Kōan (弘安) was a Japanese era name (年号,, nengō,, lit. "year name") after Kenji and before Shōō. This period spanned the years from February 1278 through April 1288. The reigning emperors were Go-Uda-tennō (後宇多天皇) and Fushimi-tennō (伏見天皇).
Kōan (康安) was a Japanese era name (年号, nengō, lit. year name) of the Northern Court during the Era of Northern and Southern Courts after Enbun and before Jōji. This period spanned the years from March 1361 through September 1362. The emperor in Kyoto was Go-Kōgon-tennō (後光厳天皇). Go-Kōgon's Southern Court rival in Yoshino during this time-frame was Go-Murakami-tennō (後村上天皇)
During the Meiji period, an Imperial decree dated March 3, 1911 established that the legitimate reigning monarchs of this period were the direct descendants of Emperor Go-Daigo through Emperor Go-Murakami, whose Southern Court (南朝, nanchō) had been established in exile in Yoshino, near Nara.
Until the end of the Edo period, the militarily superior pretender-Emperors supported by the Ashikaga shogunate had been mistakenly incorporated in Imperial chronologies despite the undisputed fact that the Imperial Regalia were not in their possession.
Kōan is a case, story, dialog, question, or statement in the history and lore of Zen Buddhism.
Kōan may also refer to:
Capsule (カプセル, Kapuseru, stylized as CAPSULE since autumn 2013) is a Japanese electronica duo consisting of vocalist Toshiko Koshijima and producer Yasutaka Nakata.
Capsule formed in November 1997, after Nakata Yasutaka and Koshijima Toshiko met at the Teens' Music Festival in the Hokuriku area convention when they were 17 years old. Their first single was "Sakura", released in March 2001 on Yamaha Music Communications. Their first album, High Collar Girl, was significantly different from their later works in that it did not involve nearly as much use of synthesizers or contain futuristic/electronic sounds.
Capsule's style in albums up to L.D.K. Lounge Designers Killer (2005) was frequently referred to as "neo-Shibuya-kei" due to their stylistic similarities, both aesthetically and musically, to acts from the Shibuya-kei movement of the 1990s, most notably Pizzicato Five. It contained elements of bossa nova, lounge and breakbeat. From Fruits Clipper (2006) on their style was increasingly electro house.
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Yasunori Sakurazawa (櫻澤 泰徳, Sakurazawa Yasunori, born on November 20, 1969), known by his stage name Sakura, is a Japanese musician. He is probably best known as former drummer of the rock band L'Arc-en-Ciel. After leaving them in 1997, he formed the supergroup Zigzo, the trio Sons of All Pussys with his former L'Arc-en-Ciel bandmate Ken, and his solo project Lion Heads.
Currently he performs with the bands Rayflower, Circuit9 and The Madcap Laughs, the reformed Zigzo and By-Sex, and supports Dead End frontman Morrie in his solo project Creature Creature.
Sakura was born in Nerima, Tokyo, the youngest of three children. He started taking piano lessons when he was a child. When he was in junior high school he became very interested in rock music, later taking formal music training. Initially he wanted to play guitar but soon changed his mind and devoted himself to percussion.
When Sakura was in high school, he was already playing in the percussion and brass sections for three different school bands. He started working as a roadie for well-known metal band Dead End when he was nineteen. Soon he began playing drums professionally and joined the bands Die+Kusse and the Harem Q, the latter released an album entitled Opium in 1991.
Urusei Yatsura, a manga (1978–1987) and anime (1981–1986) series created by Rumiko Takahashi, has a large ensemble cast which includes many cameo appearances from Japanese mythology and history. Names of some of the characters are below. They are in Western order, with the surname after the given name.
(諸星あたる)
Ataru Moroboshi is the main protagonist of the series. A lazy student at Tomobiki High School, Class 2-4, Ataru suffers from an incredible amount of bad luck, having been born on Friday the Thirteenth, during a major earthquake, and Butsumetsu, the unluckiest day of the Buddhist calendar. Thanks to this lack of good fortune, his triumph in the game of tag that saved Earth from Oni invasion turned into a defeat for him. His victory statement, intended to confirm his then-girlfriend Shinobu's promise to marry him if he won, was misinterpreted by Lum to be a marriage proposal. Much to his chagrin, she accepted.
Ataru is very lecherous. His main goal in life is to live in the center of a harem composed of exotic and beautiful women, including Lum and most of her alien friends. Usually, he just walks up to a woman he's never met before and asks for her name, phone number, and address. If Lum, who views him as her husband, should witness these usually futile flirting efforts, she regularly zaps him with massive quantities of electricity, but they do nothing to slow him down.
I'm cuddling with daisies,In a flower's bed.
I'm living in a small town
Somewhere in my head.
I'm shelling out excuses,
Like you deal a deck of cards.
If you're the queen of diamonds,
I'll shatter you to shards.
I'm a tourist.
I'm a waste of time.
I'm yours.
I'll live and die for today if you take me away.
Preferred customers shouldn't have to pay.
Baby take me away.
Now I'm a glass of spoiled milk,
Spilled all across the floor,
And I don't need your pity.
Don't cry for me no more.
My baby's got a burden.
I always said I had a name.
I'm walking out on Bourbon
where getting drunk is just a game.
I'm a tourist.
I'm a waste of time.