Rhinoplasty (EP)

Rhinoplasty is an extended play record by Primus. It was released on August 11, 1998 by Interscope Records. It features covers of songs by artists such as XTC, Stanley Clarke, The Police, Metallica, and Jerry Reed. The Japanese edition had two extra tracks and the CD was also an interactive CD-ROM which included the claymation video for "The Devil Went Down to Georgia". The live version of "Tommy the Cat" is performed with "The Awakening" solo in the middle. The original song was by the Reddings from their 1980 album The Awakening, and had previously been covered by Claypool on Highball with the Devil, released under the moniker Les Claypool and the Holy Mackerel.

Cover art

The cover art features Japanese katakana characters to the far right, reading out "ネセソトナニツキノハ", or "Nesesotonanitsukinoha".

Track listing

Critical reception

In his review for Allmusic, Stephen Thomas Erlewine describes the EP as "another small treasure for fans." He notes that "the band hasn't chosen any surprising covers" but "makes up for it with great performances" and "startling arrangements that are often unpredictable", concluding that "it doesn't disappoint." For Pitchfork Media, Susan Moll notes that "while Brian "Brain" Mantia's heavy- hitting drums were the focus of The Brown Album, Rhinoplasty marks a return to the vintage Primus sound, with Claypool's bass front and center, where it belongs." She also opines that "the band's version of "Making Plans For Nigel" is legendary, but their take on "Scissor Man" is more deranged than Andy Partridge on a bad day."

! (album)

! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.

Track listing

Personnel

The following people were involved in the making of !:

References

"@" (album)

"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.

Reception

Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".

Track listing

All compositions by John Zorn and Thurston Moore

Album

Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 ¹⁄₃ rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.

An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.