![]() Ivan Kramskoi, The Mermaids, 1871. |
In Slavic mythology, a rusalka (plural: rusalki or rusalky) was a female ghost, water nymph, succubus, or mermaid-like demon that dwelled in a waterway.
According to most traditions, the rusalki were fish-women, who lived at the bottom of rivers. In the middle of the night, they would walk out to the bank and dance in meadows. If they saw handsome men, they would fascinate them with songs and dancing, mesmerize them, then lead them away to the river floor to their death.
The stories about rusalki have parallels with those of Hylas and the Nymphs, the Germanic Nix, the Irish Banshee, the Scottish Bean Nighe, and the Romanian Iele. See Slavic fairies for similar creatures.
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In most versions, the rusalka is an unquiet dead being, associated with the "unclean force." According to Zelenin, people who die violently and before their time, such as young women who commit suicide because they have been jilted by their lovers, or unmarried women who are pregnant, must live out their designated time on earth as a spirit.
The ghostly version is the soul of a young woman who had died in or near a river or a lake and came back to haunt that waterway. This undead rusalka is not invariably malevolent, and will be allowed to die in peace if her death is avenged.
Rusalki can also come from unbaptized children, often those who were born out of wedlock and drowned by their mothers for that reason. Baby rusalki supposedly wander the forest begging to be baptised so that they can have peace. They are not necessarily innocent, however, and can attack a human foolish enough to approach them.
While her primary dwelling place was the body of water in which she died, the rusalka could come out of the water at night, climb a tree, and sit there singing songs, sit on a dock and comb her hair, or join other rusalki in circle dances (Polish: korowody) in the field.
Though in some versions of the myth, their eyes shine like green fire, others describe them with extremely pale and translucent skin, and no visible pupils. Her hair is sometimes depicted as green or golden, and often perpetually wet. The Rusalka could not live long on dry land, but with her comb she was always safe, for it gave her the power to conjure water when she needed it. According to some legends, should the rusalka's hair dry out, she will die.
Rusalki like to have men and children join in their games. They can do so by enticing men with their singing and then drowning them, while the children were often lured with baskets of fruit. Men seduced by a rusalka could die in her arms, and in some versions hearing her laugh could also cause death. Alternatively, they would attract men, mainly bachelors, and tickle them to death.[1]
Specifics pertaining to rusalki differed between regions. Although in most tales they lived without men, in Ukraine they were often linked with water, while in Belarus they were linked with the forest and field. Where land was fertile, the maidens appeared naked and beautiful. In harsher areas of Russia, they appeared as "large breasted amazons" (Hubbs). And often, in the north, they were ugly and covered in hair.
The rusalki were believed to be at their most dangerous during the Rusalka Week (Rusal'naia) in early June. At this time, they were supposed to have left their watery depths in order to swing on branches of birch and willow trees by night. Swimming during this week was strictly forbidden, lest mermaids would drag a swimmer down to the river floor. A common feature of the celebration of Rusal'naia was the ritual banishing or burial of the rusalka at the end of the week, which remained as entertainment in Russia until the 1930s[2].
Max Vasmer notes that the very word rusalka originally referred to the dances of girls at Whitsuntide. The word is derived through Greek ῥουσάλια from "rosalia", the Latin term for Whitsuntide week (originally it meant "the festival of roses").
The novel Tigana by Guy Gavriel Kay features beings called riselka that are based on rusalki.
The Rusalka trilogy of novels by C.J. Cherryh feature and revolve around a Rusalka named Eveshka.
The third story, "A Grain of Truth," from the short story collection "The Last Wish" by Andrzej Sapkowski features a bruxa, named Vereena, who is initially mistaken for a Rusalka.
"Rusalka" is an opera by Antonín Dvořák.
The third tale "May Night, or the Drowned Maiden" from the short story collection "Evenings on a Farm Near Dikanka" by Nikolai Gogol.
The short story "Byezhin Prairie" in A Sportsman's Sketches" by Ivan Turgenev has a mention of an encounter with a rusalka.
The second tale, "Urchins, While Swimming" from the short story collection "Ventriloquism" by Catherynne M. Valente, features a rusalka and her daughter.
Attempting to walk into the water in Quest for Glory IV will result in death by drowning at the hand of a rusalka.
The video game "Call of Duty: Black Ops" features a Russian freighter (secretly housing a numbers station) named the Rusalka.
The novel "Haunted" by Joy Preble features a Rusalka named Lily and tells some information on the origin of the Rusalka.
It is perhaps of note that the creatures from Hans Christian Andersen's The Little Mermaid were translated as "Rusalka".
The video game "Castlevania: Order of Ecclesia" features a boss called "Rusalka" who attacks the player with water and giant waves.
In the video game Ace Combat 6 there is a named aircraft "Rusalka".
The video game "Quest for Glory 4" features a "Rusalka" who the player can chose to set her soul to rest by finding the man who murdered her (found out to be a miserly Wraith guarding his treasure).
One of Pushkin's short tragedies is titled "Rusalka". It features a young woman who, drowning herself after being jilted by her lover the prince, becomes the Rusalkas queen. The play is unfinished, the title was given by editors after Pushkin's death.
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Rusalka (pronounced [ruˈsalka]), Op. 114, is an opera ('lyric fairy tale') by Antonín Dvořák. The Czech libretto was written by the poet Jaroslav Kvapil (1868–1950) based on the fairy tales of Karel Jaromír Erben and Božena Němcová. Rusalka is one of the most successful Czech operas, and represents a cornerstone of the repertoire of Czech opera houses. A Rusalka is a water sprite from Slavic mythology, usually inhabiting a lake or river.
Dvořák had played viola for many years in pit orchestras in Prague (Estates Theatre from 1857 until 1859 while a student, then from 1862 until 1871 at the Provisional Theatre). He thus had direct experience of a wide range of operas by Mozart, Weber, Rossini, Lortzing, Verdi, Wagner and Smetana. Rusalka was the ninth opera Dvořák composed.
For many years unfamiliarity with Dvořák's operas outside Czechoslovakia helped reinforce a perception that composition of operas was a marginal activity, and that despite the beauty of its melodies and orchestral timbres Rusalka was not a central part of his output or of international lyric theatre. In recent years it has been performed more regularly by major opera companies. In the five seasons from 2008 to 2013 it was performed by opera companies worldwide far more than all of Dvořák's other operas combined.
Rusalka (Russian: Русалка, Mermaid), was one of two Charodeika-class monitors built for the Imperial Russian Navy in the 1860s. She served for her entire career with the Baltic Fleet. Aside from hitting an uncharted rock not long after she was completed in 1869, she had an uneventful career. Rusalka sank in a storm in 1893 with the loss of all hands in the Gulf of Finland. A memorial was built in Reval (modern Tallinn) to commemorate her loss almost a decade later. Her wreck was rediscovered in 2003, bow-down in the mud, which has prompted a new theory regarding her loss.
Rusalka was 206 feet (62.8 m) long at the waterline. She had a beam of 42 feet (12.8 m) and a maximum draft of 12 feet 7 inches (3.8 m). The ship was designed to displace 1,882 long tons (1,912 t), but turned out to be overweight and actually displaced 2,100 long tons (2,100 t). Her crew numbered 13 officers and 171 crewmen in 1877.
The ship had two simple horizontal direct-acting steam engines, each driving a single propeller. The engines were designed to produce a total of 900 indicated horsepower (670 kW) using steam provided by two coal-fired rectangular fire-tube boilers, but only achieved 705 ihp (526 kW) and a speed of approximately 9 knots (17 km/h; 10 mph) during her sea trials. She carried a maximum of 250 long tons (254 t) of coal for her boilers.
My soul is bound to the stake forevermore
It's calling me all the time
Before my vision was (?) so pure I realized
Someone stole the light from my eyes
When I was alive, my dreams were clear
Now that I'm dead, I spread sorrow and fear
Don't cross the border or you'll be dead like I am
Now hear this legend it's a (?) from hell
It's a sin
All cruelty the fate to die in the dreadful sky
The sadness and the freedom to watch
The bloody shore once more
(?) take away
Is what I recall and every day
My mind is dreaming of frightful visions and mortifying
hands
Stop all the madness and break all the evil
Rusalka you are burning life away, you
Accept my salvation, refuse this damnation
Rusalka please cry, I'll wash all your tears away
Away
Before my vision was (?) so pure I realized
Someone stole the light from my... eyes
Stop all the madness and break all the evil
Rusalka you are burning life away, you
Accept my salvation, refuse this damnation
Rusalka please cry, I'll wash all your tears away
Stop all the madness and break all the evil
Rusalka you are burning life away, you
Accept my salvation, refuse this damnation
Rusalka please cry, I'll wash all your tears away
Take me far away
Take me far away
Take me far away
Take me far away
Take me far away