Sally (musical)

Sally is a musical comedy with music by Jerome Kern, lyrics by Clifford Grey and book by Guy Bolton (inspired by the 19th century show, Sally in our Alley), with additional lyrics by Buddy De Sylva, Anne Caldwell and P. G. Wodehouse. The plot hinges on a mistaken-identity: Sally, a waif, is a dishwasher at the Alley Inn. She poses as a famous foreign ballerina and rises to fame (and finds love) through joining the Ziegfeld Follies. There is a rags to riches story, a ballet as a centrepiece, and a wedding as a finale. "Look for the Silver Lining" continues to be one of Kern's most familiar songs. The song is lampooned by another song, "Look for a Sky of Blue," in Rick Besoyan's satirical 1959 musical Little Mary Sunshine.

The piece was first produced by Florenz Ziegfeld on Broadway in 1920 and ran for 570 performances, one of the longest runs on Broadway up to that time. The show was designed as a debut star vehicle for Marilyn Miller. It had a successful London run and was revived several times on Broadway and in the West End. Since World War II, it has had few productions. The musical was adapted into a 1925 silent film and a 1929 musical film.

Sally

Sally may refer to:

Military

Names

People with the given name Sally

Sally (1925 film)

Sally is a 1925 silent romantic comedy film starring Colleen Moore. The film was directed by Alfred E. Green, produced by Moore's husband John McCormick (1893–1961), and based on the musical Sally written by Guy Bolton, Clifford Grey, and adapted to film by June Mathis. The film was based on a Florenz Ziegfeld production written specifically for Marilyn Miller that opened on December 21, 1920 at the New Amsterdam Theatre on Broadway. It ran for 570 performances.

Cast

Production

During the production of this film, Colleen met a young gag man who worked for Alfred Green who billed himself as a “comedy constructor,” named Mervyn LeRoy. They would become good friends and LeRoy would eventually direct Colleen in her film Oh, Kay!.

Preservation status

The film is considered lost, but a short sequence of color film may have been discovered, as reported by Ron Hutchinson of the Vitaphone project: "Malcolm Billingsley has discovered a previously unknown cache of 45- 75 second 35mm Technicolor nitrate spools with previously lost color scenes from ON WITH THE SHOW, SHOW OF SHOWS , SALLY and GOLD DIGGERS OF BROADWAY." / post on Nitrateville discussion board.

Sally Carrera

In the Pixar computer animated film Cars, Sally Carrera is Radiator Springs's town attorney and protagonist Lightning McQueen's love interest. She is voiced by Bonnie Hunt.

Background

In the film, Sally owns the Cozy Cone Motel, a newly refurbished tourist court similar in design to the Wigwam Motels but with each individual motel room constructed as an oversized traffic cone. She has cones all around her shop, inside and out; even the lamps, planters and alarm clocks follow the theme. Neon lighting at the Cozy Cone, one of the first historic restoration efforts in Radiator Springs, displays the "100% Refrigerated Air" slogan of Tucumcari's historic US 66 Blue Swallow Motel.

She once was a successful California lawyer but, unhappy, chose to leave the state to settle in the small U.S. Route 66 town.

Sally is a 2002 Porsche 911 Carrera on a slightly-shortened wheelbase and has a pinstripe tattoo on her back. Pixar had initially wanted a classic Porsche for the rôle, but were convinced by Bob Carlson at Porsche to make her the latest model. Pixar's animators, modellers and sound crews obtained access to real Porsche 911-series vehicles to meticulously create an animated Sally who looks, moves and responds in a similar manner to the original automobile.

Musical film

The musical film is a film genre in which songs sung by the characters are interwoven into the narrative, sometimes accompanied by dancing.

The songs usually advance the plot or develop the film's characters, though in some cases they serve merely as breaks in the storyline, often as elaborate "production numbers".

The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if there is a live audience watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it.

Musical films in the Western world

The classical sound era

The 1930s through the early 1950s are considered to be the golden age of the musical film, when the genre's popularity was at its highest in the Western world.

Musical theatre

Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting, and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through the words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.

Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre works of American creators like George M. Cohan. The Princess Theatre musicals and other smart shows like Of Thee I Sing (1931) were artistic steps forward beyond revues and other frothy entertainments of the early 20th century and led to such groundbreaking works as Show Boat (1927) and Oklahoma! (1943). Some of the most famous and iconic musicals through the decades that followed include West Side Story (1957), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1985), The Phantom of the Opera (1986), Rent (1996), The Producers (2001) and Wicked (2003).

1776 (musical)

1776 is a musical with music and lyrics by Sherman Edwards and a book by Peter Stone. The story is based on the events surrounding the signing of the Declaration of Independence. It dramatizes the efforts of John Adams to persuade his colleagues to vote for American independence and to sign the document.

It premiered on Broadway in 1969, earning warm reviews, and ran for 1,217 performances. The production was nominated for five Tony Awards and won three, including the Tony Award for Best Musical. In 1972 it was made into a film adaptation. It was revived on Broadway in 1997.

History

In 1926, Rodgers and Hart had written a musical about the American Revolution, called Dearest Enemy. Additionally, in 1950, a musical about the Revolution had been presented on Broadway, titled Arms and the Girl, with music by Morton Gould, lyrics by Dorothy Fields, and a book by Herbert Fields, Dorothy Fields, and Rouben Mamoulian, the show's director.

Sherman Edwards, a writer of pop songs with several top ten hits in the late fifties and early sixties, spent several years developing lyrics and libretto for a musical based on the signing of the Declaration of Independence. Edwards recounted that, "I wanted to show [the founding fathers] at their outermost limits. These men were the cream of their colonies... They disagreed and fought with each other. But they understood commitment, and though they fought, they fought affirmatively." Producer Stuart Ostrow recommended that librettist Peter Stone collaborate with Edwards on the book of the musical. Stone recalled,