Spider-Man 2099 is a fictional superhero appearing in American comic books published by Marvel Comics. The character was created by Peter David and Rick Leonardi in 1992 for Marvel Comics' Marvel 2099 comic book line. His secret alter ego is Miguel O'Hara, a brilliant geneticist living in New York in the year 2099 A.D. who is attempting to recreate the abilities of the original Spider-Man in other people and later suffers a related accident that causes half his DNA to be re-written with a spider's genetic code. O'Hara is the first Latino character to assume the identity of Spider-Man.
Spider-Man 2099 was one of the many Marvel characters to be re-imagined for the Marvel 2099 comic book line that showed future versions of classic Marvel characters living in the year 2099, a century after the current Marvel Universe time period (the Marvel 2099 timeline began its run in 1992, approximately 107 years prior to the year in which the new books would take place). Spider-Man 2099 was first featured in a five-page sneak preview of the first issue of his then-upcoming series in the 30th anniversary issue of The Amazing Spider-Man. The Spider-Man 2099 series' first issue appeared shortly afterward. When originally published, the Marvel 2099 stories were meant to depict the official future of the Marvel Universe: a dystopian America governed by corrupt megacorporations with a number of cyberpunk elements.
S&Man (pronounced as Sandman) is a 2006 pseudo-documentary film that examines the underground subculture of horror films. It contains interviews with indie horror filmmakers and other horror experts, including Erik Marcisak, Bill Zebub, Fred Vogel, Carol J. Clover, and Debbie D., as well as a scripted plot that comes into focus in the film's second half.
The film discusses why some people enjoy underground horror films involving fetishes. Although the film is classified as a documentary, there is a fictional subplot which helps advance the film's theme by showing what some people really think about the genre.
S&Man was shown at the reRun Gastropub Theater in New York City, film festivals, and released on home video. The film has received praise and criticism; although some reviews are strongly against the nature of the film, most reviews were positive.
S&Man is about voyeurism as it relates to underground films. Interviews with horror film directors and Carol J. Clover, a writer on the horror genre, are weaved between clips from horror films. In the beginning of the film, clips show the directors and Clover commenting on a horror film that is not shown onscreen and with the title not mentioned. The film then moves on to Petty's meetings with Eric Rost (Erik Marcisak), Bill Zebub, and Fred Vogel. He interviews these men and actress Debbie D., while clips from horror films and facts and opinions provided by Clover about the genre are interspersed.
I don't think so rellie
z-dazzle, goin' mutiny
dont y'all get in his way
whassup man
he's lethal, bustin through people
get the fuck up out of his way
[Z-Man]
give me that motherfuckin black n mild
so I can break it in half
and shove it up your ass
with a genuine draft
and ride off on a giraffe
till its legs is broke
sit alongside of the bay and watch those legs float
wit' a message in a bottle but instead its a rap
you tryna battle?
recieve this one and float me one back
you thinkin too slow, you got peanut butter for brains
my brain look like terrain wit' airplane stains and it don't stop
'til my veins poesy strange
I'm always in your pockets, my name is spare change
no tattoos, my skin is too, pretty for that shit
my permanent paint job and california accent is catchy
the flow is like jumpin onboard
there ain't enough o's in smooth to describe the art
a frisco vet, please don't give me an acapela
i'll explode like a seagull that swallowed and alka-seltzer
and touch anything beauty queen, I might behave
you can stick your newborn inside the microwave
Cause I'm afraid it might grow up to be the shit
and right now, I'm satellite and I refuse to quit
[chorus: Z-Man]
z-dazzle goin' mutiny
dont y'all get in his way
you know I'm sayin
he's lethal bustin through people
get the fuck up out of his way
whassup man
[Z-Man]
never tuckin' chains, duckin' flames
go ahead and bust, your freestyle sucks
I ain't buyin' you lunch plus
me and - the only project cats you kick it with
yea you are what you eat and you eatin chicken shit
call me the last letter (last letter) full of anthrax
relaxed on a bed of thumbtacks
here to catch these halos
fallin outa heaven I'm collectin by the box though
cut the circle and then stretch 'em, errrie
sharpen up the edges and sell 'em as horns
to anybody rappin, so the cycle goes on
I'm in your project, pissin on your bellbottoms
helss got 'em 20 below, in the chokehold
- - -, don't you tell on em, memorize your freestyle trick
I need a new drug to help me forget you exist
you was crooked as I and I'm fly, I might fall out the sky
and so high, full on heron, I might just die
keepin it natural, pushin sheep, wine out the pisshole
and never do a show wit'out a bottle of cisco
catch me, I'm mutiny
lookin serious writing these lyrics
about rappers and dead bodies, I'm holdin they spirits
waitin on payment
[chorus: Z-Man]
[Z-Man]
hangin the wax, relaxin is not on the agenda
you can tell what the eat jack its on the antenna
not even trippin, you do a lot of squashin and squishin
the ghost of every roach still haunts your kitchen
ooh shit, shoulda been on lyricist lounge
but no, you cats is stuck in the tree afraid to get down wit' z
scrapin' off your makeup bro
you don't need caffine, I'm the wakeup show
without the sways and the techs, I'm respected on beats
I used to be stiff on a beat now I'm sick on a beat
recording at elon's, call it the 12th planet
moss laced the track and I'm z-dazzle god damnit