Rondo

Rondo, and its French part-equivalent, rondeau, are words that have been used in music in a number of ways, most often in reference to a musical form, but also to a character type that is distinct from the form.

Form

The term and formal principle may have derived from the medieval poetic form, rondeau, which contains repetitions of a couplet separated by longer sections of poetry. (Arnold Schoenberg disputed this claim of origin in an essay in Style and Idea, noting that "if musical rondo form were really supposed to be modelled on the poetic form, it could only be so very superficially".)

In rondo form, a principal theme (sometimes called the "refrain") alternates with one or more contrasting themes, generally called "episodes," but also occasionally referred to as "digressions" or "couplets." Possible patterns in the Classical period include: ABA, ABACA, or ABACABA. These are sometimes designated "first rondo", "second rondo", and "third rondo", respectively. The first rondo is distinguished from the three-part song form principally by the fact that at least one of the themes is a song form in itself, but the difference in melodic and rhythmic content of the themes in the rondo form is usually greater than in the song form, and the accompanimental figuration in the parts of the rondo (unlike the song form) is usually contrasted. The number of themes can vary from piece to piece, and the recurring element is sometimes embellished and/or shortened in order to provide for variation.

Rondo (soft drink)

Rondo was a citrus-flavored soft drink available in limited U.S. markets in the late 1970s and early 1980s, one which was "blended from fine essences", and "lightly carbonated". It is mostly famous for its slogan - "Rondo---The Thirst Crusher" - as well as its commercials, featuring people crushing the cans in various ways. The cans featured bright yellow packaging for regular Rondo and green packaging for Diet Rondo.

Schweppes sells a similar drink in Australia under the name Solo.

The drink and its name were parodied in the 2006 film Idiocracy as "Brawndo: The Thirst Mutilator".

Slogans

See also

References

Rondo (film)

Rondo is a 1966 Yugoslavian film by Croatian director Zvonimir Berković. It was filmed in Zagreb, Croatia (then a part of Socialist Federal Republic of Yugoslavia).

Plot

"Every Sunday, the lonely bachelor and sophisticated judge Mladen (Stevo Žigon) comes to play chess with his friend, the sculptor Fedja (Relja Bašić), and gradually he falls into an affair with Fedja's wife Neda (Milena Dravić). The chess board is the center of the film, the moves mirroring the emotional developments of the characters."

Background and themes

Produced in 1966, Rondo was the first full-length film by former musician and screenwriter Zvonimir Berković, screenwriter of H-8, a famous Croatian 1950s classic. In both films, he uses musical form as a source for the narrative. As in Mozart's Rondo (which is repeatedly played in the soundtrack) in Berković's film the basic situation - Sunday afternoon chess party - is repeated with small variations, slowly bringing the three character towards a crisis. Very formal, very intimistic and set in a cosy middle-class environment, Rondo was very different from previous Yugoslav film tradition, introducing aesthetic of the modernist psychological novel into Croatian cinema.

Ekseption

Ekseption was a Dutch rock band active from 1967 to 1989, playing mostly-instrumental progressive rock and classical rock. The central character in the changing list of members, the only band member present on every album, was conservatory-trained trumpeter Rein van den Broek (10 September 1945 - 11 May 2015). The band knew some commercial success in the 1970s, having Dutch top ten hit singles with their adaptations of Beethoven's "Fifth" and Bach's (Celebrated) "Air." The second album, "Beggar Julia's time trip" (1969), won the Dutch Edison Award for album of the year, and the first five albums all went gold.

History

Ekseption grew out of the high-school band The Jokers, which van den Broek formed in 1958. They changed their name to The Incrowd (after the Ramsey Lewis song) before discovering that name was already taken. Finally they settled on the name Ekseption in 1967. The group played jazz, pop and R&B covers, but in 1969, shortly after keyboardist Rick van der Linden joined, they were impressed by a gig of The Nice, and van der Linden decided to concentrate on producing classical rock, modern re-interpretations of classical works for rock band. Most of their subsequent albums contain both original songs and re-interpreted classical pieces.