Army (Ellie Goulding song)

"Army" is a song by English singer and songwriter Ellie Goulding from her third studio album, Delirium (2015). The song was released on 9 January 2016 as the album's second single.

Composition

"Army" is written in the key of B major with a tempo of 87 beats per minute. Goulding's vocals span from B₃ to B₄. The song was written about Goulding's best friend.

Music video

The music video for "Army" was directed by Conor McDonnell and premiered on 14 January 2016. Shot in black and white, the video features Goulding having fun with friends in several settings, as well as performing the song live.

Credits and personnel

Credits adapted from the liner notes of Delirium.

French Army

The French Army (French: Armée de terre [aʀme də tɛʀ], "land army") is the land-based and largest component of the French Armed Forces. Along with the French Air Force, the French Navy and the National Gendarmerie, it is placed under the responsibility of the French government. The current Chief of Staff of the French Army (CEMAT) is general Jean-Pierre Bosser. All soldiers are considered professionals following the suspension of conscription, voted in parliament in 1997 and made effective in 2001.

As of 2014, the French Army employed 111,628 personnel (including the French Foreign Legion and the Paris Fire Brigade). In addition, the reserve element of the French Army consisted of 15,453 personnel of the Operational Reserve.

In 1999 the Army issued the Code of the French Soldier, which includes the injunctions:

History

Early history

The first permanent army, paid with regular wages, instead of feudal levies, was established under Charles VII in the 1420-30s. The Kings of France needed reliable troops during and after the Hundred Years' War. These units of troops were raised by issuing ordonnances to govern their length of service, composition and payment. These Compagnies d'ordonnance formed the core of the Gendarme Cavalry into the sixteenth century. Stationed throughout France and summoned into larger armies as needed. There was also provision made for "Francs-archers" units of bowmen and foot soldiers raised from the non-noble classes but these units were disbanded once war ended.

Army (1944 film)

Army (陸軍 Rikugun) is a 1944 Japanese film directed by Keisuke Kinoshita and starring Chishū Ryū and Kinuyo Tanaka. It is best known for its final scene, which Japanese wartime censors found troubling.

Army tells the story of three generations of a Japanese family and their relationship with the army from the Meiji era through the Japanese invasion of Manchuria. Ryu plays the man of the middle generation, Tomohiko, and Tanaka his wife Waka. A large portion of the movie concerns Ryu's and Tanaka's concern that their oldest son Shintaro will be too weak to become a good soldier and their efforts to mold him into one. Other portions of the movie include Tomohiko's own exclusion from fighting during the Russo-Japanese War due to illness, and his later indignation when a friend suggests that Japan could lose a war.

In the wordless final scene of the movie, Shintaro marches off with the army for deployment in the invasion of Manchuria. Tanaka's character runs alongside him tearfully and expresses her anxiety over his well-being. Japanese wartime censors were upset by this scene because Japanese mothers in films were supposed be depicted as being proud to send their sons to battle, and not being at all upset about it. According to film critic Donald Richie, the scene was spared being cut because arguably Tanaka's emotions were caused by her internal conflict between her duty to be happy to send her son off to war and her own selfishness by loving and trying to possess him.Criterion Collection essayist Michael Koresky and others attribute the fact that the script escaped censorship of this scene to the fact that the scene is wordless, and so in the script it merely states "The mother sees the son off at the station.” Koresky attributes the scene's power to purely cinematic elements, i.e., "expressive cutting, the variations in camera distance, Tanaka’s stunning performance."

Lost Dogs (album)

Lost Dogs is a two-disc compilation album by the American alternative rock band Pearl Jam, released on November 11, 2003 through Epic Records. The album has been certified gold by the RIAA in the United States.

Overview

Lost Dogs is a double-disc collection of B-sides and other released and unreleased rarities. Lost Dogs sold 89,500 copies in its first week of release and debuted at number fifteen on the Billboard 200 chart. Lost Dogs has been certified gold by the RIAA.

A number of songs included on Lost Dogs differ from the originally released versions, including "Alone", "U", "Wash", and "Dirty Frank". The album includes the hidden track "4/20/02" at the end of disc two, a tribute to Alice in Chains frontman Layne Staley. It was written by vocalist Eddie Vedder during the recording sessions for Riot Act on the day that he heard the news of Staley's death. The song features only Vedder singing and playing the guitar in a ukulele-inspired tuning. According to Vedder, the reason why it was not included on Riot Act was that the band already had too many songs. According to guitarist Mike McCready, the reason the song was only featured as a hidden track on Lost Dogs is because Vedder "wouldn't want it to be exploitative."

Sad (sura)

Sūrat Ṣād (Arabic: سورة ص‎, "The Letter Sad") is the 38th sura of the Qur'an with 88 ayat and 1 sajdah (39:24). Sad (ص) is the name of the eighteenth letter in the Arabic alphabet.

Saad was sent to Muhammad by God while he was coping with rejection from his tribe, the Quraysh, and struggling to keep his own faith. It recounts stories of previous prophets, describes the splendors of heaven, and warns of the monstrosities of hell. The sura dates to the 2nd Meccan Period, meaning it was revealed only five or six years into the development of Islam.

Historical context

Sura 38 substantiates Muhammad's role as Prophet through concrete examples of previous messengers of God and the evils that have befallen the people who did not heed sacred messages. Angelika Neurwirth terms these “retribution legends” (McAuliffe, 105). They “prove that divine justice is at work in history, the unjustly harassed being rewarded with salvation, the transgressors and unbelievers punished by annihilation” (McAuliffe, 106). Through regular reference to biblical characters and a self-assertive tone praising both Muhammad and God, the reader can attribute this sura to the 2nd Meccan Period, according to Noldeke’s chronology . The coherent text builds up to descriptions of both heaven and hell on the Day of Judgment. The wide scope of historical figures—ranging from Old Testament characters such as David, Solomon, and Job, to the devil of Islam, Iblis—were designed to resonate with a wide audience in the face of the disbelief among the Quaryash, Muhammad’s clan; as Ernst poignantly states, Muhammad was likely dealing with “religiously well-informed skeptics” . Like many contemporary passages, Sura 38 attempts to convert the reader to a monotheistic religion honoring Muhammad as Prophet by promising salvation for true believers on the Day of Judgment.

Sad (Maroon 5 song)

"Sad" is the ninth track from American band Maroon 5's fourth studio album Overexposed (2012). It was written by Adam Levine and James Valentine; they produced the song together with Noah "Mailbox" Passovoy. Valentine started composing the song on his home piano, before introducing the melody to Levine, who wrote the lyrics and called the song his most personal track on the album. "Sad" is a piano ballad that is similar to the works by British singer-songwriter Adele. It received generally mixed reviews from music critics; some of them called it a standout track on Overexposed, however, others criticized Levine's voice on the song. Following the release of the album, due to strong digital downloads, the song peaked at number 12 on the singles chart in South Korea.

Background and production

It was kinda cool and like the chords to the verse and I just sang that melody. I sang that melody and there weren't any words; it was just kind of a melody. I recorded it on my phone and didn't even think about it.