Capsule (カプセル, Kapuseru, stylized as CAPSULE since autumn 2013) is a Japanese electronica duo consisting of vocalist Toshiko Koshijima and producer Yasutaka Nakata.
Capsule formed in November 1997, after Nakata Yasutaka and Koshijima Toshiko met at the Teens' Music Festival in the Hokuriku area convention when they were 17 years old. Their first single was "Sakura", released in March 2001 on Yamaha Music Communications. Their first album, High Collar Girl, was significantly different from their later works in that it did not involve nearly as much use of synthesizers or contain futuristic/electronic sounds.
Capsule's style in albums up to L.D.K. Lounge Designers Killer (2005) was frequently referred to as "neo-Shibuya-kei" due to their stylistic similarities, both aesthetically and musically, to acts from the Shibuya-kei movement of the 1990s, most notably Pizzicato Five. It contained elements of bossa nova, lounge and breakbeat. From Fruits Clipper (2006) on their style was increasingly electro house.
HIDDEN ERROR: Usage of "notable_instrument" is not recognized
Yasunori Sakurazawa (櫻澤 泰徳, Sakurazawa Yasunori, born on November 20, 1969), known by his stage name Sakura, is a Japanese musician. He is probably best known as former drummer of the rock band L'Arc-en-Ciel. After leaving them in 1997, he formed the supergroup Zigzo, the trio Sons of All Pussys with his former L'Arc-en-Ciel bandmate Ken, and his solo project Lion Heads.
Currently he performs with the bands Rayflower, Circuit9 and The Madcap Laughs, the reformed Zigzo and By-Sex, and supports Dead End frontman Morrie in his solo project Creature Creature.
Sakura was born in Nerima, Tokyo, the youngest of three children. He started taking piano lessons when he was a child. When he was in junior high school he became very interested in rock music, later taking formal music training. Initially he wanted to play guitar but soon changed his mind and devoted himself to percussion.
When Sakura was in high school, he was already playing in the percussion and brass sections for three different school bands. He started working as a roadie for well-known metal band Dead End when he was nineteen. Soon he began playing drums professionally and joined the bands Die+Kusse and the Harem Q, the latter released an album entitled Opium in 1991.
Urusei Yatsura, a manga (1978–1987) and anime (1981–1986) series created by Rumiko Takahashi, has a large ensemble cast which includes many cameo appearances from Japanese mythology and history. Names of some of the characters are below. They are in Western order, with the surname after the given name.
(諸星あたる)
Ataru Moroboshi is the main protagonist of the series. A lazy student at Tomobiki High School, Class 2-4, Ataru suffers from an incredible amount of bad luck, having been born on Friday the Thirteenth, during a major earthquake, and Butsumetsu, the unluckiest day of the Buddhist calendar. Thanks to this lack of good fortune, his triumph in the game of tag that saved Earth from Oni invasion turned into a defeat for him. His victory statement, intended to confirm his then-girlfriend Shinobu's promise to marry him if he won, was misinterpreted by Lum to be a marriage proposal. Much to his chagrin, she accepted.
Ataru is very lecherous. His main goal in life is to live in the center of a harem composed of exotic and beautiful women, including Lum and most of her alien friends. Usually, he just walks up to a woman he's never met before and asks for her name, phone number, and address. If Lum, who views him as her husband, should witness these usually futile flirting efforts, she regularly zaps him with massive quantities of electricity, but they do nothing to slow him down.
The Era is a river in Tuscany in Italy. It rises near Volterra and flows into the Arno river at Pontedera.
The Era is 54 km long, and its main tributaries are: (to the left) Cascina river, Ragone torrent, Sterza torrent, and (to the right) Capriggine torrent and Roglio torrent.
In 1966 the river flooded the town of Pontedera.
Coordinates: 43°40′N 10°38′E / 43.667°N 10.633°E / 43.667; 10.633
A geologic era is a subdivision of geologic time that divides an eon into smaller units of time. The Phanerozoic Eon is divided into three such time frames: the Paleozoic, Mesozoic, and Cenozoic represent the major stages in the macroscopic fossil record. These eras are separated by catastrophic extinction boundaries, the P-T boundary between the Paleozoic and the Mesozoic and the K-T boundary between the Mesozoic and the Cenozoic. There is evidence that catastrophic meteorite impacts played a role in demarcating the differences between the eras.
The Hadean, Archean and Proterozoic eons were as a whole formerly called the Precambrian. This covered the four billion years of Earth history prior to the appearance of hard-shelled animals. More recently, however, those eons have been subdivided into eras of their own.
Adjusted ERA+, often simply abbreviated to ERA+ or ERA plus, is a pitching statistic in baseball. It adjusts a pitcher's earned run average (ERA) according to the pitcher's ballpark (in case the ballpark favors batters or pitchers) and the ERA of the pitcher's league. Average ERA+ is set to be 100; a score above 100 indicates that the pitcher performed better than average, below 100 indicates worse than average.
For instance, if the average ERA in the league is 4.00, and the pitcher is pitching in a ballpark that favors hitters, and his ERA is 4.00, then his ERA+ will be over 100. Likewise, if the pitcher is pitching in a ballpark favoring pitchers, then the pitcher's ERA+ will be below 100.
As a result, ERA+ can be used to compare pitchers across different run environments. In the above example, the first pitcher may have performed better than the second pitcher, even though his ERA is higher. ERA+ can be used to account for this misleading impression.
Pedro Martínez holds the modern record for highest ERA+ in a single season; he posted a 1.74 ERA in the 2000 American League, which had an average ERA of 4.92, which gave Martínez an ERA+ of 291. While Bob Gibson has the lowest ERA in modern times (1.12 in the National League in 1968), the average ERA was 2.99 that year (the so-called Year of the Pitcher) and so Gibson's ERA+ is 258, sixth highest since 1900. 1968 was the last year that Major League Baseball employed the use of a pitcher's mound greater than 10 inches.