"Running Away" is a single recorded by Hoobastank. It was the third single released from the 2001 self-titled debut album Hoobastank. The song peaked at #2 on the Billboard Modern Rock Tracks chart and became the highest charting single from the album and one of Hoobastank's biggest hits. It is also featured on Now That's What I Call Music! 11.
In the music video for "Running Away" appears Hoobastank playing on a background depicting a woman who tries to run away from their problems.
The music video was directed by Paul Fedor.
Running Away was the debut solo single from Edinburgh musician and former Josef K lead vocalist Paul Haig. It was a cover of the Sly & The Family Stone classic. It was released in Belgium by independent record label, Les Disques Du Crepuscule.
Les Disques Du Crepuscule TWI 088 1982
T'Pau may refer to:
Bridge of Spies is the debut album by British pop group T'Pau, released in September 1987. For its US release, Virgin Records renamed Bridge of Spies to simply T'Pau.
The album was produced by Roy Thomas Baker. It spawned five hit singles – "Heart and Soul" (also a Top 5 in the US), the best-selling number one hit "China in Your Hand" (re-recorded especially for single release), "Valentine," a live version of "Sex Talk" (previously released in its original form as "Intimate Strangers") and "I Will Be with You". A further release, the title track "Bridge of Spies", was also released in the US, Australia and Germany.
The artwork for the release included the name "T'Pau" rearranged to form a face (similar to the Moai stone heads found on Easter Island). This practice was replicated with the titles of the band's follow-up albums Rage & The Promise.
The album spent one week at number one on the UK Albums Chart and was certified Gold on 14 October 1987 and Platinum on 18 November 1987. It was eventually certified 4x Platinum in September 1988.
This article lists characters from Star Trek in their various canonical incarnations. This includes fictional major characters and fictional minor characters created for Star Trek, fictional characters not originally created for Star Trek, and real-life persons appearing in a fictional manner, such as holodeck recreations.
Bajoran characters are listed by family name, which is stated first.
Joined Trills are listed by the name of the symbiont, which replaces the family name.
We run in circles
That never connect at the same time
Heaven help the lonely ones
As another day older we get, and here we go
Spending our money
Filling the house with things we hope
Will bring us happiness again
And then we cover empty hearts up
With a full smile that has no joy
Lying for love, were dying for more
Well you can have anything these days Im sure
Making your mind up
It never did anyone no good
For how do you touch what you cant have
You cover the hurt
Pretend you dont care
Its living I guess but it hardly compares
Gimme some time
Lend me a hand
Reach into the dark and youll understand
Only the lonely know
Would you go anywhere
Do anything
Falling so low that you see
What the lonely know
Hiding your poor heart
You wouldnt think could be so hard
From the roaring giant of love
Oh but he wont leave
And so you keep silently screaming
Filling your head with a love song
That no-one will ever want
And yes we are keeping up resistance
To a good time in case we fall
Put up a wall you cant overcome
Well I believe every home should have one
Fortunes, persistence
It never did anyone no good
When a taste is worse than none at all
It opens the hurt
Makes you so scared
I see a world that is empty out there
Gimme some time
Lend me a hand
Reach into the dark and youll understand
Only the lonely know
Would you go anywhere
Do anything
Falling so low that you see
What the lonely know
We cover our empty hearts up
With a full smile
But it has no joy
Put up a wall you cant overcome
To cover the hurt
Pretend you dont care
I see a world that is empty out there
Gimme some time
Lend me a hand
Reach into the dark and youll understand
Only the lonely know
Would you go anywhere
Do anything
Falling so low that you see
What the lonely know