Kiosk
A kiosk (from Turkish köşk, from Persian kūshk) is a small, separated garden pavilion open on some or all sides. Kiosks were common in Persia, the Indian subcontinent, and in the Ottoman Empire from the 13th century onward. Today, there are many kiosks in and around the Topkapı Palace in Istanbul, and they are still a relatively common sight in Balkan states.
The word is now applied to small booths offering goods and services and to freestanding computer terminals.
Small shops
In the Western hemisphere and in English-speaking countries, a kiosk is also a booth with an open window on one side. Some vendors operate from kiosks (see mall kiosk), selling small, inexpensive consumables such as newspapers, magazines, lighters, street maps, cigarettes, Live and frozen bait and confections.
An information kiosk (or information booth) dispenses free information in the form of maps, pamphlets, and other literature, and/or advice offered by an attendant.
Interactive kiosks
An electronic kiosk (or computer kiosk or interactive kiosk) houses a computer terminal that often employs custom kiosk software designed to function while preventing users from accessing system functions. Indeed, kiosk mode describes such a mode of software operation. Computerized kiosks may store data locally, or retrieve it from a computer network. Some computer kiosks provide a free, informational public service, while others serve a commercial purpose (see mall kiosk). Touchscreens, trackballs, computer keyboards, and pushbuttons are all typical input devices for interactive computer kiosk. Touchscreen kiosks are commercially used as industrial appliances, reducing lines, eliminating paper, improving efficiency and service. Their uses are unlimited from refrigerators to airports, health clubs, movie theaters and libraries.
Interactive kiosk
An interactive kiosk is a computer terminal featuring specialized hardware and software designed within a public exhibit that provides access to information and applications for communication, commerce, entertainment, and education.
Early interactive kiosks sometimes resembled telephone booths, but can also be used while sitting on a bench or chair. Interactive kiosks are typically placed in high foot traffic settings such as hotel lobbies or airports.
Integration of technology allows kiosks to perform a wide range of functions, evolving into self-service kiosks. For example, kiosks may enable users to enter a public utility bill account number in order to perform an online transaction, or collect cash in exchange for merchandise. Customised components such as coin hoppers, bill acceptors, card readers and thermal printers enable kiosks to meet the owner's specialised needs.
History
The first self-service, interactive kiosk was developed in 1977 at the University of Illinois at Urbana-Champaign by a pre-med student, Murray Lappe. The content was created on the PLATO computer system and accessible by plasma touch screen interface. The plasma display panel was invented at the University of Illinois at Urbana-Champaign by Donald L. Bitzer. Lappe's kiosk, called The Plato Hotline allowed students and visitors to find movies, maps, directories, bus schedules, extracurricular activities and courses. When it debuted in the U of Illinois Student Union in April 1977, more than 30,000 students, teachers and visitors stood in line during its first 6 weeks, to try their hand at a "personal computer" for the first time.
Requiem
A Requiem or Requiem Mass, also known as Mass for the dead (Latin: Missa pro defunctis) or Mass of the dead (Latin: Missa defunctorum), is a Mass in the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, using a particular form of the Roman Missal. It is frequently, but not necessarily, celebrated in the context of a funeral.
Musical settings of the propers of the Requiem Mass are also called Requiems, and the term has subsequently been applied to other musical compositions associated with death and mourning, even when they lack religious or liturgical relevance.
The term is also used for similar ceremonies outside the Roman Catholic Church, especially in the Anglo-Catholic tradition of Anglicanism and in certain Lutheran churches. A comparable service, with a wholly different ritual form and texts, exists in the Eastern Orthodox and Eastern Catholic Churches, as well as in the Methodist Church.
The Mass and its settings draw their name from the introit of the liturgy, which begins with the words "Requiem aeternam dona eis, Domine" – "Grant them eternal rest, O Lord". ("Requiem" is the accusative singular form of the Latin noun requies, "rest, repose".) The Roman Missal as revised in 1970 employs this phrase as the first entrance antiphon among the formulas for Masses for the dead, and it remains in use to this day.
Requiem (NCIS)
"Requiem" is the seventh episode in the fifth season, and the 101st overall episode, of the American crime drama television series NCIS. It first aired on CBS in the United States on November 6, 2007. The episode was written by Shane Brennan and directed by Tony Wharmby.
In the episode, Leroy Jethro Gibbs is visited by Maddie Tyler, the childhood best friend of his deceased daughter, for help in stopping a Marine who she believes stalking her. When Tyler is kidnapped, Gibbs becomes more personally involved in the case. It is later revealed the stalker is using Tyler's home to get their hands on four million dollars in stolen Iraqi aid money.
"Requiem" was originally intended to be the 100th episode of the series, until the producers switched the order with "Chimera" because they believed it would be suitable to air near Halloween. The episode was seen by 18.15 million viewers, which was the second largest audience at the time.
Plot
The episode begins with Special Agent Anthony DiNozzo (Michael Weatherly) shooting two armed suspects at a dock before diving into the water to save his superior Leroy Jethro Gibbs (Mark Harmon) and a young woman (Cameron Goodman) from a submerged car. DiNozzo then attempts to resuscitate them.
Requiem (Branford Marsalis album)
Requiem is a jazz trio album by the Branford Marsalis Quartet, featuring Branford Marsalis, Eric Revis, Jeff "Tain" Watts, and Kenny Kirkland. The recording, Kirkland's last before his death in November 1998, was dedicated to his memory. Recorded August 17–20 and December 9–10, 1998 in the Tarrytown Music Hall in Tarrytown, New York, the album reached Number 8 on the Billboard Top Jazz Albums chart.
After several years of recordings in trio and other formats, the Requiem recording reunited Marsalis and Watts with Kirkland, who had been his collaborator on many earlier outings. After the August recording sessions, the quartet took the material on the road, with the goal of returning to the studio after the material had been honed on stage. Following Kirkland's death the remaining players recorded as a trio, capturing the song "Elysium."
In his AllMusic review, Richard Ginell says the album "an uncompromising, well-played disc of acoustic jazz that leans a bit toward adventure at times… in what turned out to be the swan song for one of the neo-bop era's finest lineups." Josef Woodard, in Entertainment Weekly called the album an "inspiring set that showcases Marsalis' expressive fluidity and lends a rueful, finalizing punctuation mark to Kirkland's brilliant and too-brief career." Writing for AllAboutJazz.com, Ian Nicolson noted that the album captures "the sound of a hot, creative musician flourishing in a hot, creative environment, captured largely live on analogue 24-track." James Shell's review for JazzReview.com called the work "unquestionably Branford's best to date," noting "its reliance on the Keith Jarrett quartet of the mid-seventies as a model."
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