Mirage is the name of several fictional characters from the Transformers series. Mirage is one of the most re-used names in the Transformers series, and is almost entirely synonymous with characters possessing Formula One racing car alternate modes. The first Mirage was introduced in 1984 as an Autobot spy.
Some might say that Mirage (Ligier in Japan, Mistero in Italy, Miragem in Portugal) was created with a silver sparkplug in his mouth. On Cybertron, he was one of the planet’s elite upper class, preferring to spend his days hunting turbo-foxes instead of involving himself in conflict. When that became unavoidable, Mirage enlisted with the Autobot forces, although he is often unsure about his motivations for doing so, which leaves his fellow Autobots finding it hard to trust him – a problem not helped by the fact that Mirage can rarely hide that he is often unwilling to fight directly, or his contempt for the “commoners” he is now forced to interact with. He has no lost love for Earth, and would happily return to his old life on Cybertron if he could.
Mirage is a 1996 Hindi ghazal album by the Indian singer Jagjit Singh, released by Saregama-HMV.
https://www.facebook.com/jagjeetji
A mirage is an optical phenomenon.
Mirage(s) or The Mirage may also refer to:
Rhythm (from Greek ῥυθμός, rhythmos, "any regular recurring motion, symmetry" (Liddell and Scott 1996)) generally means a "movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions" (Anon. 1971, 2537). This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to millions of years.
In the performance arts rhythm is the timing of events on a human scale; of musical sounds and silences, of the steps of a dance, or the meter of spoken language and poetry. Rhythm may also refer to visual presentation, as "timed movement through space" (Jirousek 1995, ) and a common language of pattern unites rhythm with geometry. In recent years, rhythm and meter have become an important area of research among music scholars. Recent work in these areas includes books by Maury Yeston (Yeston 1976), Fred Lerdahl and Ray Jackendoff, Jonathan Kramer, Christopher Hasty (Hasty 1997), Godfried Toussaint (Toussaint 2005), William Rothstein, and Joel Lester (Lester 1986).
Isochrony is the postulated rhythmic division of time into equal portions by a language. Rhythm is an aspect of prosody, others being intonation, stress and tempo of speech.
Three alternative ways in which a language can divide time are postulated:
The idea as such was first expressed by Kenneth L. Pike in 1945, though the concept of language naturally occurring in chronologically and rhythmically equal measures is found at least as early as 1775 (in Prosodia Rationalis). This has implications for language typology: D. Abercrombie claimed "As far as is known, every language in the world is spoken with one kind of rhythm or with the other ... French, Telugu and Yoruba ... are syllable-timed languages, ... English, Russian and Arabic ... are stress-timed languages'. While many linguists find the idea of different rhythm types appealing, empirical studies have not been able to find acoustic correlates of the postulated types, calling into question the validity of these types.
Rhythm is the fourth full-length album by Swedish husband and wife duo Wildbirds & Peacedrums, released on The Leaf Label on 3rd November 2014.
Rhythm was written, recorded and produced by Mariam Wallentin and Andreas Werliin in their Stockholm studio and focuses almost exclusively on Wallentin's vocals and Werliin's percussion. “Sound-wise we wanted it to feel like a live experience,” Werliin explained in an interview. “Almost every song is one take. We recorded standing in the same room, no screens or isolation, looking each other in the eyes." The band described how after several busy years of touring they wanted to make a "going back to our roots" album, recorded in their own space with no time limits or external pressures.
On the Metacritic website, which aggregates reviews from critics and assigns a normalised rating out of 100, Rhythm received a score of 81, based on 2 mixed and 9 positive reviews.All About Jazz wrote that "Rhythm has rhythm, but it's also brimming over with melody, harmony and drama" and also praised Wallentin and Werliin's production, saying that it "gives the sound such richness and strength that its energy is almost palpable".