A rivethead or rivet head is a person associated with the industrial dance music scene. Unlike the original industrial movement (the members of which are sometimes referred to as "industrialists"), the rivethead scene had coherent youth culture with a discernible fashion style. The scene and its dress code emerged in the late 1980s on the basis of electro-industrial, EBM and industrial rock music. The associated dress style is militaristic with hints of punk aesthetics and fetish wear.
Initially, the term rivethead had been used since the 1940s as a nickname for North American automotive assembly line and steel construction workers and hit the mainstream through the publication of Ben Hamper's Rivethead: Tales From the Assembly Line, which is otherwise unrelated to the subculture.
Glenn Chase, founder of San Diego music label Re-Constriction Records, is responsible for the term's meaning in the 1990s. In 1993, he released Rivet Head Culture, a compilation that contains several electro-industrial and industrial rock acts from the North American underground music scene. In the same year, industrial rock group Chemlab—whose members were close friends of Chase—released their debut album, Burn Out at the Hydrogen Bar, which had a track called Rivet Head. Chemlab singer Jared Louche said he did not remember where the term came from, although he states that this song title was in his mind for years.
Rivethead or rivet-head may (aside from the head of a rivet) refer to:
some stupid night i was standing by the sally, i'll explain,
we were passing bottle and talking about two blocks from the trains.
it's easy laughing when you're out of chances.
not hard leaving when you're always traveling.
down and out of luck, still got guts enough
to know this place is fucked and still not giving up.
it's all what you make of it
and it's all what you take from it.
we're all not so different, shit jobs bad decisions,
destructive addictions, that keep us one step from the edge.
so i was shit faced talking to this drunk on fifth street, he split his beer with me.
i rolled cigarettes, he said "i won't let this town get what's left of me".
we sat in the shadows of the mainline tracks.
i caught out on an eastbound doublestack.
he waved and smiled, then he yelled "good luck".
he was better than most of us.
it's all what you make of it
and it's all what you take from it.
we're all not so different, shit jobs bad decisions,
destructive addictions, that keep us one step from the edge.
well shit, i know it's nothing short of terrible,
the way this place seems sometimes, still it's not impossible,
to laugh at the bullshit, drink up with the worse kid.
i know it's hard but try to not let the world make you the sucker all the time.
these things that we've done, somewhat desperate and drunk,
built the basis for this restless way that we live.
we've rejected what you've got to show for the trade off,
a life spent just waiting for orders and taking
such shit from the parents, the bullies and bosses.
the faults no one's but your own 'cause you couldn't stand up and say no
could not say no
could not say no