Lars Gunnar Victor Gullin (4 May 1928 – 17 May 1976) was a Swedish jazz baritone saxophone player, occasional pianist and composer closest in playing style to United States Cool school players, with a full tone, but also a lightness uncommon with baritone saxophonists and an influence from Swedish folk music, which helps make his music unique.
Lars Gullin was a child prodigy on the accordion. At age thirteen, he played clarinet in a military band and later learned the alto saxophone, but after moving to Stockholm in 1947 became a professional musician as a pianist. He planned on a classical career, studying privately with classical pianist Sven Brandel. Although he actually filled the baritone chair in Seymour Österwall’s band in 1949 by chance, it was enough for him to decide that it was an instrument with possibilities, influenced too by hearing the United States baritone saxophonist Gerry Mulligan for the first time on the Birth of the Cool recordings. He worked as a member of Arne Domnérus’s septet (initially co-led by the trumpeter Rolf Ericson) for two years from 1951; the group mainly performed at Nalen, a leading dance spot in Stockholm.
Self-harm (SH) or deliberate self-harm (DSH) includes self-injury (SI) and self-poisoning and is defined as the intentional, direct injuring of body tissue most often done without suicidal intentions. These terms are used in the more recent literature in an attempt to reach a more neutral terminology. The older literature, especially that which predates the Diagnostic and Statistical Manual of Mental Disorders (DSM-IV-TR), almost exclusively refers to self-mutilation. The term self-harm means the same as self-injury.
The most common form of self-harm is skin-cutting but self-harm also covers a wide range of behaviors including, but not limited to, burning, scratching, banging or hitting body parts, interfering with wound healing (dermatillomania), hair-pulling (trichotillomania) and the ingestion of toxic substances or objects. Behaviours associated with substance abuse and eating disorders are usually not considered self-harm because the resulting tissue damage is ordinarily an unintentional side effect. However, the boundaries are not always clearly defined and in some cases behaviours that usually fall outside the boundaries of self-harm may indeed represent self-harm if performed with explicit intent to cause tissue damage. Although suicide is not the intention of self-harm, the relationship between self-harm and suicide is complex, as self-harming behaviour may be potentially life-threatening. There is also an increased risk of suicide in individuals who self-harm to the extent that self-harm is found in 40–60% of suicides. However, generalising self-harmers to be suicidal is, in the majority of cases, inaccurate.
SH, Sh, sH or sh may refer to:
S&H Green Stamps were trading stamps popular in the United States from the 1930s until the late 1980s. They were distributed as part of a rewards program operated by the Sperry & Hutchinson company (S&H), founded in 1896 by Thomas Sperry and Shelley Byron Hutchinson. During the 1960s, the company promoted its rewards catalog as being the largest publication in the United States and boasted that it issued three times as many stamps as the U.S. Postal Service. Customers would receive stamps at the checkout counter of supermarkets, department stores, and gasoline stations among other retailers, which could be redeemed for products in the catalog.
S&H Green Stamps had several competitors, including Gold Bell Gift Stamps (in the Midwest), Triple S Stamps (offered by Grand Union Supermarkets), Gold Bond Stamps, Blue Chip Stamps, Plaid Stamps (a project of A&P Supermarkets), Top Value Stamps, Buccaneer, and Eagle Stamps (a project of several divisions of the May Department Stores Co. of St. Louis, Missouri and offered, notably, by May Company stores, supermarkets, drug stores, gas stations, and dry cleaners in the Cleveland, Ohio area).
Rudy Perà z
Cuando rÃes cuando lloras
Cuando callas o al hablar
Cada gesto me provoca
Amarte más
Eres mi punto de partida
Mi principio y mi final
Eres el centro de mi vida
Mi guerra y mi paz
Sólo Tú
Conoces mis sentimientos
De verdad
Si yo pudiera volar hasta el cielo
En mis brazos Te llevarÃa
Porque llenas a diario mi vida
De ilusión y de alegrÃa
Porque sólo Tú me comprendes
Porque Tu amor cambió mi mente
Si me pidieras el mundo entero
Te lo darÃa
En la paz de Tu mirada
Hallo mi estabilidad
En tus brazos y en Tu alma
Mi seguridad
Sólo Tú
Conoces mis sentimientos
De verdad
Si yo pudiera volar hasta el cielo
En mis brazos Te llevarÃa
Porque llenas a diario mi vida
De ilusión y de alegrÃa
Porque sólo Tú me comprendes
Porque Tu amor cambió mi mente
Si me pidieras el mundo entero
Te lo darÃa
Si yo pudiera volar
Hasta el cielo
En mis brazos Te llevarÃa
Porque llenas a diario mi vida
De ilusión y de alegrÃa
Sólo Tú me comprendes
Y Tu amor cambió mi mente
Si me pidieras el mundo entero
Te lo darÃa
Literal English Translation of Sólo Tú (Only You)
Translated by Deby Martinez
When You smile when You cry/When You are quiet when you talk
Every expression makes me/love You more
You are my courage/My beggining and my end
You are the center of my life/my war and my peace
Only You/Know my real feelings
CHORUS:
If I could fly to Heaven
I would take You in my arms
BEcause You fullfill my life
With joy and happiness
Because only You understand me
And Your love changed my mind
If You would ask for the whole world
I would give it
In the peace of Your sight
I find my stability
In Your arms and in Your soul
My well being
Only You/know my real feelings
1999 Rubet Music (adm. by Universal Music Publ. Group) (ASCAP)