Depeche Mode /dᵻˌpɛʃˈmoʊd/ are an English electronic band formed in 1980 in Basildon, Essex. The group's original line-up consisted of Dave Gahan (lead vocals, occasional songwriter since 2005), Martin Gore (keyboards, guitar, vocals, chief songwriter after 1981), Andy Fletcher (keyboards), and Vince Clarke (keyboards, chief songwriter from 1980 until 1981). Depeche Mode released their debut record in 1981, Speak & Spell, bringing the band onto the British new wave scene. Clarke left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over lead songwriting duties and, later in 1982, Alan Wilder (keyboards, drums, occasional songwriter) officially joined the band to fill Clarke's spot, establishing a line up that would continue for the next thirteen years.
The band's last albums of the 1980s, Black Celebration and Music for the Masses, established them as a dominant force on the mainstream electronic music scene. A highlight of this era was the band's concert at the Pasadena Rose Bowl, where they drew a crowd in excess of 60,000 people. In the new decade, Depeche Mode released Violator, a mainstream success. The subsequent album, Songs of Faith and Devotion, and the supporting Devotional Tour exacerbated tensions within the band to the point where Alan Wilder quit in 1995, leading to intense media and fan speculation that the band would split. Now a trio once again, the band released Ultra in 1997, recorded at the height of Gahan's near-fatal drug abuse, Gore's alcoholism and seizures and Fletcher's depression. The release of Exciter confirmed Depeche Mode's willingness to remain together, the subsequent, and very successful, Exciter Tour being their first tour in support of an original album in eight years since the Devotional Tour, although the band had toured in 1998 to support The Singles 86–98 compilation album.
Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.
In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.
Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.
Remix'5 is a Candan Erçetin album. It was remixes of Melek. There's also a song from "Les Choristes" movie, 'Sevdim Anladım'.
Rush is a series of racing game video games developed by American-based company Atari Games and published by Atari Games and Midway Games for the Home Consoles. The series debuted worldwide in 1996. Initially, the series was exclusive to the fifth generation consoles and was brought back later in the sixth-generation video game consoles by 2006. The games consist mainly of racing with various cars on various tracks, and to some extent, including stunts in races. Since L.A. Rush the series has adopted its street racing atmosphere.
The evolution of Rush is a gradual process in which each installment builds slightly upon the last. There are essentially two different phases in this evolution—the San Francisco phase and the L.A. phase.
The original San Francisco Rush was released in 1996 in the arcades and included 3 tracks and 8 cars.
"Rush" is a song by Big Audio Dynamite II from their album The Globe. It was a number-one hit on the Billboard Modern Rock Tracks chart for four weeks in 1991, as well as topping the Australian and New Zealand singles charts.
In the UK, "Rush" was originally released as the B-side to the 1991 re-release of The Clash's "Should I Stay or Should I Go". The A-side was immensely popular due to its inclusion in a Levi Strauss & Co. advert. This single reached number one on the UK Singles Chart. The sleeve art for the 7" and CD singles displayed the Clash on the front, and BAD II on the rear. The record label displays "Should I Stay or Should I Go" as side 'A', and "Rush" as side 'AA' making it effectively a 'Double A-side' release.
A longer version of Rush, entitled Change of Atmosphere, had previously appeared on the group's 1990 album Kool-Aid, to little notice.
"Rush" was subsequently released as a standalone Big Audio Dynamite II single (as illustrated).
The "New York City Club Version" remix of "Rush" was featured in the 1993 Mike Myers' film So I Married an Axe Murderer.
William Arturo Muñoz González (born September 29, 1988) is a Mexican luchador or professional wrestler, better known by the ring name Rush. After originally starting his career in 2007, working for various independent promotions under the ring name Latino, Muñoz was signed by Consejo Mundial de Lucha Libre (CMLL) in 2009 and given the ring name he currently performs under. Rush is a former one-time CMLL World Light Heavyweight, one-time CMLL World Tag Team Champion, one-time CMLL World Trios Champion and two-time Mexican National Trios Champion. Muñoz's father Arthur Muñoz is also a professional wrestler, best known by the ring name Toro Blanco and currently working for CMLL under a mask as Comandante Pierroth, while two of his brothers also currently work for the promotion under masks and the ring names Místico and Dragon Lee.
Muñoz made his debut for International Wrestling Revolution Group (IWRG) in October 2008, performing under the ring name Latino. He would wrestle midcard matches for IWRG for eight months, before making his final appearance on June 7, 2009.
Sun is the second stand-alone production album created by Thomas J. Bergersen from Two Steps from Hell, released on September 30, 2014. The release contains 16 tracks, featuring vocal performances by Merethe Soltvedt, Molly Conole and other vocalists. The album cover and artwork are designed by Bergersen himself. The album was announced for pre-order on September 9 across iTunes, Amazon, and CD Baby, with the tracks "Empire of Angels," "Final Frontier," and "Starchild" made available on iTunes prior to the full release. In addition, a signed limited deluxe edition CD version has been scheduled for somewhere in 2015, set to include additional music, notes on each track written by Thomas, and a large-size poster featuring his artwork.
The tracks from Two Steps from Hell are frequently used in film trailers and other promotional materials.
There're so many light years to come
There're so many light years behind us
There're so many things we have done
And so many suns which have blinded us
We're shining in lightning
Look to the sky and you'll see us
Sensation, damnation
We're hungry and we're curious
Metal eagles flying side by side
Silver heroes hear our cries
On a mission to another world
On a mission, we're riding
On a mission, our spell is done
On a mission to the black sun
In search for the light of our lives
In search for the light of our freedom
To rescue the entire mankind
To keep all our hope we believe in
Metal eagles flying side by side
Silver heroes hear our cries
On a mission to another world
On a mission, we're riding
On a mission, our spell is done