Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.
In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.
Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.
Remix'5 is a Candan Erçetin album. It was remixes of Melek. There's also a song from "Les Choristes" movie, 'Sevdim Anladım'.
Escape or Refuge (German:Zuflucht) is a 1928 German silent drama film directed by Carl Froelich and starring Henny Porten, Max Maximilian and Margarete Kupfer.
The film's sets were designed by the art director Franz Schroedter.
Escape is an early ZX Spectrum video game developed and released by New Generation Software in 1982.
"Can you ESCAPE from the monsters? You must search through the maze to find the axe which will enable you to break down the door and ESCAPE. But it is not that easy - the Triceratops hides behind the hedges and the Pteranodon soars over the maze to swoop down upon you"
The player has to search a maze displayed in primitive 3D for an axe, which will allow him to break the exit, and escape. He is chased by initially a single monster - each successful escape increases the number of monsters roaming the maze, until level 6, which introduces a Pterosaur that will occasionally take off and fly over the hedges, not being restricted to the maze paths.
Upon finding the axe, which is randomly placed for each level, the player speed slows down allowing the monsters to catch up.
Reviews can be found in the following magazines....
Sinclair User "The game was written by the author of the J K Greye 3D Monster Maze and is one of the best and most original games we have seen for the Spectrum so far"
Escape is an American digital multicast television network that is owned by Katz Broadcasting. The network, which is targeted at women between the ages of 25 and 54 years old, primarily focuses on feature films, but also carries some true crime documentary series.
The network is available in several media markets via the digital subchannels of broadcast television stations and on the digital tiers of select cable providers through a local affiliate of the network. Although the network mainly competes with digital multicast networks such as This TV, Movies! and GetTV, the network's gender-targeted format is similar to that of cable channels such as Lifetime and Oxygen.
Original, Katz sold the network to affiliated TV stations via ad split but by October 2015 had moved to a carriage fees in exchange for the network get the ad inventory due to greater inventory with stations adding a third or fourth subchannel.1 Escape used direct response advertising as a meter of viewers before switching to Neilsen rating C-3.3
The master, or sailing master, was a historic term for a naval officer trained in and responsible for the navigation of a sailing vessel. The rank can be equated to a professional seaman and specialist in navigation, rather than as a military commander.
In the British Royal Navy, the master was originally a warrant officer who ranked with, but after, the lieutenants. The rank became a commissioned officer rank and was renamed to navigating lieutenant in 1867; the rank gradually fell out of use from around c1890 since all lieutenants were required to pass the same exams.
When the United States Navy was formed in 1794, master was listed as one of the warrant officer ranks and ranked between midshipmen and lieutenants. The rank was also a commissioned officer rank from 1837 until it was replaced with the current rank of lieutenant, junior grade in 1883.
In the Middle Ages, when 'warships' were typically merchant vessels hired by the crown, the man in charge of the ship and its mariners, as with all ships and indeed most endeavours ashore, was termed the Master; the company of embarked soldiers was commanded by their own Captain.
Master is an English honorific for boys and young men.
Master was used in England for men of some rank, especially "free masters" of a trade guild and by any manual worker or servant employee addressing his employer (his master), but also generally by those lower in status to gentlemen, priests, or scholars. In the Elizabethan period, it was used between equals, especially to a group ("My masters"), mainly by urban artisans and tradespeople. It was later extended to all respectable men and was the forerunner of Mister.
After its replacement in common speech by Mister, Master was retained as a form of address only for boys who have not yet entered society. By the late 19th century, etiquette dictated that men be addressed as Mister, and boys as Master.
The use of Master as a prefixed title, was according to Leslie Dunkling "until recently ... a way of addressing politely a boy who was too young to be called "Mister"," When used in the UK, master is the honorific for boys under 18 years of age.
Fatboy sampled from A.D.O.R.'s "One for the Trouble" to make this mix]
[A.D.O.R. x4]
Back for the/heat with the/power with the/heat for the
Back for the/heat with the/power with the/heat for the
Back for the/heat with the/power with the/heat for the
Back for the/back with the/back with the heat for the
[A.D.O.R.]
Back once again.. (Go! Go! Go! Go!)
Back once again.. (Go! Go! Go! Go!)
Back once again.. (Go! Go! Go! Go!)
Back once again with the ill behaviour (Go! Go! Go! Go!)
Back once again.. (Go! Go! Go! Go!)
Back once again.. (Go! Go! Go! Go!)
Back once again.. (Go! Go! Go! Go!)
B-b-b-b-b-b-b-back, th-th-th-th-the, w-w-w-w-with, the
[A.D.O.R. x6]
Back once again/for the renegade master
Default damager/power to the people
Back once again/for the renegade master
Default damager/with the ill behaviour
[A.D.O.R.]
Back once again/with the ill behaviour
With the ill behaviour/with the ill behaviour
With the ill behaviour/with the ill behaviour
Back/forth/deep/with/back/with/deep/forth
(Go! Go! Go! Go!) (Go! Go! Go! Go!)
(Go! Go! Go! Go!) (Go! Go! Go! Go!)
(Go! Go! Go! Go!) (Go! Go! Go! Go!)
(Go! Go! Go! Go!) (Go! Go! Go! Go!)
(Go! Go! Go! Go!) (Go! Go! Go! Go!)
(Go! Go! Go! Go!) (Go! Go! Go! Go!)
(Go! Go! Go! Go!) (Go! Go! Go! Go!)
(Go! Go! Go! Go!) (Go! Go! Go! Go!)
(Go! Go! Go! Go!) (Go! Go! Go! Go!)
(Go! Go! Go! Go!) (Go! Go! Go! Go!)
(Go! Go! Go! Go!) (Go! Go! Go! Go!)
(Go! Go! Go! Go!) (Go! Go! Go! Go!)
[A.D.O.R.]
Back for the/heat with the/power with the/heat for the
Back for the/heat with the/power with the/heat for the
Back for the/heat with the/power with the/heat for the
Back-back for-for the-the with-with pow-power the-the with-with for
[A.D.O.R. x2]
Back once again/for the renegade master
Default damager/power to the people
Back once again/for the renegade master
Default damager/with the ill behaviour
[A.D.O.R.]
Back once again.. (Go! Go! Go! Go!)
Back once again.. (Go! Go! Go! Go!)
Back once again.. (Go! Go! Go! Go!)
Back once again with the ill behaviour (Go! Go! Go! Go!)
Back once again.. (Go! Go! Go! Go!)
Back once again.. (Go! Go! Go! Go!)
Back-back for-for the-the with-with pow-power the-the with-with for
B-b-b-b-b-b-b-back, th-th-th-th-the, w-w-w-w-with, p-p-p-p-p-p
(Go! Go! Go! Go!) (Go! Go! Go! Go!)
(Go! Go! Go! Go!) (Go! Go! Go! Go!)
(Go! Go! Go! Go!) (Go! Go! Go! Go!)
(Go! Go! Go! Go!) (Go! Go! Go! Go!)
(Go! Go! Go! Go!) (Go! Go! Go! Go!)
(Go! Go! Go! Go!) (Go! Go! Go! Go!)
(Go! Go! Go! Go!) (Go! Go! Go! Go!)
(Go! Go! Go! Go!) (Go! Go! Go! Go!)
[A.D.O.R.]
Back once again/with the ill behaviour
With the ill behaviour/with the ill behaviour
With the ill behaviour/with the ill behaviour
With the ill behaviour/with the ill behaviour
With the ill behaviour/with the ill behaviour
With the ill behaviour/with the ill behaviour [repeat to fade]
[beat comes back in]
With the ill behaviour/with the ill behaviour
With the ill behaviour/with the ill behaviour
With the ill behaviour/with the ill behaviour
With the ill behaviour/with the ill behaviour
With the ill behaviour/with the ill behaviour
With the ill behaviour/with the ill behaviour
With the ill behaviour/with the ill behaviour
With the ill behaviour/with the ill behaviour
With the ill behaviour/with the ill behaviour
With the ill behaviour/with the ill behaviour
{*blends with beat into incomprehensibility*}
[A.D.O.R. x6]
Back once again/for the renegade master
Default damager/power to the people
Back once again/for the renegade master
Default damager/with the ill behaviour
[A.D.O.R.]
Back once again/with the ill behaviour
With the ill behaviour/with the ill behaviour
With the ill behaviour/with the ill behaviour
With the ill behaviour/with the ill behaviour
With the ill behaviour/with the ill behaviour
With the ill behaviour/with the ill behaviour {*repeat to fade*}