SS Rondo

SS Rondo was a steam cargo ship. She was built by Tampa Shipbuilding & Drydock Company of Florida for the British government under the name War Wonder and was launched in 1917. The First World War ended before she entered service and she entered service for the US Shipping Board as the Lithopolis. She was sold to various Norwegian companies, becoming the Laurie, and finally the Rondo in 1934.

She sank off the west coast of Scotland on 25 January 1935 in the Sound of Mull whilst seeking shelter from a storm. The ship stands vertically on a drop off at 56°32.30′N 5°54.75′W / 56.53833°N 5.91250°W / 56.53833; -5.91250Coordinates: 56°32.30′N 5°54.75′W / 56.53833°N 5.91250°W / 56.53833; -5.91250 with the stern in less than 10m and the bow below 50m.

References

Rondo

Rondo, and its French part-equivalent, rondeau, are words that have been used in music in a number of ways, most often in reference to a musical form, but also to a character type that is distinct from the form.

Form

The term and formal principle may have derived from the medieval poetic form, rondeau, which contains repetitions of a couplet separated by longer sections of poetry. (Arnold Schoenberg disputed this claim of origin in an essay in Style and Idea, noting that "if musical rondo form were really supposed to be modelled on the poetic form, it could only be so very superficially".)

In rondo form, a principal theme (sometimes called the "refrain") alternates with one or more contrasting themes, generally called "episodes," but also occasionally referred to as "digressions" or "couplets." Possible patterns in the Classical period include: ABA, ABACA, or ABACABA. These are sometimes designated "first rondo", "second rondo", and "third rondo", respectively. The first rondo is distinguished from the three-part song form principally by the fact that at least one of the themes is a song form in itself, but the difference in melodic and rhythmic content of the themes in the rondo form is usually greater than in the song form, and the accompanimental figuration in the parts of the rondo (unlike the song form) is usually contrasted. The number of themes can vary from piece to piece, and the recurring element is sometimes embellished and/or shortened in order to provide for variation.

Rondo (soft drink)

Rondo was a citrus-flavored soft drink available in limited U.S. markets in the late 1970s and early 1980s, one which was "blended from fine essences", and "lightly carbonated". It is mostly famous for its slogan - "Rondo---The Thirst Crusher" - as well as its commercials, featuring people crushing the cans in various ways. The cans featured bright yellow packaging for regular Rondo and green packaging for Diet Rondo.

Schweppes sells a similar drink in Australia under the name Solo.

The drink and its name were parodied in the 2006 film Idiocracy as "Brawndo: The Thirst Mutilator".

Slogans

See also

References

Rondo (film)

Rondo is a 1966 Yugoslavian film by Croatian director Zvonimir Berković. It was filmed in Zagreb, Croatia (then a part of Socialist Federal Republic of Yugoslavia).

Plot

"Every Sunday, the lonely bachelor and sophisticated judge Mladen (Stevo Žigon) comes to play chess with his friend, the sculptor Fedja (Relja Bašić), and gradually he falls into an affair with Fedja's wife Neda (Milena Dravić). The chess board is the center of the film, the moves mirroring the emotional developments of the characters."

Background and themes

Produced in 1966, Rondo was the first full-length film by former musician and screenwriter Zvonimir Berković, screenwriter of H-8, a famous Croatian 1950s classic. In both films, he uses musical form as a source for the narrative. As in Mozart's Rondo (which is repeatedly played in the soundtrack) in Berković's film the basic situation - Sunday afternoon chess party - is repeated with small variations, slowly bringing the three character towards a crisis. Very formal, very intimistic and set in a cosy middle-class environment, Rondo was very different from previous Yugoslav film tradition, introducing aesthetic of the modernist psychological novel into Croatian cinema.