Rondo (film)

Rondo is a 1966 Yugoslavian film by Croatian director Zvonimir Berković. It was filmed in Zagreb, Croatia (then a part of Socialist Federal Republic of Yugoslavia).

Plot

"Every Sunday, the lonely bachelor and sophisticated judge Mladen (Stevo Žigon) comes to play chess with his friend, the sculptor Fedja (Relja Bašić), and gradually he falls into an affair with Fedja's wife Neda (Milena Dravić). The chess board is the center of the film, the moves mirroring the emotional developments of the characters."

Background and themes

Produced in 1966, Rondo was the first full-length film by former musician and screenwriter Zvonimir Berković, screenwriter of H-8, a famous Croatian 1950s classic. In both films, he uses musical form as a source for the narrative. As in Mozart's Rondo (which is repeatedly played in the soundtrack) in Berković's film the basic situation - Sunday afternoon chess party - is repeated with small variations, slowly bringing the three character towards a crisis. Very formal, very intimistic and set in a cosy middle-class environment, Rondo was very different from previous Yugoslav film tradition, introducing aesthetic of the modernist psychological novel into Croatian cinema.

Rondo

Rondo, and its French part-equivalent, rondeau, are words that have been used in music in a number of ways, most often in reference to a musical form, but also to a character type that is distinct from the form.

Form

The term and formal principle may have derived from the medieval poetic form, rondeau, which contains repetitions of a couplet separated by longer sections of poetry. (Arnold Schoenberg disputed this claim of origin in an essay in Style and Idea, noting that "if musical rondo form were really supposed to be modelled on the poetic form, it could only be so very superficially".)

In rondo form, a principal theme (sometimes called the "refrain") alternates with one or more contrasting themes, generally called "episodes," but also occasionally referred to as "digressions" or "couplets." Possible patterns in the Classical period include: ABA, ABACA, or ABACABA. These are sometimes designated "first rondo", "second rondo", and "third rondo", respectively. The first rondo is distinguished from the three-part song form principally by the fact that at least one of the themes is a song form in itself, but the difference in melodic and rhythmic content of the themes in the rondo form is usually greater than in the song form, and the accompanimental figuration in the parts of the rondo (unlike the song form) is usually contrasted. The number of themes can vary from piece to piece, and the recurring element is sometimes embellished and/or shortened in order to provide for variation.

Rondo (disambiguation)

Rondo is a musical refrain form

Rondo may also refer to:

Places

Music

Literature

Vehicles

Other uses

People with the name

Rondo (novel)

Rondo is a dystopian novel by John Maher, published in 2010 by Pilgrim Press.

Setting

Rondo is set sometime after The Sudden War, between a crumbling chateau on the outskirts of 2me Lyon and Rondo, located on the Dead Delta of the Danube, somewhere beyond the New Desert. It is the cautionary tale of one Josef Divonne who travels, at the beginning of High Thermidor, from 2me Lyon, to join up with a bunch of fellow-dissidents in Rondo. It is an account of Josef's disenchantment with his perfect adopted country and his eventual incarceration there. Although written in English, there are occasional quotations from Lower European (such as the melancholy, 'S'gibt rien aqui!') and Rondan (maritime).

Plot summary

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.