MDC may refer to:
The Manuel de Codage (abbr. MdC) is a standard system for the computer-encoding of transliterations of Egyptian hieroglyphic texts.
In 1984 a committee was charged with the task to develop a uniform system for the encoding of hieroglyphic texts on the computer. The resulting Manual for the Encoding of Hieroglyphic Texts for Computer-input (Jan Buurman, Nicolas Grimal, Jochen Hallof, Michael Hainsworth and Dirk van der Plas, Informatique et Egyptologie 2, Paris 1988) is generally shortened to Manuel de Codage. It presents an easy to use way of encoding hieroglyphic writing as well as the abbreviated hieroglyphic transliteration. The encoding system of the Manuel de Codage has since been adopted by international Egyptology as the official common standard for registering hieroglyphic texts on the computer.
Egyptologists have scheduled a revision for 2007 of the Manuel de Codage, in order to ensure broader implementation in current and future software.
MDC (Millions of Dead Cops) is an American punk rock band formed in Austin, Texas in 1981. The band was subsequently based in San Francisco, California, and are currently based in Portland, Oregon. Originally formed as The Stains before changing their name, the band also changed their name to a different initialism of MDC with every new record released. They play fast hardcore punk music espousing far-left sociopolitical ideals, with singer Dave Dictor expressing his animal rights and anti-capitalist convictions.
MDC eventually released material through ex-Dead Kennedys singer Jello Biafra's independent Alternative Tentacles label. In the 1990s, Dictor published editorials for the internationally distributed fanzine Maximumrocknroll. MDC's initial run ended in 1995, and the band spent five years on hiatus before Dictor returned in 2000 with new band members.
Formed in late 1970s as The Stains and playing their first gig under this name in August 1980, MDC were one of three pioneering hardcore punk bands in Austin, Texas, in the early '80s, alongside The Dicks and Big Boys. These bands frequently played together and established the Austin hardcore scene. They released one single as the Stains in 1981, featuring a slower version of the future MDC song "John Wayne Was a Nazi" backed with "Born to Die". Both songs were later released on the debut MDC album.
A rocket (Italian rocchetta‚ "little fuse") is a missile, spacecraft, aircraft or other vehicle that obtains thrust from a rocket engine. Rocket engine exhaust is formed entirely from propellant carried within the rocket before use. Rocket engines work by action and reaction and push rockets forward simply by expelling their exhaust in the opposite direction at high speed, and can therefore work in the vacuum of space.
In fact, rockets work more efficiently in space than in an atmosphere. Multi-stage rockets are capable of attaining escape velocity from Earth and therefore can achieve unlimited maximum altitude. Compared with airbreathing engines, rockets are lightweight and powerful and capable of generating large accelerations. To control their flight, rockets rely on momentum, airfoils, auxiliary reaction engines, gimballed thrust, momentum wheels, deflection of the exhaust stream, propellant flow, spin, and/or gravity.
Rockets for military and recreational uses date back to at least 13th century China. Significant scientific, interplanetary and industrial use did not occur until the 20th century, when rocketry was the enabling technology for the Space Age, including setting foot on the moon. Rockets are now used for fireworks, weaponry, ejection seats, launch vehicles for artificial satellites, human spaceflight, and space exploration.
Rockets is the debut self-titled studio album by French space rock band Rockets, released in June 1976. It is the only full album by the band to feature vocals in French (albeit, with some english lyrics in two tracks). In spite of their nationality, all subsequent albums are sung in English, with the exception of one song on the second and one on the sixth album.
'Rockets' is a 2004 album by Canadian record producer & songwriter Daniel Lanois that consists of a collection of unreleased demos, live and rehearsal tracks, and leftovers. It was created as a "renegade CD" to be sold only at gigs and on Daniel Lanois' website.