Australian Fellowship of Evangelical Students

The Australian Fellowship of Evangelical Students (AFES) is an evangelical Christian parachurch organisation that aims to encourage university students to believe in and follow Jesus Christ. It is affiliated with, and in 1947 was a founding member of the International Fellowship of Evangelical Students.

History

The young English evangelist, Howard Guinness, toured Australia in 1930 to encourage university students in evangelism. He helped form campus student groups starting in Sydney, then Melbourne, Brisbane and Hobart, including Sydney University Evangelical Union (SUEU) and Melbourne University Christian Union (MUCU - originally the Melbourne University Evangelical Union), which celebrated their 75th anniversaries in 2005. Guinness returned in 1933-1934 and founded groups in Perth and Adelaide.

These groups, led by the SUEU and the MUCU, joined together to form a network in 1936 as the Australian Intervarsity Fellowship or IVF, which later changed its name to the AFES in 1973. It had over 2000 members by 1959 and today has groups in over 50 campuses across the country in every state and territory, and employs over 100 staffworkers who look after the students on their various campuses.

Salt (Lizz Wright album)

Salt is the first album by singer and composer Lizz Wright, released in 2003 (see 2003 in music). It reached number two on the Billboard Top Contemporary Jazz chart.

Track listing

Personnel

Salt (Forget Cassettes album)

Following the departure of percussionist Doni Schroader in 2005, Forget Cassettes' Beth Cameron recruited Nashville drummer Aaron Ford and Apollo Up!'s Jay Leo Phillips on bass, guitar, keys, and backing vocals. The record was released in 2006 on Theory 8 Records, and eventually given a European release on March 5, 2007, courtesy of One Little Indian Records. The European release featured a bonus track entitled "Sleeper".

Track listing

External links

Dogū

Dogū (土偶)(meaning "clay figures") are small humanoid and animal figurines made during the late Jōmon period (14,000–400 BC) of prehistoric Japan. Dogū come exclusively from the Jōmon period. By the Yayoi period, which followed the Jōmon period, Dogū were no longer made. There are various styles of Dogū, depending on exhumation area and time period. According to the National Museum of Japanese History, the total number found throughout Japan is approximately 15,000. Dogū were made across all of Japan, except Okinawa. Most of the Dogū have been found in eastern Japan and it is rare to find one in western Japan. The purpose of the Dogū remains unknown and should not be confused with the clay haniwa funerary objects of the Kofun period (250 – 538).

Origins

Some scholars theorize the Dogū acted as effigies of people, that manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogū, then destroyed, clearing the illness, or any other misfortune.

Dog in Chinese mythology

Dogs are an important motif in Chinese mythology. These motifs include a particular dog which accompanies a hero, the dog as one of the twelve totem creatures for which years are named, a dog giving first provision of grain which allowed current agriculture, and claims of having a magical dog as an original ancestor in the case of certain ethnic groups.

Myth versus history

Chinese mythology is those myths found in the geographic area called China, which of course has evolved and changed throughout its history. These include myths in Chinese and other languages, as transmitted by Han Chinese as well as other ethnic groups (of which fifty-six are officially recognized by the current administration of China). (Yang 2005:4)

In the study of historical Chinese culture, many of the stories that have been told regarding characters and events which have been written or told of the distant past have a double tradition: one which tradition which presents a more historicized and one which presents a more mythological version.(Yang 2005: 12-13) This is also true of some accounts related to mythological dogs in China.

Shvan

Shvan, a Sanskrit word meaning a dog, finds repeated references in Vedic and later Hindu mythologies, and such references include the following:

References

Tsade

Ṣade (also spelled Ṣādē, Tsade, Ṣaddi, Ṣad, Tzadi, Sadhe, Tzaddik) is the eighteenth letter of the Semitic abjads, including Phoenician Çādē , Hebrew ˈṢādi צ, Aramaic Ṣādhē , Syriac Ṣāḏē ܨ, and Arabic Ṣād ص. Its oldest sound value is probably /sˤ/, although there is a variety of pronunciation in different modern Semitic languages and their dialects. It represents the coalescence of three Proto-Semitic "emphatic consonants" in Canaanite. Arabic, which kept the phonemes separate, introduced variants of ṣād and ṭāʾ to express the three (see ḍād, ẓāʾ). In Aramaic, these emphatic consonants coalesced instead with ʿayin and ṭēt, respectively, thus Hebrew ereẓ ארץ (earth) is araʿ ארע in Aramaic.

The Phoenician letter is continued in the Greek San (Ϻ) and possibly Sampi (Ϡ), and in Etruscan 𐌑 Ś. It may have inspired the form of the letter Tse in the Glagolitic and Cyrillic alphabet.

The corresponding letter of the Ugaritic alphabet is 𐎕 ṣade.

The letter is known as "tsadik" in Yiddish, and Hebrew speakers often give it that name as well. This name for the letter probably originated from a fast recitation of the alphabet (i.e., "tsadi, qoph" -> "tsadiq, qoph"), influenced by the Hebrew word tzadik, meaning 'righteous person'.