GTR and GT-R can refer to:
GTR is the 1986 self-titled debut album and sole official studio release from the short-lived supergroup GTR. The album peaked at No. 11 on the Billboard 200 chart, and the single "When the Heart Rules the Mind" reached No. 14 on the Billboard Hot 100 singles chart. Another single, "The Hunter", peaked at No. 85. The instrumental piece by Steve Howe, "Sketches in the Sun", resurfaced on his solo album Motif Volume 1 and again on his Anthology album. As for Steve Hackett's "Hackett to Bits", it was largely inspired by the latter's "Hackett to Pieces" from his Highly Strung solo album.
The group, founded by ex-Genesis guitarist Steve Hackett and then ex-Yes and ex-Asia guitarist Steve Howe, disbanded in 1987. Geoff Downes, another former Yes member, produced the album.
The band's name, anecdotally, comes from the marking on the studio mixing console that indicates the 'guitar' volume control.
The album was reissued in 2001 in a remastered CD edition. The album was out of print, with the exception of a Japanese mini-LP CD released in 2006, until a deluxe 2-CD version was released in 2015.
GTR was a short-lived rock band founded in 1985 by former Yes and Asia guitarist Steve Howe and former Genesis guitarist Steve Hackett. In comparison to the two leaders' earlier work within progressive rock, GTR appealed to album-oriented rock radio stations. The band was short-lived, lasting for two years and one album. Hackett has subsequently been strongly critical of the project, though not necessarily of the other musicians involved in it.
The band's name came from an abbreviation of "guitar" as used for track labelling in multi-track recording studios.
GTR was formed following Steve Howe's departure from Asia in 1985, after which he and former Yes manager Brian Lane discussed plans for a new group. Howe expressed an interest in working with Hackett, who was then approached by Lane. Hackett proved amenable, despite some doubts as to the project setup: his last few solo albums (including the atypical all-classical-guitar project Bay of Kings) had sold disappointingly and despite his interest in continuing his acoustic work, he saw GTR as an option for sustaining his career at a prominent level and also financing future solo work. Once the two guitarists were in place, the group was completed with the recruitment of American drummer Jonathan Mover (ex-Marillion, and later to work with Joe Satriani, Steve Vai and Alice Cooper), bass guitarist Phil Spalding (ex-Bernie Torme, Toyah, Mike Oldfield and Original Mirrors) and singer Max Bacon (ex-Moby Dick, Nightwing and Bronz).
A roundabout is a type of circular intersection or junction in which road traffic flows almost continuously in one direction around a central island. The modern form was standardised in the United Kingdom.
So-called "modern" roundabouts require entering traffic to give way to traffic already in the circle and optimally observe various design rules to increase safety. Compared to stop signs, traffic signals, and earlier forms of roundabouts, modern roundabouts reduce the likelihood and severity of collisions by reducing traffic speeds and minimizing T-bone and head-on collisions. Variations on the basic concept include integration with tram and/or train lines, two-way flow, higher speeds and many others.
Traffic exiting the roundabout comes from one direction, rather than three, simplifying the pedestrian's visual environment. Traffic moves slowly enough to allow visual engagement with pedestrians, encouraging deference towards them. Other benefits include reduced driver confusion associated with perpendicular junctions and reduced queuing associated with traffic lights. They allow U-turns within the normal flow of traffic, which often are not possible at other forms of junction. Moreover, since vehicles on average spend less time idling at roundabouts than at signalled intersections, using a roundabout potentially leads to less pollution. Also, when entering vehicles only need to give way, they do not always perform a full stop. As a result, by keeping a part of their momentum, the engine will produce less work to regain the initial speed, resulting in lower emissions. Additionally, slow moving traffic in roundabouts makes less noise than traffic that must stop and start, speed up and brake.
"Roundabout" is a song by the English progressive rock band Yes. It is the first single released from their fourth studio album, Fragile (1971). "Roundabout" has become one of the best-known songs by Yes. The song was released as a shortened single with the track "Long Distance Runaround" in January 1972. It peaked at No. 13 on the U.S. Billboard Hot 100 and number 10 on the Cash Box Top 100.
Written by singer Jon Anderson and guitarist Steve Howe during The Yes Album Tour, the lyrics are obscure, and have been the subject of much debate on music discussion sites. The most commonly accepted interpretation is that the lyrics are about the personal life of Jon Anderson and his hoped-for return home after the tour ends.
The song begins with an acoustic guitar solo in E minor from Steve Howe. This lasts for about 40 seconds. Thereafter, Chris Squire's bass enters along with Bill Bruford's drums. Howe continues his guitar part in octaves, leading up to Anderson's entrance and the first verse. The first two verses continue in this manner. The bridge ("In and around the lake...") starts after the second verse. Anderson and Howe continue their parts. The keyboard enters thereafter before Squire and Bruford. A vocal harmony from Anderson, Howe, and Squire tops off the bridge.
Roundabout is a television movie, or rather a live television play, which aired on Australian television in 1957. Broadcast 4 January 1957 on ABC station ABV-2, it is notable as the first example of television drama produced in Melbourne Australia. "Official" television broadcasting in the city had only begun 2 months earlier. Cast included British actor Patrick Horgan, Mary Ward and Beverley Dunn. The original TV listing in The Age newspaper described the plot as "a woman's reactions to her husband's suspected affair with another woman". Duration was 30 minutes. Production was by Bill Eldridge. It is not known if a kinescope recording was made of the broadcast. (note: kinescope recording, also known as telerecording, was an early method of recording live television, used in the days before video-tape became widespread). Some of ABV-2 other dramatic one-offs of 1957 were kinescoped so they could be shown in Sydney, but it is not known if any of these kinescopes still exist.