RESPECT. is a New York-based, quarterly hip hop and photojournalism magazine founded in 2009 by Jonathan Rheingold and edited by RapRadar's Elliott Wilson. The publication covers hip hop culture, focusing on music, photography, and style. As opposed to mainstream hip-hop magazines, RESPECT.'s aesthetic is more highbrow, targeting a "sophisticated and intelligent reader." Its circulation is approximately 250,000 per issue.
Rheingold was previously the executive publisher of Harris Publications, home to hip-hop publications such as XXL and Scratch. After leaving Harris in 2009, he launched RESPECT. with the help of such industry vets as kris ex, Paul Scirecalabrisotto, and Sally Berman.
Each issue of RESPECT. features interviews with popular hip-hop artists. Past covers have included Drake, Waka Flocka, Tyler, the Creator, and Eminem. The magazine also focuses on photographers with a special interest in hip hop, such as Jonathan Mannion, Albert Watson, and Mike Miller. Kali Abdullah currently serves as photo editor.
Respect is the fourth studio album released by Shaquille O'Neal. It was released on September 15, 1998 for A&M Records and featured production from Clark Kent and DJ Quik. Although Respect peaked at #58 on the Billboard 200, it made #8 on the Top R&B/Hip-Hop Albums - O'Neal's highest-charting long player on that chart.
The album had 19 tracks, that Vibe said all "straddle the line between mediocre and unlistenable" The album sold 104,000 units. O'Neal's Los Angeles Lakers teammate Kobe Bryant performs at the start of the track "3 X's Dope", though his name was not listed on the credits.
"Respect" is a 1995 song recorded by French hip hop act Alliance Ethnik. It was the first single from his album Respect, and was released on January 1995. It achieved success in several countries, including France and Belgium where it was a top three hit. The song was Alliance Ethnik's biggest hit to date and can be deemed as its signature song.
After an 30-second introduction using the sound of a radio, the song contains several samples from songs such as "It's Good to Be the King Rap Pt 1" by Mel Brooks, "Back Together Again" by Roberta Flack and Donny Hathaway and a small interpolation of "Life's a Bitch" of American rapper Nas. The verses, performed by K-mel, are in French, while other verses and the refrains are sung by Vinia Mojica in English. The male singer has a delivery "which makes use of words and onomatopoeia with mischievouness [sic] and joviality". This single is "festive and optimistic", and uses the repertoire of the 1980s rap. The music video was shot in black and white.
Due or DUE may refer to:
(Treach)
We're on wax and it concerns ya that's make us eternal like a picture
Ya bitch ya, I'll fix ya, raise a rapture ripped ya scripture
I'll mac a meal infact until I stack the bills ta rack the skills
ta get a track ta kill them rap at will, the I is capital
double L, lower case t-o-w-n
No trouble, I'll bust your bubble then leave you for ruin
Such come a dime a dozen, fuck some
You lost the race by a dick slut's cum cos nuts won
What fun freaking it frequently, freak wit me, slick ta freak quick
Your girl's poonany's packed like tha freaknic
We get redicu-down-diculous and devious, believe me bitch
Now your fucking soul ain't so mischevious
Diss who? We're the hip-hop rap pounder founder
Ricocheting PM to AM, frying freestyle flounders
big as bouncers
Ounce ta ounces
Don't make us check you
yes you, just know respect due!
(Vinnie)
I'm hearin niggas in the game yappin this yappin that
Talkin Vinnie don't write and Vinnie can't rap
but I bet if you put a pen and pad in my hand
I could write it in your face my friend, put it on tape and then
give it to my nigga Kay Gee, he produces me
Pump it thru the Flavor Unit, spread it thru the industry
The next three weeks my single done peaked on the rap sheets
Sound's knockin from malls to swapmeets
And then there's oh mad tours and oh mad whores
We sign autographs by the G's in the in-stores
And then there's oh mad sex and ASCAP checks
So when I, um, plex it, it's me I'm in the beamer or Lexus
Guess which nigga is next to flex this
Style that I be rippin's authentic so don't text this
(Treach)
You can fool some of the people some of the time but not all of the people
all of the time
Some of the rhymes some of the times cos some of the 9's some of em mine
And bout a brown as Bobby wit a trolley
to bury Halle, it's chocolate so pardon Dolly as a hobby
When it comes to harm me ya don't alarm me
cos I roll wit Double I and Ron G's army
So that's 235 on a slang bang
and see Ron wit a nigga for fucking A-Train
And that's deep like the minds of Minolta
Deep ditch like the Swedish knits on John Travolta
If you don't look good we don't look good
These nuts that soon clear the room
So boom to the break and break, ah, to the snap
and snap ta the beat, I'll freak them, bring it back
So's I had no choice but ta roll wit the flow