Middleton may refer to:
East Riding
North Yorkshire
Middleton is a locational Anglo-Saxon surname originating from dozens of different settlements in England going by one of the pre-7th century Old English variations of "middle" (such as midel) and "town" (such as tun). The earliest recorded examples of such hamlets date to 1086 and include Middeltone, Mideltuna, and Middeltune in such Derbyshire, Shropshire, Sussex, and Yorkshire. The surname "Mideltone" is recorded in Oxfordshire (1166), "Midilton" is noted in Arbroath, Scotland (1221) and "Middelton" is found in Yorkshire (1273).
Kim Possible is an American animated children's television series created by Bob Schooley and Mark McCorkle for Disney Channel. It centers on Kim Possible, a teenage crime-fighter who has the task of dealing with worldwide, family, and school issues every day. The show is action-oriented, but also has a light-hearted atmosphere and often lampoons the conventions and clichés of the secret-agent and action genres.
Kim Possible was the second animated Disney Channel Original Series, and the first series to be produced by Walt Disney Television Animation, in association with Disney Channel. Originally broadcast from 2002 to 2007, Kim Possible was Disney Channel's longest-running original animated series until it was surpassed by Phineas and Ferb, but still remains unique for being given one more season after the finale movie due to fan demand.
The show centers around teenage crime-fighter Kim Possible (voiced by Christy Carlson Romano) and her clumsy sidekick, Ron Stoppable (Will Friedle). Ron owns a pet naked mole-rat named Rufus (Nancy Cartwright), who proves an excellent aide to Ron and Kim in their many adventures. During the show, Kim and Ron progress through Middleton High School, starting in tenth grade in the pilot episode, "Crush", and ending with a graduation party as Seniors in the final episode, "Graduation". They also progress in relationship, starting out as best friends and becoming boyfriend and girlfriend at the end of season three. Most episodes revolve around Kim's attempt to balance her heroic life with her everyday life problems as a normal teenager, which are usually presented as a subplot.
In database theory, a view is the result set of a stored query on the data, which the database users can query just as they would in a persistent database collection object. This pre-established query command is kept in the database dictionary. Unlike ordinary base tables in a relational database, a view does not form part of the physical schema: as a result set, it is a virtual table computed or collated dynamically from data in the database when access to that view is requested. Changes applied to the data in a relevant underlying table are reflected in the data shown in subsequent invocations of the view. In some NoSQL databases, views are the only way to query data.
Views can provide advantages over tables:
View is the debut album by bassist Bryan Beller, known for his work with Mike Keneally, Steve Vai and Dethklok. The album was released in 2003 under Onion Boy Records. The album featured guest composers such as John Patitucci and Wes Wehmiller.
View was an American literary and art magazine published from 1940 to 1947 by artist and writer Charles Henri Ford, and writer and film critic Parker Tyler. The magazine is best known for introducing Surrealism to the American public.
The magazine covered the contemporary avant-garde and Surrealist scene, and was published quarterly as finances permitted until 1947. View featured cover designs by renowned artists with the highly stylised typography of Tyler along with their art, and the prose and poetry of the day.
Many of the contributors had been living in Europe, but took refuge in the U.S. during World War II bringing with them the avant-garde ideas of the time and precipitating a shift of the center of the art world from Paris to New York. It attracted contributions from writers like Wallace Stevens, an interview with whom was featured in the first number of View, William Carlos Williams, Joseph Cornell, Edouard Roditi, Henry Miller, Lawrence Durrell, Paul Bowles, Brion Gysin, Philip Lamantia, Paul Goodman, Marshall McLuhan, André Breton, Raymond Roussel, Albert Camus, Jean-Paul Sartre, Jean Genet or Jorge Luis Borges and artists like Pablo Picasso, Paul Klee, Fernand Léger, Georgia O'Keeffe, Man Ray, Joan Miró, Alexander Calder, Isamu Noguchi, Marc Chagall, René Magritte and Jean Dubuffet (Surrealism in Belgium, Dec. 1946). Max Ernst (April 1942), the Yves TanguyPavel Tchelitchew number with Nicolas Calas, Benjamin Péret, Kurt Seligmann, James Johnson Sweeney, Harold Rosenberg and Charles Henri Ford on Tanguy, Parker Tyler, Lincoln Kirstein and others on Tchelitchew (May 1942) and Marcel Duchamp, with an essay by André Breton, (March 1945) all got special numbers of the magazine. The earlier Surrealism special (View 7-8, 1941) had featured Artaud, Victor Brauner, Leonora Carrington, Marcel Duchamp and André Masson. There was an Americana Fantastica number (January 1943) and, edited by Paul Bowles the Tropical Americana issue on Mexico (