Ponç or Ponc may refer to:
PON or Pon may refer to:
Pān is the Mandarin pinyin romanization of the East Asian surname 潘. It is listed 43rd in the Song dynasty classic text Hundred Family Surnames. It is romanized as P'an in Wade–Giles; Poon, Pon, or Pun in Cantonese; Phua in Hokkien and Teochew.
潘 is also a common surname in Vietnam and Korea. It is romanized Phan in Vietnamese and Ban or Pan in Korean.
Pan 潘 is the 37th most common surname in mainland China and the 31st most common surname on Taiwan.
None of the romanizations of Pan 潘 appeared among the 1000 most common surnames during the 2000 US census.
As with many Chinese surnames, the origins of the Pan are various and sometimes legendary.
One origin was a clan name taken from a fief north of Shaanxi granted to Ji Sun, a descendant of King Wen of Zhou. Some members descend from Ji Sun himself, others from his vassals.
Another source was a cadet branch of the ruling House of Mi (芈) of the State of Chu during the Spring and Autumn period. Among these Pans, Pan Chong served as regent and advisor for the state of Chu. When King Cheng of Chu decided to make a younger son the crown prince, Pan Chong aided the elder prince Shangchen instead. Shangchen forced King Cheng to commit suicide and ascended the throne as King Mu of Chu. Pan Chong was made the "Royal Tutor".
In music, a reprise (/rəˈpriːz/ rə-PREEZ) is the repetition or reiteration of the opening material later in a composition as occurs in the recapitulation of sonata form, though—originally in the 18th century—was simply any repeated section, such as is indicated by beginning and ending repeat signs.
Reprise can refer to a version of a song which is similar to, yet different from, the song on which it is based. One example could be "Time", the fourth song from Pink Floyd's 1973 album The Dark Side of the Moon, which contains a reprise of "Breathe", the second song of the same album.
This is a glossary of terms used in fencing.
Parries generally cover one of the 'lines' of the body. The simplest parries move the blade in a straight line. Other parries move the blade in a circular, semicircular, or diagonal manner. There are eight basic parries, and many derivatives of these eight. (see #Prime, #Seconde, #Tierce, #Quarte, #Quinte, #Sixte, #Septime, #Octave, #Neuvieme). See also #Lines.
In foil, the opponent's blade should not only be deflected away from the target, but away from off-target areas as well. An attack that is deflected off the valid target but onto invalid target still retains right-of-way. In sabre, the opponent's blade need only be deflected away from valid target, since off-target touches do not stop the phrase. Sabre parries must be particularly clean and clear to avoid the possibility of whip-over touches. In épée, a good parry is simply any one that gains enough time for the riposte; opposition parries and prise-de-fer are commonly used, since they do not release the opponent's blade to allow a remise.<-- No such section yet.
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Note that the vocabulary here is primarily a glossary of modern fencing terms. Over time, the teminology has evolved, and different terminology may be found in Medieval and Renaissance sources. In many cases, English, French, and Italian terminology may be used (often interchangeably) for the same thing.
Reprise is a Norwegian film directed by Joachim Trier. Co-written over the course of five years with Eskil Vogt, it is Trier's first feature-length film. In 2006 it was the Norwegian candidate for the Academy Award for best foreign-language film.
Two 23-year-olds, Erik and Phillip, dream of becoming successful writers. They idolize the reclusive writer Sten Egil Dahl (a character modelled on Tor Ulven). When they both try to get a manuscript published, Erik's is rejected. Phillip's, on the other hand, is accepted and he becomes a star of the Norwegian literary scene overnight. Phillip meets Kari, with whom he falls in love after inviting her on a trip to Paris. Six months later, Erik and his friends pick up Phillip at a psychiatric hospital to bring him home after a long treatment for his psychosis that was triggered by his obsessive love for Kari. Erik still hasn't given up his dream, but Phillip isn't able to write anymore, although his friend encourages him to make a new effort. Instead Phillip tries to get his ruined relationship with Kari to start from the beginning again by going to Paris again and imitating their first trip, but Philip realises he doesn't love Kari anymore and they go their separate ways.