Alain Resnais (French: [alɛ̃ ʁɛnɛ]; 3 June 1922 – 1 March 2014) was a French film director whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included Night and Fog (1955), an influential documentary about the Nazi concentration camps.
Resnais began making feature films in the late 1950s and consolidated his early reputation with Hiroshima mon amour (1959), Last Year at Marienbad (1961), and Muriel (1963), all of which adopted unconventional narrative techniques to deal with themes of troubled memory and the imagined past. These films were contemporary with, and associated with, the French New Wave (la nouvelle vague), though Resnais did not regard himself as being fully part of that movement. He had closer links to the "Left Bank" group of authors and filmmakers who shared a commitment to modernism and an interest in left-wing politics. He also established a regular practice of working on his films in collaboration with writers previously unconnected with the cinema such as Jean Cayrol, Marguerite Duras, Alain Robbe-Grillet, Jorge Semprún and Jacques Sternberg.
Toda la sal
todo el azùcar
todo el vino
toda mi vida,solo deseo
vivirla contigo.
Toda la luz
todo el oscuro
todo lo que escribo
todo el camino,ardo en deseos
de andarlo contigo.
Con tu amor,siento calma
y a la orilla del rio
tu calor se me agarra y me llenas
el alma de luz y rocìo.
Con tu amor siento ganas
en los cinco sentidos
y me llevas tan lejos,que apenas
recuerdo de donde venimos.
Todo el calor
todas las nubes
todo el frio
toda la lluvia,ardo en deseos
de mojarme contigo.
Todo el amor
todo el recuerdo
todo lo que olvido
todo el silencio,se hace canciones
durmiendo contigo.
Todo el sabor
todo el perfume
todo lo que ansìo
todos los mares,solo deseo
navegarlos contigo.
Todo sin mas
la eternidad también la pido
vida o castigo,solo deseo tenerla contigo
vida o castigo,solo deseo beberla contigo.
vida o castigo,solo deseo morirme contigo!