Repetition (album)

Repetition is the sixth studio album by the American post-hardcore band Unwound, released on April 9, 1996 by Kill Rock Stars. It was recorded in January 1996 at John and Stu's Place in Seattle, Washington and produced by Steve Fisk and John Goodmanson. The album received positive reviews from critics.

Recording and release

Repetition was recorded in January 1996 at John and Stu's Place in Seattle, Washington and produced by Steve Fisk and John Goodmanson. The band sought a more "studio-oriented" approach than their previous albums and experimented new sounds with keyboards. The word "Repetition" was chosen as the album's title because, according to singer and guitarist Justin Trosper, "I like that word. It sort of describes a lot of things. People have said that our music is repetitious. So I thought it would be funny if we called out record that. Plus it's our fifth record, so we're like repeating things over and over".Repetition was released on April 9, 1996 by the independent record label Kill Rock Stars, which also released the band's previous three albums. The song "Corpse Pose" was released as a single on March 11, 1996, featuring an outtake, "Everything Is Weird", as the B-side.

! (album)

! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.

Track listing

Personnel

The following people were involved in the making of !:

References

Album

Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 ¹⁄₃ rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.

An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.

+ (disambiguation)

+ (the plus sign) is a binary operator that indicates addition, with 43 in ASCII.

+ may also refer to:

See also

Lodger (album)

Lodger is the thirteenth studio album by English singer-songwriter David Bowie, released in 1979. The last of the 'Berlin Trilogy' recorded in collaboration with Brian Eno, it was produced in Switzerland and New York City, and was more accessible than its immediate predecessors Low and "Heroes", having no instrumentals and being somewhat lighter and more pop-oriented. It was still an experimental record in many ways and was not, by Bowie's standards, a major commercial success. Indifferently received by critics on its initial release, it is now widely considered to be among Bowie's most underrated albums.

Production

Originally to be titled either Planned Accidents or Despite Straight Lines,Lodger was largely recorded between legs of David Bowie's 1978 world tour and featured the same musicians, along with Brian Eno. Lead guitar was played not by Robert Fripp, as on "Heroes", but by Fripp's future King Crimson bandmate, Adrian Belew, whom Bowie had "poached" while the guitarist was touring with Frank Zappa. Much of Belew's work on the album was composited from multiple takes played against backing tracks of which he had no prior knowledge, not even the key. Other experiments on the album included using old tunes played backwards, employing identical chord sequences for different songs, and having the musicians play unfamiliar instruments.

Rote learning

Rote learning is a memorization technique based on repetition. The idea is that one will be able to quickly recall the meaning of the material the more one repeats it. Some of the alternatives to rote learning include meaningful learning, associative learning, and active learning.

Rote learning vs. critical thinking

Rote methods are routinely used when fast memorization is required, such as learning one's lines in a play or memorizing a telephone number.

Rote learning is widely used in the mastery of foundational knowledge. Examples of school topics where rote learning is frequently used include phonics in reading, the periodic table in chemistry, multiplication tables in mathematics, anatomy in medicine, cases or statutes in law, basic formulae in any science, etc. By definition, rote learning eschews comprehension, so by itself it is an ineffective tool in mastering any complex subject at an advanced level. For instance, one illustration of Rote learning can be observed in preparing quickly for exams, a technique which may be colloquially referred to as "cramming".

Repetition (Kierkegaard)

Repetition (Danish: Gjentagelsen) is an 1843 book by Søren Kierkegaard and published under the pseudonym Constantin Constantius to mirror its titular theme. Constantin investigates whether repetition is possible, and the book includes his experiments and his relation to a nameless patient known only as the Young Man.

The Young Man has fallen in love with a girl, proposed marriage, the proposal has been accepted, but now he has changed his mind. Constantin becomes the young man's confidant. Coincidentally, the problem that the Young Man had is the same problem Kierkegaard had with Regine Olsen. He had proposed to her, she had accepted but he had changed his mind. Kierkegaard was accused of "experimenting with the affections of his fiancée".

Charles K. Bellinger says Either/Or, Fear and Trembling and Repetition are works of fiction, "novelistic" in character; they focus on the boundaries between different spheres of existence, such as the aesthetic and the ethical, and the ethical and the religious; they often focus on the subject of marriage; they can be traced back to Kierkegaard's relationship with Regine." There is much in this work that is autobiographical in nature. How much is left up to the reader. Kierkegaard explores the conscious choices this Young Man makes.