Rio Rita (musical)
Rio Rita is a 1927 stage musical with a book by Guy Bolton and Fred Thompson, music by Harry Tierney, lyrics by Joseph McCarthy, and produced by Florenz Ziegfeld. This musical united Bert Wheeler and Robert Woolsey as a comedy team and made them famous.
It premiered on Broadway on February 2, 1927 at the new Ziegfeld Theatre and, after moving to the Lyric Theatre and Majestic Theatre, closed on April 7, 1928 after 494 performances, a very long run for its time. In Sydney, Gladys Moncrieff appeared in a successful production at the St James Theatre. The musical premiered in London's West End on April 3, 1930 at the then newly opened Prince Edward Theatre.
The musical was made into a film in 1929, Rio Rita, starring Bebe Daniels and John Boles along with the team of Wheeler & Woolsey. Based on the success of this film, Wheeler & Woolsey were also given contracts to star in a series of comedies. Another film based on the musical was made in 1942.
Background
Rio Rita may be said to be one of the last, great, "light musical comedies" or "Follies-based" type of musical. With the introduction of Show Boat, later in 1927—as well as the subsequent introduction of George Gershwin's musicals that year and thought the early 30's -- the American musical became much more a dramatically cohesive "musical play". This form reached its maturity in the Rodgers and Hammerstein productions, beginning with Oklahoma! and culminating with South Pacific.
Rio Rita
Rio Rita may refer to:
Rio Rita (1942 film)
Rio Rita is a 1942 comedy film starring Abbott and Costello. It was based upon the 1927 Flo Ziegfeld Broadway musical, which was previously made into a 1929 film also titled Rio Rita that starred the comedy team of Wheeler & Woolsey. Kathryn Grayson (in her first starring picture) and John Carroll replace the 1929 version's Bebe Daniels and John Boles.
Plot
Nazi spies have infiltrated the Hotel Vista del Rio, a resort on the Mexican border. They plan to use a radio broadcast by a famous guest, Ricardo Montera (John Carroll), to transmit coded messages to their cohorts. Doc (Bud Abbott) and Wishy (Lou Costello) are stowaways in Montera's car, who steal a basket of "apples" that turn out being miniature radios used by the spies. Rita Winslow (Kathryn Grayson), the hotel's owner and childhood sweetheart of Montera, hire Doc and Wishy as house detectives, who discover the Nazi codebook and give it to Montera. They are then kidnapped by the spies, and left in a room with a bomb set to explode, but manage to escape while Wishy plants the bomb in the pocket of one of the culprits. Meanwhile, the broadcast has already begun and Montera, refusing to participate in treason, fights the spies until the Texas Rangers arrive. The spies' escape by car is thwarted when the planted bomb finally explodes.
Rio Rita (1929 film)
Rio Rita is a 1929 American Pre-Code RKO musical comedy starring Bebe Daniels and John Boles along with the comedy team of Wheeler & Woolsey. The film is based on the 1927 stage musical produced by Florenz Ziegfeld, which originally united Wheeler and Woolsey as a team and made them famous. The film was the biggest and most expensive RKO production of 1929 as well as the studio's biggest box office hit until King Kong (1933). Its finale was photographed in two-color Technicolor. Rio Rita was chosen as one of the ten best films of 1929 by Film Daily.
Plot
Bert Wheeler plays Chick Bean, a New York bootlegger who comes to the Mexican town of San Lucas to get a divorce so he can marry Dolly (Dorothy Lee). After the wedding, Ned Levitt (Robert Woolsey), Chick's lawyer, informs Chick the divorce was invalid, and advises Wheeler to stay away from his bride.
The Wheeler-Woolsey plot is actually a subplot of the film, and the main story features Bebe Daniels (in her first "talkie") as Rita Ferguson, a south-of-the-border beauty pursued by both Texas Ranger Jim Stewart (John Boles) and local warlord General Ravenoff (Georges Renavent). Ranger Jim is pursuing the notorious bandit Kinkajou along the Rio Grande, but is reluctant to openly accuse Rita's brother, Roberto (Don Alvarado), as the Kinkajou because he is in love with Rita.
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