview with Vibe, he talked about his collaboration with Beyoncé on "Mine", stating, "I had fun with it. I always wanted to write for her. She never really sings that minimal... We'll see where that goes." "Mine" was written by Beyoncé, Noah Shebib, Aubrey Graham, Jordan Ullman, Sidney Brown and Dwane Weir while the production was helmed by Noah "40" Shebib, Majid Jordan, Brown and Beyoncé. Brown also handled additional drum programming and Beyoncé served as the song's vocal producer. Ramon Rivas engineered the song, and Beyoncé's vocals were recorded by Noah "40" Shebib, while Key Wane provided intro keys and intro programming. The song was finally mixed and mastered by Noel "Gadget" Campbell, Tom Coyne and Aya Merrill. "Mine" was recorded in two studios: Jungle City Studios and Oven Studios, both in New York City.

    Podcasts:

    PLAYLIST TIME:

    Sealed Human

    by: The Faint

    the body dances to the beat of the noises from the street. as patterns grids and schedules go, we took a subway to the show. so give us this day our daily commute. on the bus in three piece suits. say goodbye, kiss and ride. on the way to the club, look outside. the movement kills in several ways, although we see it as delay. the steering wheel; a guillotine. the body dances to the beat. wife: "take the subway, fuck the street". the flesh twists between the gap and passengers are also trapped. inertia pushed them all along, but they wont make it to their next stop. patrons complain about the wait, while the man outside cant feel his legs. men: "just pull me out, save my life" but all the cops can do is phone his wife. she drives as fast as she can, and gets caught up in a traffic jam.




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