John Hiatt (born August 20, 1952) is an American rock guitarist, pianist, singer, and songwriter. He has played a variety of musical styles on his albums, including new wave, blues and country. Hiatt has been nominated for several Grammy Awards and has been awarded a variety of other distinctions in the music industry. He remains one of the most respected and influential American singer-songwriters.
Hiatt was working as a songwriter for Tree International, a record label in Nashville, when his song "Sure As I'm Sittin' Here" was covered by Three Dog Night. The song became a Top 40 hit, earning Hiatt a recording contract with Epic Records. Since then he has released 21 studio albums, two compilation albums and one live album. His songs have been covered by a variety of artists in multiple genres, including Bob Dylan, The Searchers, Delbert McClinton, Willy DeVille, Ry Cooder, Linda Ronstadt, Bonnie Raitt, Eric Clapton, B.B. King, Joe Bonamassa, Willie Nelson, Three Dog Night, Joan Baez, Paula Abdul, Buddy Guy, the Desert Rose Band, Jimmy Buffett, Mandy Moore, Iggy Pop, Emmylou Harris, Rodney Crowell, Dave Edmunds, Nick Lowe, The Nitty Gritty Dirt Band, Rosanne Cash, Suzy Bogguss, Jewel, Aaron Neville, Jeff Healey, Keith Urban, Joe Cocker, Chaka Khan, Paulini and many others. The Dutch singer/songwriter Ilse DeLange recorded the album Dear John with nine of his songs.
Riding with the King was singer-songwriter John Hiatt's sixth album, released in 1983. It was his second of three albums with Geffen Records. Ron Nagle and Scott Mathews (credited as "Scott Matthews") produced side one of the album at The Pen in San Francisco, with Mathews himself playing all instruments (except guitar) and providing all the background vocals. The second side of the album was produced by Nick Lowe at Eden Studios in London with a group of crack pub rock musicians backing Hiatt.
"I always kind of look at 'Riding with the King' as the first album where I really put it altogether. I finally figured out what I was all about and found three or four styles I liked to work in", Hiatt observed about the album. Although the album failed to chart in the US, it received considerable critical acclaim with Robert Christgau observing "...this is his best album because the songs are so much his catchiest and pithiest. Most of them reflect smashed hopes."
The album's title track was taken from an odd dream Scott Mathews had, although he was never credited as a co-writer. It was later covered by B.B. King and Eric Clapton on their album of the same name. Hiatt reworked the lyrics for the King and Clapton collaboration.
Riding with the King is a blues album by Eric Clapton and B.B. King that was released in 2000. It was their first collaborative album and won the 2000 Grammy Award for Best Traditional Blues Album. The album reached number one on Billboard's Top Blues Albums and was certified 2× Multi-Platinum in the United States. Riding with the King was also released on a DVD-Audio in higher resolution and with a 5.1 surround sound mix in 2000.
The album was generally well received by reviewers, although some felt that it could have been better, and that the sound on the CD was too polished for a blues album.
Riding with the King was the first collaborative album by Eric Clapton and B.B. King. They performed together for the first time at Cafe Au Go Go in New York City in 1967 when Clapton was 22 and a member of Cream, but did not record together until 1997 when King collaborated with Clapton on the song "Rock Me Baby" for his duets album, Deuces Wild. Clapton looked up to King and had always wanted to make an album with him. King said they had discussed the project often, and added: "I admire the man. I think he's No. 1 in rock 'n' roll as a guitarist and No. 1 as a great person." At the time of recording Riding with the King, Clapton was 55 and King 74.
I was sittin' in the dressing room with Brownie Mcgee
He was drinkin' that milk with that Dewar's Whiskey
Said John, there's nothin' written anywhere
Suggests the blues will set you free
Old days are comin' back to me
I was ridin' in the back seat, with Sonny Terry
Little harmonica player used to drive him around
I think his name was Harry
Tried to get him to eat tofu, raw vegetables, nuts, and berries
But Sonny wasn't havin' any of it
He let me share a room with â'em for a couple of weeks
Sonny slept with his good eye open staring out from under the sheets
I was young and uncomfortable I don't mind tellin' ya kinda gave me the creeps
Old days are comin' back to me
Old days are comin' back to me
Don't know what was so great about â'em
I played practically free
I had nothin' to live up to
Everywhere to be
Old days are comin' back to me
On some dates with Mose Allison somewhere out in the Midwest
Said some of my lyrics reminded him of the poet Kenneth Patchen
I took it as a compliment
He was referring to the line about wearin' neon signs on your wounds
Later on I knew what he meant
Old days are comin' back to me
On a date with John Lee Hooker at a packed joint up in Washington
He came in with a gorgeous woman on each arm as I was singing my song
Walked â'em right up and sat â'em on the edge of the stage as I went singing along
And that's called "evenin' son, I'm the headliner"
Old days are comin' back to me
I don't know what was so great about â'em
I played practically free
But I had nothing to live up to
And everywhere to be
Old days are comin' back to me
Played a gig with John Hammond Jr. up in Vancouver BC
Exotic dancer came in my dressing room, started dancing exotically
They were smoking something in the audience that night, smelled exactly like cat pee
Old days are comin' back to me
Opened up a gig for Gatemouth Brown down in Baton Rouge
He was playing that Hillbilly, Jazz, Cajun, Country, Zydeco, and Blues
Throwin' it out past the walls like some kind of musical centrifuge
Old days are comin' back to me
Old days are comin' back to me
I don't know what was so good about â'em
I played practically free
But I had nothin' to live up to
Everywhere to be
Old days are comin' back to me
Old days are comin' back to me
I don't know what was so great about â'em
I played practically free
But I had nothin' to live up to
Everywhere to be
Old days are comin' back to me
Old days are comin' back to me