Salome (play)

Salome (French: Salomé, pronounced: [salome]) is a tragedy by Oscar Wilde. The original 1891 version of the play was in French. Three years later an English translation was published. The play tells in one act the Biblical story of Salome, stepdaughter of the tetrarch Herod Antipas, who, to her stepfather's dismay but to the delight of her mother Herodias, requests the head of Jokanaan (John the Baptist) on a silver platter as a reward for dancing the dance of the seven veils.

Characters

Versions and premieres

Rehearsals for the play's debut on the London stage, for inclusion in Sarah Bernhardt's London season, began in 1892, but were halted when the Lord Chamberlain's licensor of plays banned Salomé on the basis that it was illegal to depict Biblical characters on the stage. The play was first published in French in February 1893, and an English translation, with illustrations by Aubrey Beardsley, in February 1894. On the Dedication page, Wilde indicated that his lover Lord Alfred Douglas was the translator. In fact, Wilde and Douglas had quarrelled over the latter's translation of the text which had been nothing short of disastrous given his poor mastery of French — though Douglas claimed that the errors were really in Wilde's original play. Beardsley and the publisher John Lane got drawn in when they sided with Wilde. In a gesture of reconciliation, Wilde did the work himself but dedicated Douglas as the translator rather than having them sharing their names on the title-page. Douglas compared a dedication to sharing the title-page as "the difference between a tribute of admiration from an artist and a receipt from a tradesman."

Salome MC

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Salome Mc (Persian: سالومه, born 1985), is a female Hip Hop and Multi-media artist from Iran. She is known for being Iran's first female rapper and Hip-Hop producer. Even though the topics expressed in her lyrics are a mixture of politics, social issues and personal matters, she defines herself as "apolitical" and her poetry being about "whatever occupies her mind."

Philosophy

Being questioned about being a female rapper in Iran, she mentioned in several interviews that she wouldn’t say she faced many challenges just because she was a female. "I might be the first female rapper to ever step in a studio in Iran, yes, but from people around me I mostly got courage after they got over the surprise. The other challenges that you might guess was there for my male counterparts too. Of course you get a certain amount of sexist comments from lack of common sense or education, but that is a global problem. " She also believes Hip-Hop can be a tool for empowerment, saying "it can be used to make people aware of their rights and their position, realize their own potential and at the end, empowerment, yes. But I am not one to speak big. I think change comes slowly and locally, so instead of talking big and throw slogans, I prefer to metaphorize my own experiences and hope that I inspire a person or two.

Salomé (Mariotte)

Salomé is an opera in one act by Antoine Mariotte to a libretto based on the French play Salome by Oscar Wilde. However, that work was itself inspired by Flaubert's Herodias. Mariotte began to compose his opera before the far more famous treatment of the same source by German composer Richard Strauss (Salome), but his premiered after the Strauss work.

Composition history

While in the French navy in the Far East, Mariotte had read the Oscar Wilde play Salome, and decided to set it to music. During his return to Europe by sea, he had access to a piano to continue his work, and while on leave, he took a course at the Conservatoire by Charles-Marie Widor, then resigned from the navy in 1897, and entered the Schola Cantorum where he was taught by Vincent d'Indy. After being appointed professor of piano at the Conservatoire in Lyon, he completed the score of his Salomé, believing himself to have permission from Wilde's estate and the publisher Methuen.

In fact, having obtained the agreement to use the play, Richard Strauss had in turn asked his publisher Fürstner to acquire the rights. Wilde's particularly complicated estate led to a court case that favoured the rights of Fürstner. Mariotte learnt that Fürstner would oppose the production of a "Salomé française" and after going to Berlin, he obtained permission to have his piece staged, on condition that 40% royalties went to Richard Strauss and 10% to Fürstner, with all scores to be sent after the run to Fürstner to be destroyed. Romain Rolland, having read an article by Mariotte in the Revue internationale de musique, helped him to obtain a more generous settlement from Strauss.

Salome (1953 film)

Salome (1953) is a Biblical epic film made in Technicolor by Columbia Pictures. It was directed by William Dieterle and produced by Buddy Adler from a screenplay by Harry Kleiner and Jesse Lasky Jr. The music score was by George Duning, the dance music by Daniele Amfitheatrof and the cinematography by Charles Lang. Hayworth's costumes by Jean Louis. Hayworth's dances for this film were choreographed by Valerie Bettis. This film was the last produced by Hayworth's production company, the Beckworth Corporation.

The film starred Rita Hayworth as Salome, as well as Stewart Granger, Charles Laughton and Judith Anderson, with Cedric Hardwicke, Alan Badel and Basil Sydney.

Plot

Although based on the New Testament story, the film does not follow the biblical text. In Galilee, during the rule of Rome's Tiberius Caesar, King Herod (Charles Laughton) and Queen Herodias (Judith Anderson) sit on the throne and are condemned by a prophet known as John the Baptist (Alan Badel). Herodias resents John's denunciation of her marriage to the king, her former husband's brother, and the Baptist's claim that she is an adulteress. The king is not pleased with the Baptist condemning his rule, but fears a slow and agonizing death that his father, the elder Herod, suffered after ordering the murder of firstborn males when Jesus was born. The prophecy states that if Herod kills the Messiah, he will suffer and die. The king believes John the Baptist is the Messiah because of the mistaken belief of some peasants.