Running (film)

Running is a 1979 drama/sports film directed by Steven Hilliard Stern. It is about the fictional American marathon runner and Olympics hopeful Michael Andropolis and his struggle to compete in the Olympic Games. It stars Michael Douglas and Susan Anspach.

Overview

Michael Andropolis (Douglas) is a US hopeful for the 1976 Olympic Games as a marathon runner. However, his life is fraught with trouble. His marriage, which produced two children, has fallen apart and ended in divorce. He struggles with unemployment and at one point in the movie is seen snapping due to frustration with the unemployment office bureaucracy. Additionally, his coach is reluctant to endorse him for the games. Andropolis always starts races strong, but because of his over-competitive strive, he pulls ahead of the pack too soon, sapping strength he'll need for the final minutes of the race. So he tends to not come in first, having used his stamina too early. His coach feels he is a quitter.

However, he providentially makes it through to the Montreal Olympics by finishing fourth in the qualifiers, but getting the ticket due to an injury in one of the top three finishers. Andropolis surprises everyone, by pacing himself early in the race, only pulling ahead halfway through the race. Well on his way to the finish line ahead of the main pack, Andropolis slips on wet leaves rounding a turn. The fall leaves him with shoulder and leg injuries as other runners pass him by.

Running (No Doubt song)

"Running" is a song written by Tony Kanal and Gwen Stefani for No Doubt's fifth studio album Rock Steady (2001) and was released worldwide as the album's fourth and final single on July 1, 2003. The song was also used on the last episode of the TV series Sabrina, the Teenage Witch in 2003.

The song received mixed reviews from music critics and was compared to Depeche Mode-style songs. The song only charted on the official charts of the United States, where it became the band's lowest charting single, and in Germany, where it had longest charting period. The song was accompanied by a music video which was directed by Chris Hafner, which featured many old and new pictures as well as clippings of the band members.

Background

The song was written by Stefani and bassist Tony Kanal in Kanal's living room. They used an old Yamaha keyboard that Kanal's father had purchased for him when he was in eighth grade and developed the song's harmony first and then wrote the lyrics. The band worked on the track to give it a "spacier sound" but were displeased with the result so they took the song to producer Nellee Hooper, who stripped Running down to the basics.The song was then produced by him, with whom Stefani collaborated again for her solo project two years later. Whatever the intent, the result was a track that resonated with catchy "Mario Bros." background instrumentation throughout the entire song.

Running (Information Society song)

Running is a single by the band InSoc (Information Society) originally released on the Creatures of Influence album in 1985. The single for Running was distributed to club DJs, and became a favorite all over clubs, particularly in the Latin clubs of New York City. The single was later remixed by Tommy Boy Records and the remix single was released and became even more of a club hit, eventually reaching #2 on the Dance/Club Airplay charts and becoming an enduring classic of the Freestyle genre. Tommy Boy Records signed Information Society in 1986 and their self-titled album soon followed, featuring a mix of the single. In 1988 Information Society's self-titled album was released and went platinum.

Unlike other singles in the catalogue, "Running" does not feature Kurt Harland on lead vocals, as the song was written and recorded by short-lived band member Murat Konar, who left the band in 1985 and would later be an integral part of the development of both SoundEdit (a Mac hosted sound editing application) and Adobe Flash applications. For a very long period of time, the band would not perform "Running" live, requesting not to be asked to play it and generally refusing all questions pertaining to their dislike of the song. It is generally believed this is due to the song being very difficult to play live, and because the song was written at a particularly fractious period in the band's life.

Running (András Kállay-Saunders song)

"Running" is a song by Hungarian American singer András Kállay-Saunders. It was chosen to represent Hungary at the Eurovision Song Contest 2014 in Denmark.

Background

In an interview with Wiwibloggs, András stated that "Running" was inspired by one of his friends that was an abuse victim. He also said that he wanted to bring awareness to this topic through his voice and he would like for abuse victims to know that they don't have to be afraid to speak up and ask for help.

Critical reception

The song's reviews were mostly positive.

With 10 reviews from Wiwibloggs, "Running" received an average of 8.65 out of 10 and was often described as the year's favorite. Wiwi gave the song a rate of 9 and said "Running" has strong vocals and clever production. Angus gave the song a rate of 7.5 and described "Running" was dark, sweeping, and had truly relentless composition. Billy gave the song a rate of 10 and remarked the "touching lyrics". He also said "Running" was his favorite of the year. Bogdan gave the song 9 out of 10 and said "András has brought a serious matter to the Eurovision table". Deban gave the song 9.5 out of 10 and said that András deserved a composer award for capturing social concerns with music. Katie gave the song 8 out of 10 and praised András's vocal performance. Padraig and Patrick both gave "Running" a rate of 9.5 of 10. Sami gave the song a rate of 9 and said that "Running" was one of the strongest songs. Lastly, Vebooboo gave the lowest score for "Running", 6.5 out of 10 and said "there are a couple of times where the song almost builds to a climax, but then it just stops and goes back to the basic refrain".

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.