The term rumba may refer to a variety of unrelated music styles. Originally, the term rumba was used as a synonym for "party" in northern Cuba, and by the late 19th century it was used to denote the complex of secular music styles known as Cuban rumba. Since the early 20th century the term has been used in different countries to refer to distinct styles of music and dance, most of which are only tangentially related to the original Cuban rumba, if at all.
During the second half of the 19th century, several secular dance-oriented music styles were developed by Afro-Cuban workers in the poor neighbourhoods of Havana and Matanzas. These syncretic styles would later be referred to as "rumba", a word that also meant "party". Traditionally, the three main styles of rumba are yambú, columbia and guaguancó, each of which has a characteristic dance, rhythm and singing. Although still a purely folkloric genre, numerous innovations have been introduced in rumba since the mid 20th century, including new styles such as batá-rumba and guarapachangueo.
Rumba is a 1935 musical drama film starring George Raft as a Cuban dancer and Carole Lombard as a Manhattan socialite. The movie was directed by Marion Gering and is considered an unsuccessful follow-up to Raft and Lombard's smash hit Bolero the previous year.
Famed dance team, Veloz and Yolanda were uncredited choreographers for this film, while the signature rumba danced near the end by Raft and Lombard seems to be a simplified variation of rumba performed by Veloz and Yolanda themselves the year before in another Paramount film starring George Burns and Gracie Allen, "Many Happy Returns."
Rumba may refer to:
Sham may refer to:
Sham (April 9, 1970 – April 3, 1993), an American thoroughbred race horse, was one of the leading racehorses of the 20th century but was overshadowed by his more famous peer, Secretariat. Sham was a dark seal brown in color. While racing, he wore green and yellow blinkers. His preferred running style was that of a closer, stalking from behind to make a late rally.
Sham was a large horse at 16.2hh. He also had a very large heart, about twice the size of the average horse's, according to Dr. Thomas Swerczek, a University of Kentucky veterinary scientist.
In 1973 at the age of three, Sham won the Santa Catalina Stakes (G2) and took second place in the Wood Memorial Stakes (G1) beating Secretariat, who finished third. Prior to the Santa Anita Derby, he was easily beaten by Linda's Chief in the San Felipe.
On March 31, 1973, in the Santa Anita Derby (GI), California's primary Kentucky Derby prep race, Sham under jockey Laffit Pincay Jr. scored a 2 ½ length surprise victory over 1-2 favorite Linda's Chief. Sham's winning time equalled the Santa Anita Derby record for the 11⁄8 miles of 1:47, set in 1965 by Lucky Debonair. Sham provided Pincay with his third win in the Santa Anita Derby.
Sham is a 1921 American silent romantic drama directed by Thomas N. Heffron and starring Ethel Clayton and Theodore Roberts. The film is based on the 1905 play of the same name written by Elmer Harris and Geraldine Bonner, and was adapted for the screen by Douglas Z. Doty.
Based upon a description in a film publication, Katherine Van Riper (Clayton) is an extravagant young society girl who is very much in debt, and her wealthy aunts and uncle refuse to give her any money. Katherine is desperate enough that she is considering marrying the wealthy Montee Buck (Hiers), although she is in love with the westerner Tom Jaffrey (Fillmore), who says he is poor. Finally, Katherine decides to sell the famous Van Riper pearls, pay off her debts, and marry Tom. However, upon examination the jewelry turns out to be paste, with her father having sold the genuine pearls several years earlier before his death. Montee is assured by the aunts that Katherine will marry him and tells this to Tom. Tom is about to leave town when Uncle James (Ricketts) steps in and pays off Katherine's debts, leaving the niece free to marry Tom.