In Anglo-Saxon paganism, Rheda (Latinized from Old English *Hrêðe or *Hrêða, possibly meaning "the famous" or "the victorious") is a goddess connected with the month '"Rhedmonth"' (from Old English *Hrēþmōnaþ). Rheda is attested solely by Bede in his 8th century work De temporum ratione. While the name of the goddess appears in Bede's Latin manuscript as Rheda, it is reconstructed into Old English as *Hrēþe and is sometimes modernly anglicized as Hretha (also "Hrethe" or "Hrede"). Hrēþmōnaþ is one of three events (apart from the days of the week) that refer to deities in the Anglo-Saxon calendar—the other two being Ēostermōnaþ and Mōdraniht.
In chapter 15 of his work De temporum ratione, Bede provides information about English months and celebrations. Bede records that Hrēþmōnaþ is analogous to March, and details that "Hrethmonath is named for their goddess Hretha, to whom they sacrificed at this time" (Rhed-monath a Dea illorum Rheda, cui in illo sacrificabant, nominatur…). Bede notes that Hrēþmōnaþ occurs between Solmōnaþ (February), so named due to the offerings of cakes to the gods during the month, and Ēostermōnaþ (April), named after the goddess Ēostre.
Mythology is a collection of myths, especially one belonging to a particular sacred, religious or cultural tradition of a group of people. Myths are a collection of stories told to explain nature, history, and customs–or the study of such myths.
As a collection of such stories, mythology is a vital feature of every culture. Various origins for myths have been proposed, ranging from personification of nature, personification of natural phenomena to truthful or hyperbolic accounts of historical events, to explanations of existing ritual. Although the term is complicated by its implicit condescension, mythologizing is not just an ancient or primitive practice, as shown by contemporary mythopoeia such as urban legends and the expansive fictional mythoi created by fantasy novels and comics. A culture's collective mythology helps convey belonging, shared and religious experience, behavioural models, and moral and practical lessons.
The study of myth dates back to antiquity. Rival classifications of the Greek myths by Euhemerus, Plato's Phaedrus, and Sallustius were developed by the Neoplatonists and revived by Renaissance mythographers. Nineteenth-century comparative mythology reinterpreted myth as a primitive and failed counterpart of science (E. B. Tylor), a "disease of language" (Max Müller), or a misinterpretation of magical ritual (James Frazer).
Mythology is the fourth solo album by keyboard player Derek Sherinian. Sherinian again draws upon some of the greatest talent from the worlds of rock and jazz music. Among the artists appearing on Mythology are jazz fusion player Allan Holdsworth (U.K., Soft Machine, Level 42), Steve Lukather (Toto), Simon Phillips (Toto, Jeff Beck, The Who), Zakk Wylde (Ozzy Osbourne, Black Label Society), Grammy award winner Steve Stevens (Billy Idol), Jerry Goodman (Mahavishnu Orchestra, Dixie Dregs), and a very rare guest appearance from guitarist John Sykes (Whitesnake, Thin Lizzy, Blue Murder).
Mythology is an album by new age artist Eloy Fritsch. It is generally viewed as one of his stronger solo works. As with Apocalypse, Fritsch plays a variety of keyboard instruments on the album. Featured in the inside photograph are a Modular Synthesizer System-700, Minimoog Synthesizer and electronic keyboards. Mythology deals with diverse myths of the world. So several cultures were visited, including those of Brazil, the Aztecs, the Incas, Assyria, Greek, Hindu, Egyptian, Nordic, Atlantis, the Romans, the Chinese, and so on. All electronic compositions on the album were based in his own interpretation of the characteristics of each mythological element chosen for this work.