The Yeti (/ˈjɛti/) or Abominable Snowman (Nepali: हिममानव himamānav, lit. "mountain man") is an ape-like cryptid taller than an average human that is said to inhabit the Himalayan region of Nepal, Bhutan and Tibet. The names Yeti and Meh-Teh are commonly used by the people indigenous to the region, and are part of their history and mythology. Stories of the Yeti first emerged as a facet of Western popular culture in the 19th century.
The scientific community generally regards the Yeti as a legend, given the lack of conclusive evidence, but it remains one of the most famous creatures of cryptozoology.
The word Yeti is derived from Tibetan: གཡའ་དྲེད་, Wylie: g.ya' dred, ZYPY: Yachê , a compound of the words Tibetan: གཡའ་, Wylie: g.ya', ZYPY: ya "rocky", "rocky place" and (Tibetan: དྲེད་, Wylie: dred, ZYPY: chê ) "bear". Pranavananda states that the words "ti", "te" and "teh" are derived from the spoken word 'tre' (spelled "dred"), Tibetan for bear, with the 'r' so softly pronounced as to be almost inaudible, thus making it "te" or "teh".
The Yeti are a number of similar fictional hidden races in the Marvel Universe.
Yeti are fur-covered humanoid beings living in the Himalaya Mountains and familiarly known as "Abominable Snowmen." There are three known varieties of Yeti.
The first, the so-called "Cold People," were highly intelligent and had made advanced scientific developments. They were transformed into normal human beings.
A far more primitive race of Yeti with human intelligence first appeared in Man-Thing vol.2, #2, but was destroyed.
An example of a third race of Yeti was encountered by Shang-Chi, and first appeared in Master of Kung Fu #124.
In music, a reprise (/rəˈpriːz/ rə-PREEZ) is the repetition or reiteration of the opening material later in a composition as occurs in the recapitulation of sonata form, though—originally in the 18th century—was simply any repeated section, such as is indicated by beginning and ending repeat signs.
Reprise can refer to a version of a song which is similar to, yet different from, the song on which it is based. One example could be "Time", the fourth song from Pink Floyd's 1973 album The Dark Side of the Moon, which contains a reprise of "Breathe", the second song of the same album.
This is a glossary of terms used in fencing.
Parries generally cover one of the 'lines' of the body. The simplest parries move the blade in a straight line. Other parries move the blade in a circular, semicircular, or diagonal manner. There are eight basic parries, and many derivatives of these eight. (see #Prime, #Seconde, #Tierce, #Quarte, #Quinte, #Sixte, #Septime, #Octave, #Neuvieme). See also #Lines.
In foil, the opponent's blade should not only be deflected away from the target, but away from off-target areas as well. An attack that is deflected off the valid target but onto invalid target still retains right-of-way. In sabre, the opponent's blade need only be deflected away from valid target, since off-target touches do not stop the phrase. Sabre parries must be particularly clean and clear to avoid the possibility of whip-over touches. In épée, a good parry is simply any one that gains enough time for the riposte; opposition parries and prise-de-fer are commonly used, since they do not release the opponent's blade to allow a remise.<-- No such section yet.
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Note that the vocabulary here is primarily a glossary of modern fencing terms. Over time, the teminology has evolved, and different terminology may be found in Medieval and Renaissance sources. In many cases, English, French, and Italian terminology may be used (often interchangeably) for the same thing.
Reprise is a Norwegian film directed by Joachim Trier. Co-written over the course of five years with Eskil Vogt, it is Trier's first feature-length film. In 2006 it was the Norwegian candidate for the Academy Award for best foreign-language film.
Two 23-year-olds, Erik and Phillip, dream of becoming successful writers. They idolize the reclusive writer Sten Egil Dahl (a character modelled on Tor Ulven). When they both try to get a manuscript published, Erik's is rejected. Phillip's, on the other hand, is accepted and he becomes a star of the Norwegian literary scene overnight. Phillip meets Kari, with whom he falls in love after inviting her on a trip to Paris. Six months later, Erik and his friends pick up Phillip at a psychiatric hospital to bring him home after a long treatment for his psychosis that was triggered by his obsessive love for Kari. Erik still hasn't given up his dream, but Phillip isn't able to write anymore, although his friend encourages him to make a new effort. Instead Phillip tries to get his ruined relationship with Kari to start from the beginning again by going to Paris again and imitating their first trip, but Philip realises he doesn't love Kari anymore and they go their separate ways.
Lies, depreciation of self
Moral demise
The corporate machine of America
In God we trust
Statement of political banter
Plastic words for a plastic nation
Bred to live the American dream
Elderly parents in institutions
Billions of dollars for the promotion
Of cutting edge abortionary practices
Prayer in schools has been replaced
With condoms, the value of quality
Family time has regressed to the television's filth
And sexual innuendo
Repressed
Our forefathers established this nation
Under the grace of God
In all His provisions
Why we are so richly blessed
Richly blessed, richly blessed
Richly blessed, richly blessed
Our Father, Father