Kāma (Sanskrit, Pali; Devanagari: काम) means desire, wish, longing in Indian literature. Kāma often connotes sexual desire and longing in contemporary literature, but the concept more broadly refers to any desire, wish, passion, longing, pleasure of the senses, the aesthetic enjoyment of life, affection, or love, with or without sexual connotations.
Kāma is one of the four goals of human life in Hindu traditions. It is considered an essential and healthy goal of human life when pursued without sacrificing the other three goals: Dharma (virtuous, proper, moral life), Artha (material prosperity, income security, means of life) and Moksha (liberation, release, self-actualization). Together, these four aims of life are called Puruṣārtha.
Kāma means “desire, wish or longing”. In contemporary literature, kāma refers usually to sexual desire. However, the term also refers to any sensory enjoyment, emotional attraction and aesthetic pleasure such as from arts, dance, music, painting, sculpture and nature.
Kama (釜) is a Japanese term meaning metal pot or kettle. The specific term for a kama used in Japanese tea ceremony is chagama (茶釜, "tea kettle"). Kama are made of cast iron, and are used to heat the water used to make tea.
In the tea room, the kama is either heated over a portable brazier (風炉 furo) or in a sunken hearth (ro) built into the floor of the tea room, depending on the season.
Kama are often round or cylindrical, and have a lug on each side, for inserting metal handles called kan. These are used to carry the kama and/or hang it over the ro. Otherwise, or when using a brazier, a tripod may be used to support the kettle over the heat source. There are also brazier sets in which the kama is designed to be used without a tripod. Kama (釜) is a Japanese term meaning metal pot or kettle. The specific term for a kama used in Japanese tea ceremony is chagama (茶釜, "tea kettle"). Kama are made of cast iron or copper and are used to heat the water used to make tea.
Charles Wright (born May 16, 1961) is an American semi-retired professional wrestler. He is best known for his tenure with the World Wrestling Federation throughout the 1990s and early 2000s, where he performed under the ring names Sir Charles, Papa Shango, Kama, Kama Mustafa, The Godfather, and The Goodfather.
Wright first entered professional wrestling after being noticed tending to a bar by wrestlers during the filming of the movie Over the Top. The wrestlers involved gave him the advice that, with his large body type and unique (tattooed) look, he should try seeking out Larry Sharpe and his Monster Factory to get into the business.
Eventually Wright parlayed his training into a job with Jerry Lawler in the United States Wrestling Association (USWA) with the gimmick the wrestlers from the bar had given him and took the name The Soultaker, taken from one of the tattoos on his arm. Even with his admitted limited skill set, he was given the USWA Unified World Heavyweight Championship on October 23, 1989 and held it for about two weeks.
The axe is swift and reckless
Feel the grain, split it wide
Cut away to build the mansions
Of banks and boards in distant hands
The axeman looks to the sun
Covered eyes, blind to silence
The future is eroding
The sacred past destroyed
No damning feats of progress
Comfort the unemployed
The earth is shred and skun
Fortune seekers hit and ru-un
Barren earth, poisoned skies, wasted seas
Will we see the light through the trees
Before the last axe falls
A sweet breeze of rage is blowing
From forest to the town
Slowly the tide is turning
With love the seed is sown
No time for feeling helpless
We've change to make
While there's still li-ife
Lessons learnt quickly fade, memories
Will we see the light through the trees