AKA: Rukh | |
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![]() A roc destroys Sinbad the Sailor's ship |
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Mythology | Middle Eastern |
Grouping | Mythology |
Habitat | Air |
Similar creatures | simurgh, Garuda, Phoenix, Thunderbird |
A roc or rukh (from the Arabic and Persian رخ rokh,[1] asserted by Louis Charles Casartelli[2] to be an abbreviated form of Persian simurgh) is an enormous legendary bird of prey, often said to be white.[3]
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The roc had its origins, according to Rudolph Wittkower, in the fight between the Indian solar bird Garuda[4] and the chthonic serpent Nāga. The mytheme of Garuda carrying off an elephant that was battling a Crocodile appears in two Sanskrit epics, the Mahabharata (I.1353) and the Ramayana (III.39). The roc appears in Arabic geographies and natural history, popularized in Arabian fairy tales and sailors' folklore. Ibn Battuta (iv. 305ff) tells of a mountain hovering in air over the China Seas, which was the roc.[5]
Rabbi Benjamin of Tudela reported a story reminiscent of the roc in which shipwrecked sailors had themselves carried off desert islands by wrapping ox-hides round them and letting griffins carry them off as if they were cattle.[6] In the 13th century, Marco Polo (as quoted in Attenborough (1961: 32) stated "It was for all the world like an eagle, but one indeed of enormous size; so big in fact that its quills were twelve paces long and thick in proportion. And it is so strong that it will seize an elephant in its talons and carry him high into the air and drop him so that he is smashed to pieces; having so killed him, the bird swoops down on him and eats him at leisure". Marco Polo explicitly distinguishes the bird from a griffin. Doubtless it was Marco Polo's description that inspired Antonio Pigafetta, one of Magellan's companions, who wrote or had ghost-written an embroidered account of the circumglobal voyage; in Pigafetta's account[7] the home grounds of the roc were the seas of China. Such descriptions doubtless captured the imaginations of later illustrators, such as Johannes Stradanus ca 1590[8] or Theodor de Bry in 1594 who showed an elephant being carried off in the roc's talons,[9] or showed the roc destroying entire ships in revenge for destruction of its giant egg, as recounted in the fifth voyage of Sinbad the Sailor. Tommaso Aldrovandini's Ornithologia (1599) included a woodcut of a roc with a somewhat pig-like elephant in its talons,[10] but in the rational world of the 17th century, the roc was more critically looked upon.
The scientific culture of the 19th century introduced some "scientific" rationalizations for the myth's origins, by suggesting that the origin of the myth of the roc may lie in embellishments of the often-witnessed power of the eagle that could carry away a newborn lamb. In 1863, Bianconi suggested the roc was a raptor (Hawkins and Goodman, 2003: 1031). Recently a giant subfossil eagle in the genus Stephanoaetus identified from Madagascar was actually implicated as a top bird predator of the island, whose megafauna once included giant lemurs and pygmy hippopotami[11].
Another possible origin of the myth originated from accounts of eggs of another extinct Malagasy bird, the enormous Aepyornis elephant bird, hunted to extinction by the 16th century, that was three meters tall and flightless. There were reported elephant bird sightings at least in folklore memory as Étienne de Flacourt wrote in 1658. Its egg, live or subfossilised, was known as early as 1420, when sailors to the Cape of Good Hope found eggs of the roc, according to a caption in the 1456 Fra Mauro map of the world, which says that the roc "carries away an elephant or any other great animal".
Another rationalizing theory is that the existence of rocs was postulated from the sight of the African ostrich, which, because of its flightlessness and unusual appearance, was mistaken for the chick of a presumably much larger species. Ostriches, however, were already well known in Biblical times. But on the other hand, a Medieval Northern European or Indian traveller, if confronted with tales about ostriches, might very well not have recognized them for what they were (compare History of elephants in Europe).
In addition to Marco Polo's account of the rukh in 1298, Chou Ch'ű-fei (Zhōu Qùfēi ) in 1178 told of a large island off Africa with birds large enough to use their quills as water reservoirs (Pearson and Godden 2002: 121). Fronds of the raffia palm may have been brought to Kublai Khan under the guise of roc's feathers;[12][13] a stump of a roc's quill was said to have been brought to Spain by a merchant from the China seas (Abu Hamid of Spain, in Damiri, see below[citation needed]).
Considering the eggs, the "chicks", the "feathers", and any folklore recollection of the giant eagle of Madagascar (which was apparently encountered by the first humans to settle the island), it is easy to see how contemporary adventurers could get the idea that somewhere in the Indian Ocean region there lived an enormous bird.[original research?]
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The legend of the roc, popularized in the West in the travels of Marco Polo and later in the 1001 Nights' tales, of Abd al-Rahman and Sinbad the Sailor, was widespread in the East.
Through the 16th century the existence of the roc was accepted by Europeans. In 1604 Michael Drayton envisaged the rocs being taken aboard the Ark:
All feathered things yet ever knowne to men,
From the huge Rucke, unto the little Wren;
From Forrest, Fields, from Rivers and from Pons,
All that have webs, or cloven-footed ones;
To the Grand Arke, together friendly came,
Whose severall species were too long to name.
The rukh is also identified in the Ethiopian holy book Kebra Negast as the agent responsible for delivering the blessed piece of wood to King Solomon which enabled the great king to complete the Temple. This piece of wood also is said to have transformed the Queen of Sheba's foot from that of a goat to that of a human. The piece of wood that the rukh brought was therefore given an honored place in the Temple and decorated with silver rings. According to tradition, these silver rings were given to Judas Iscariot as payment for betraying Jesus; the piece of wood became Jesus's cross.
In more recent times, Terry Brooks Shannara series of epic fantasy features Elves who train and ride Rocs.
The Roc is also prominently featured in the Syfy Channel movie ROADKILL (2011).
The roc is hardly different from the Middle-Eastern `anqa "عنقاء" (see phoenix); it is also identified with the Persian simurgh, the bird which figures in Firdausi's epic as the foster-father of the hero Zal, father of Rustam.
Going farther back into Persian antiquity, there is an immortal bird, amrzs, or (in the Minoi-khiradh) slnamurv, which shakes the ripe fruit from the mythical tree that bears the seed of all useful things. Sinmartt and simurgh seem to be the same word. In Indian legend the garuda on which Vishnu rides is the king of birds (Benfey, Panchatantra, 98). In the Pahlavi translation of the Indian story as represented by the Syrian Kalilag and Damnag (ed. Gustav Bickell, 1876), the simurgh takes the place of the garuda, while Ibn al-Molaffa (Calila et Dimna, ed. De Sacy, p. 126) speaks instead of the `anl~a. The later Syriac, curiously enough, has behemoth—apparently the behemoth of Job—transformed into a bird. The Hungarian Turul, the Ziz or Bar Juchne of Jewish tradition, the Fijian kanivatu, Finnish kokko, the Chinese peng and the Thunderbird of Native American tradition are also giant birds.
Some recent scholars have compared the legendary Roc with the Haast's Eagle, of New Zealand. 1.4m long with a 3m wingspan, it became extinct around the 15th century, but probably inspired the Māori legend of Te Hokioi or Te Hakawai.[14] This was said to be a colorful huge bird which (in some versions of the legend) in ancient times had occasionally descended to Earth to carry off humans to eat, but generally lived in the clouds unseen. Only its cry, after which it was named, could be heard. Indeed, the hokioi seems to be a composite mythical beast inspired by actual animals, just like the roc appears to have been. In the 1980s, it was found[15] that male Coenocorypha snipes, tiny nocturnal waders, produce an unexpectedly loud roaring sound with their tails during mating flights. The supposed coloration of the hokioi is not matched by any known bird, and generally would be extremely unusual for a bird of prey. Thus, as it seems the hokioi was the eerie "drumming" of the snipes, explained with the ancestor's tales about the giant eagles which they still knew from living memory.
Roc is an American comedy-drama television series which ran on Fox from August 1991 to May 1994.
All 25 episodes are aired live to viewers in the Eastern and Central time zones.
In the Dungeons & Dragons fantasy role-playing game, the roc is a gargantuan, eagle-like animal, based on an earlier creature from myth and fantasy also named the Roc.
The roc was one of the earliest creatures introduced in the D&D game.
The roc was one of the first monsters introduced in the earliest edition of the game, in the Dungeons & Dragons "white box" set (1974), where they were described as large and fierce birds that nest in mountains, and are hostile to creatures of Chaos and Neutrality.
The roc appears in the first edition Monster Manual (1977), where it is described as a huge eagle-like bird that inhabits the highest mountains, and preys upon large creatures such as cattle, horses, and elephants.
The moon roc appeared in the module Needle (1987).
This edition of the D&D game included its own version of the roc, which came in three sizes: the small roc, the large roc, and the giant roc. These all appeared in the Dungeons & Dragons Expert Set (1981 & 1983), and later in the Dungeons & Dragons Rules Cyclopedia (1991).
"Roc" is a song recorded by the France-born singer Nâdiya, which appears on her self-titled third album Nâdiya. The single was released as the second single from the album on June 19 in Switzerland and France, 2006, two weeks after the release of the album. The single became her best-performing single in the French Singles Chart, staying in the top five for eleven weeks and eighteen weeks in the top thirty. It contains a sample taken from War composed by Survivor for the soundtrack of Rocky IV in 1985.
The single entered the French Top 100 Singles chart at number two (#2) in the chart edition of June 24. The Crazy Frog's "We Are the Champions" topped the chart then. In its following two weeks, the single remained at the number 2 position, unable to get the Crazy Frog from its number one position. In its fourth week, the "Zidane y va marquer" of Cauet jumped from #60 to #1, again making it unable for "Roc" to top the chart. After being at the number 2 position for four weeks, the single dropped to number 4 in the chart to stay here for another four weeks. In its ninth week, it jumped up one place up to number 3, overmastering Cauet's "Zidane y va marquer", which dropped to number 4. In its tenth and eleventh week, it remained on the number 4 position again. After many weeks at number four, the single finally stepped out of the top 5 and went to number 6. The weeks after, it kept on dropping in the chart.
Mythology is a collection of myths, especially one belonging to a particular sacred, religious or cultural tradition of a group of people. Myths are a collection of stories told to explain nature, history, and customs–or the study of such myths.
As a collection of such stories, mythology is a vital feature of every culture. Various origins for myths have been proposed, ranging from personification of nature, personification of natural phenomena to truthful or hyperbolic accounts of historical events, to explanations of existing ritual. Although the term is complicated by its implicit condescension, mythologizing is not just an ancient or primitive practice, as shown by contemporary mythopoeia such as urban legends and the expansive fictional mythoi created by fantasy novels and comics. A culture's collective mythology helps convey belonging, shared and religious experience, behavioural models, and moral and practical lessons.
The study of myth dates back to antiquity. Rival classifications of the Greek myths by Euhemerus, Plato's Phaedrus, and Sallustius were developed by the Neoplatonists and revived by Renaissance mythographers. Nineteenth-century comparative mythology reinterpreted myth as a primitive and failed counterpart of science (E. B. Tylor), a "disease of language" (Max Müller), or a misinterpretation of magical ritual (James Frazer).
Mythology is an album by new age artist Eloy Fritsch. It is generally viewed as one of his stronger solo works. As with Apocalypse, Fritsch plays a variety of keyboard instruments on the album. Featured in the inside photograph are a Modular Synthesizer System-700, Minimoog Synthesizer and electronic keyboards. Mythology deals with diverse myths of the world. So several cultures were visited, including those of Brazil, the Aztecs, the Incas, Assyria, Greek, Hindu, Egyptian, Nordic, Atlantis, the Romans, the Chinese, and so on. All electronic compositions on the album were based in his own interpretation of the characteristics of each mythological element chosen for this work.
Mythology (also referred to as a mythos) is the term often used by fans of a particular book, television, or movie series to describe a program's overarching plot and often mysterious backstory. Daniel Peretti argues that mythology "is often used emically to refer to back story". The term was pioneered by the American science fiction series The X-Files, which first aired in 1993. With this being said, many other forms of media have some sort of mythology, and the term is often applied in regards to Buffy the Vampire Slayer and Lost and the Batman and Superman comics, among others.